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Microscopic Septet: Been Up So Long It Looks Like Down to Me, Jazz Passengers: Still Life with Troube, Papanosh: Chicken in a Bottle
by Vic Albani
Non credo che i puristi del caso si possano stupire di una recensione tripla che non vuole porre in contrapposizione tre lavori discografici afferenti ad una similare idea di base, bensì presentarli entro un unico pacchetto di “meraviglie contemporanee." Anche perché questi tre dischi potrebbero essere certamente acquistati ad occhi bendati quale brillante testimonianza di alcune ...
Microscopic Septet: Been Up So Long It Looks Like Down to Me: The Micros Play the Blues
by Troy Dostert
Since its inception, the Microscopic Septet has endeavored to uphold co-founder Phillip Johnston's motto to “break all the rules and respect all the saints." Coming out of New York's internecine jazz wars of the early 1980s, with avant-gardists and traditionalists each denying the other side's legitimacy, the Micros tried to bridge the divide: showing that respect ...
Microscopic Septet: Been Up So Long It Looks Like Down to Me: The Micros Play the Blues
by Karl Ackermann
Saxophonist Phillip Johnston founded The Microscopic Septet in 1980 when the group briefly counted John Zorn as one of its members. They recorded four albums and were a regular presence in New York's downtown scene before disbanding in 1992. In 2006 Cuneiform Records re-released the four albums leading to the reformation of the group and presently, ...
Three New Releases from Peter Kuhn
by Dave Wayne
Clarinetist Peter Kuhn came up in the 1970s. In those days, one could count the number of modern jazz clarinet specialists on one hand: John Carter, Perry Robinson, Theo Jorgensmann, Alvin Batiste and—if you include the bass clarinet—Michel Pilz. So, one hand and a finger. Still associated with Benny Goodman, Dixieland and Swing, the clarinet was ...
Poker di Jon Irabagon
by Stefano Merighi
Il jazz di oggi è sicuramente policentrico, continuando in questo la sua stratificata tradizione. Sempre più spazio trovano artisti americani di origini diverse. Tra essi, il sassofonista Jon Irabagon (sangue filippino) è emerso da un decennio con una forza dirompente, conseguenza di una preparazione enciclopedica, tradotta abilmente in un'ampia gamma di situazioni sonore.
Microscopic Septet: Manhattan Moonrise
by Vic Albani
Solo pochi anni orsono, quando mi trovai a scrivere di History of the Micros, i due straordinari capitoli summa summarum di questa band originariamente attiva dal 1980 al 1992 e tornata alle incisioni dopo più di un decennio di pausa creativa e produttiva agli inizi del nuovo millennio, mi trovai a raccontare delle classiche situazioni underground ...
Microscopic Septet: Manhattan Moonrise
by Glenn Astarita
In the 80s, the band engendered a cagey slant on mainstream swing and then morphed into the risk-taking New York downtown scene, eventually garnering widespread attention and sell-out crowds at the Knitting Factory and other hip venues. They regrouped in 2006, carrying the torch for what has become a singular sound, ingrained in classic jazz stylizations, ...
Manhattan Moonrise
Featuring the music of Microscopic Septet
Duration: 8:16
Dead Cat Bounce: Chance Episodes
by Dave Wayne
Combining a supremely agile multi-reed quartet with a lithe rhythm section, Dead Cat Bounce is anything but moribund on its Cuneiform debut, Chance Episodes. The title is a bit of a misnomer as well, as the highly developed compositions--all written and arranged by saxophonist/woodwind multi-instrumentalist Matt Steckler--leave little to chance. Originally commissioned by Chamber Music America ...
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