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John Coltrane: Evenings At The Village Gate
by Mike Jurkovic
All music is, as are all our greater gestures and pursuits--poetry, painting, literature, sculpture, dance--spiritual by nature. An outreach by the artist and thus, by extension, us, beyond the daily argot of the ordinary. But sometimes those instances are so far and in-between, so masked by the lawlessness of the present moment, that our higher selves ...
Vicente Archer: Short Stories
by Mike Jurkovic
Bassist Vicente Archer may be a Grammy winner with a long grand vintage (Nicholas Payton, John Scofield, Kenny Garrett, Norah Jones) but he has not revealed his own particular harvest as he does on the amicable and resilient Short Stories. Accompanied on what is technically his debut, fellow Scofield and Payton alum, drummer Bill Stewart and ...
The Cry: The Cry
by Mike Jurkovic
Like a seance, the French improvising trio of pianist Christine Ott, keyboardist Mathieu Gabry and drummer/percussionist Pierre-Loïc Le Bliguet, collectively calling themselves The Cry, manage to seep into one's crowded consciousness with an ethereal language spoken before, but just not quite like they speak it on their eponymous debut outing. Is it jazz? Who ...
John Dikeman / Pat Thomas / John Edwards / Steve Noble: Volume2
by Mike Jurkovic
If ever oh ever there was a more ornery conversation between four highly-charged, time-defiant individuals, Volume2 sets the mark. Arguing, as great men do, about all things seen and unseen, secular and sublime, consummate free jazzers saxophonist John Dikeman, pianist Pat Thomas, bassist John Edwards and drummer Steve Noble circle the wagons once again at London's Cafe ...
Pat Thomas Chris Sharkey Luke Reddin-Williams: Know: Delirium Atom Paths
by Mike Jurkovic
Delirium Atom Paths sounds exactly as one might hope, expect, or suspect the willing abandon of UK master innovator, keyboardist Pat Thomas, guitarist Chris Sharkey, and drummer Luke Reddin-Williams to sound like: a fearless dialogue of ideas without dogma, ambitions without greed, creation without regret. Captured live at Leeds at the big bang moment ...
Orrin Evans: The Red Door
by Mike Jurkovic
A most generous craftsman, composer and bandleader, pianist Orrin Evans never fails to bring out the best of whoever he chooses to create with. The Red Door is gratefully, and gracefully, no exception to that rule. Whatever musical setting Evans chooses to practice his sinewy, r'n'b inflected post-bop in--sideman, big band, trio, quartet, duo, ...
Ivo Perelman / Arun Ortiz / Lester St. Louis: Prophecy
by Mike Jurkovic
Movies run through our heads all the time and Prophecy, the latest excursion into the unruly unknown by tenor saxophonist and tireless creator Ivo Perelman and his two latest partners-in-crime, pianist Aruan Ortiz and cellist Lester St. Louis is just the soundtrack for them. Boisterous, disconcerting, consoling. Musically obtuse yet oddly accessible for the ...
Nils Kugelmann: Stormy Beauty
by Mike Jurkovic
Anyone can be excused for making the early assumption that the vibrant elegance of Stormy Beauty is the effort of a well-travelled, veteran bassist and his trio. It is not. But it sounds as if it is. Strikingly concise, persuasive and effective, the young German bassist and composer Nils Kugelmann's debut is an eye-opening ...
Bill Evans: Treasures: Solo, Trio and Orchestra Recordings from Denmark (1965-1969)
by Mike Jurkovic
At first one might wonder how long good fortune can last so that previously unheard and unreleased Bill Evans sets such as Treasures: Solo, Trio and Orchestra Recordings from Denmark (1965-1969) seemingly fall from the heavens on a regular basis. Is it not fact that all good things must come to an end is the cruelest ...
Javier Red: Life & Umbrella
by Mike Jurkovic
The secret behind Life & Umbrella is that Chicago-based, Mexican-born pianist/composer Javier Red is a studied composer who puts a great deal of thought into the music he presents, both to his peers and to the world. But that music never feels calculated like an equation with an obvious answer. Just the exact opposite. So it ...
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