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The Complete Live at the Lighthouse
By Lee Morgan
Label: Blue Note Records
Released: 2021
Track listing: Friday, July 10, 1970:
Introduction by Lee Morgan;
The Beehive;
Introduction;
Something Like This;
Yunjana;
Speedball;
I Remember Britt;
Introduction;
Absolutions;
Speedball;
Introduction;
Neophilia;
Introduction;
416 East 10th Street;
The Sidewinder;
Speedball;
Introduction;
Peyote;
Speedball.
Saturday, July 11, 1970: Aon (13:47) Introduction; Yunjana; Introduction; Something Like This; Introduction; I Remember Britt; Introduction; The Beehive; Speedball; Neophilia; Nommo; Peyote; Absolutions.
Sunday, July 12, 1970: Introduction; Something Like This; Introduction; Yunjana; I Remember Britt; Absolutions; Speedball; Introduction; Neophilia; Introduction; The Beehive; Speedball; Peyote; Nommo.
John Clayton: Career Reflections
by Schaen Fox
John Clayton is as interesting to talk to as he is an artist of great talent and experience. The former has allowed him to interact with numerous major figures of his time as well as have long tenures performing with aggregations as diverse as Count Basie's band and the Amsterdam Philharmonic Orchestra. The latter gives him ...
Lee Morgan: The Complete Live at the Lighthouse
by Mike Jurkovic
Suffice to say that if Blue Note's original Live at The Lighthouse (1970) lit a fire under you and all the subsequent expanded iterations did nothing to douse said flames, this definitive final word on a very good thing is going to grab your attention fast and hold it hard. Fourteen previously unreleased whirlwind ...
Gigi Gryce
by AAJ Staff
From the 1995-2003 archive: This article first appeared at All About Jazz in 2002. Gigi Gryce was a special kind of musician—the kind often overlooked by the mainstream jazz world today, but widely respected by those familiar with his all too brief time under the jazz spotlight of the 1950s. More often rated as ...
Michelle Lordi: Career Evolution
by R.J. DeLuke
Some artists are blessed to be born into situations where opportunities are at the ready. Education and training are easily obtainable. Maybe they have connections to the professional world, via their lineage or other friends. Even so, it's still up to them to produce and deal with the inevitable vagaries of their choice to pursue music ...
Larry Tamanini: Front & Center
by Chris M. Slawecki
Philadelphia leaves such deep and wide fingerprints on guitarist Larry Tamanini's Front and Center that he could list the city in its credits. Tamanini emerged on the Philadelphia jazz scene in the late 1990s, studying privately under Philly jazz guitar legends Dennis Sandole and Pat Martino, whose cerebral yet soulful sound sometimes echoes through ...
Results for pages tagged "Mickey Roker"...
Mickey Roker
Born:
Granville "Mickey" Roker is an American jazz drummer. Roker was born into extreme poverty in Miami to Granville (Sr.) and Willie Mae Roker. After his mother died (his father never lived with them), when he was only ten, he was taken by his grandmother to live in Philadelphia with his uncle Walter, who gave him his first drum kit and communicated his love of jazz to his nephew. He also introduced the young Roker to the lively jazz scene in Philadelphia, where the great Philly Joe Jones became Roker's idol. Roker learned quickly, and he never stopped playing. In the early 1950s he started to gain recognition as a sensitive and yet hard-driving big-band drummer
Take Five with Chuck Redd
by AAJ Staff
About Chuck Redd Chuck Redd is an internationally well-known performer on both drums and vibraphone. He began his career when he joined the Charlie Byrd Trio at the age of 21. He also became a member of the Great Guitars (Barney Kessel, Byrd, and Herb Ellis.) To his credit are 25 European tours and six ...
Albert "Tootie" Heath, Ethan Iverson, Ben Street: Philadelphia Beat
by Stefano Merighi
Ottant'anni di fragranza sono quelli di Albert “Tootie" Heath, a giudicare dalla qualità del gioco imbastito in trio con il piano di Ethan Iverson ed il contrabbasso di Ben Street, un gioco giunto alla sua terza e più riuscita mano, votato alle regole non scritte della scuola jazzistica di Philadelphia. Un magistero, quello di Heath, plasmato ...
Joanna Pascale: To Tell a Story in Song
by Victor L. Schermer
Among jazz vocalists, there are two main categories: those who belt out a tune with flourish, ornamentation, punctuation, and improvising known as “scat." Ella Fitzgerald is the prime representative of that approach. Then there are those who omit the superfluous, carefully crafting every word and note, bringing out the underlying emotions. Think of Billie Holiday. Joanna ...
