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Erik Friedlander's Oscalypso al Carambolage di Bolzano
by Giuseppe Segala
Erik Friedlander's Oscalypso Piccolo Teatro Carambolage Bolzano 06.02.2017 Eleganza, precisione, arrangiamenti che coniugano intricati contrappunti a trasparenti unisoni, attenzione ai contrasti dinamici e agli impasti timbrici. Senso dell'esplorazione e della sorpresa. Sembrerebbe la descrizione dell'approccio musicale cameristico tipico di quello che è stato collocato sotto la definizione di Cool Jazz. Quella ...
Erik Friedlander At National Concert Hall, Dublin
by Ian Patterson
Erik Friedlander Kevin Barry Room, National Concert Hall Dublin, Ireland February 4, 2017 The sense of privilege was inescapable. To be one of a small number of people present at an intimate performance of music so beautiful felt like a royal invitation. Cellist Erik Friedlander was born the year ...
Erik Friedlander: A Little Cello?
by Ian Patterson
Normally lumped into the 'miscellaneous instruments' category of jazz awards, the cello has been something of a bit player in the colorful history of jazz. That said, today there are arguably more cellists in jazz and contemporary improvised music--and some extraordinary ones at that--than ever before. One of the best known cellists is undoubtedly Erik Friedlander, ...
Leslie Pintchik: True North
by Luigi Sforza
Nella musica della pianista Leslie Pintchik non vi è alcuna traccia di rottura con la tradizione classica del jazz, tutt'altro. La presenza marcata di paradigmi noti privilegia l'interesse per un modello espressivo che nelle forme chiuse, siano esse blues o A-A-B-A ("Falling in Love Again"), trova il principio originario, la cornice all'interno della quale prendono corpo--sotto ...
Red Piano Records To Release The Frank Carlberg Large Ensemble: "Monk Dreams, Hallucinations And Nightmares"
RED PIANO RECORDS TO RELEASE THE FRANK CARLBERG LARGE ENSEMBLE: Monk Dreams, Hallucinations And Nightmares Available February 10, 2017 The Frank Carlberg Large Ensemble is: Kirk Knuffke, John Carlson, Dave Smith, Jonathan Powell- trumpets; Alan Ferber, Brian Drye, Chris Washburn, Max Seeigel- trombones; John O'Gallagher, Jeremy Udden, Sam Sadigursky, Adam ...
Stephanie Castillo: Thomas Chapin - Night Bird Song
by Stefano Merighi
Stephanie CastilloNight Bird Song [DVD] * * * * Come abbiamo fatto a dimenticarci di Thomas Chapin? Questa è la domanda--tra le molte altre -che gran parte della comunità jazzistica dovrebbe porsi di fronte all'imponente lavoro documentario “Night Bird Song," che Stephanie Castillo ha realizzato in onore del polistrumentista e compositore ...
Thomas Chapin: Never Let Me Go
by Giuseppe Segala
L'ascolto di questo cofanetto fa rinascere aspra l'amarezza per la scomparsa prematura, nel 1998 a soli quarant'anni, di Thomas Chapin. Una raccolta che contrasta l'oblio e aggiunge qualche motivo di stupore e riflessione all'esperienza di chi ha apprezzato la fulminea, ricchissima eppure troppo breve vicenda artistica di quel grande musicista, straripante di vitalità e umanità.
Brad Shepik / Ron Samworth: Quartet 1991
by Dan Bilawsky
Tony Reif is calling a mulligan here. Some twenty-five years ago, shortly before he founded and launched the Songlines imprint and long before he was known the world over for his work in the production and promotion of creative music, Reif went into a Seattle studio to produce a recording for a quartet fronted by guitarists ...
Krakauer's Ancestral Groove: Checkpoint
by Dan Bilawsky
Clarinetist David Krakauer has been exploring his Eastern European Jewish background through music for the past quarter century. He's managed to touch on his roots in varied ways during that time, tapping into Jewish history with some help from the Kronos Quartet on The Dreams And Prayers Of Isaac The Blind (Nonesuch, 1997), finding common ground ...
Leslie Pintchik: True North
by Dan Bilawsky
Leslie Pintchik's music has a magical draw to it. Perhaps it has to do with her pearly and softly pronounced piano work, at once circuitous and direct in the way it shapes and navigates expressive pathways. Or maybe it has to do with her compositional acumen. Her pieces, after all, have a way of registering and ...
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