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Marcus Miller: Renaissance
by John Kelman
Some things change, other things stay the same. Marcus Miller--producer and performer with everyone from soul singer Luther Vandross and pianist Herbie Hancock to guitarist George Benson and Miles Davis, composing and producing the trumpeter's late period classic Tutu (Warner Bros., 1986)--has been releasing solo albums since 1983, but it was with The Sun Don't Lie ...
Marcus Miller: Renaissance Man
by Pheralyn Dove
[Editor's Note: On Sunday, November 25, 2012, All About Jazz learned that Marcus Miller sustained non-life-threatening injuries during a bus crash on the A2 highway in central Switzerland. Unfortunately, the driver was killed in the accident. Online sources report that the bus was carrying 13 people, including two drivers and the 11 members Miller's band. The ...
Iris Ornig: No Restrictions
by Hrayr Attarian
Intrepid bassist Iris Ornig's second release follows the thematic structure of her remarkable debut, New Ground (Self Produced, 2009), but is more polished and coherent, hence more engaging. This is a hard goal to achieve, as the first was a thoroughly enjoyable and stimulating album. If New Ground was a collection of short ...
Donald Harrison & Quantum Leap: New York City, NY, September 20, 2012
by Ernest Barteldes
Donald Harrison & Quantum LeapThe Jazz StandardNew York City, New YorkSeptember 20, 2012New Orleans-based saxophonist Donald Harrison kicked off the evening's first set with a shuffle-based groove, immediately starting with an improvised solo. The quintet, rounded out by pianist Zaccai Curtis, bassist Max Moran, drummer Joe Dyson and electric guitarist Detroit ...
George S. Clinton Named Film Scoring Chair
Berklee College of Music announces that noted composer George S. Clinton has been named chair of the college’s Film Scoring Department. Clinton will build on the 32-year legacy of the department and ensure that graduates have the skills to thrive in a field that is undergoing continual transformation. Berklee offers the world’s only undergraduate film scoring ...
Block and Roll and All That Jazz
by Sammy Stein
There are just a few bands that can fill a jazz venue as easily as they fill one more used to contemporary pop music, and it seems right to acknowledge one of the best jazz-influenced, long-lived and popular groups from the late '70s to the present day, The Blockheads. This band filled Ronnie Scott's and The ...
Manner Effect: Abundance
by Hrayr Attarian
Manner Effect is not merely an energetic group consisting of a vocalist backed by a four- piece band, but a quintet with two frontline instruments and a rhythm section. This is primarily due to Sarah Elizabeth Charles's utilization of her amazing vocal cords as a wind instrument, and in her delivery of songs in the tradition ...
Ben Williams: The Effect of Sound
by Daniel Lehner
It's continuously perplexing that Ben Williams did not set out on playing the bass first. Forced to pick the most attractive string instrument amongst the cellos and violins, the 7th grade aspiring guitarist ended up picking the instrument that he, now in his upper twenties, is in massively high demand for and is unsettlingly proficient in. ...
The Art Of The Song
by Bruce Lindsay
Singing is possibly the most universal of the arts, certainly of the musical arts. The human voice is the most portable of instruments, always there, always available. It's also the most expressive of instruments: almost every instrument invented in history has at some time or other been used to mimic the voice; none have truly succeeded.
A Few Frames Of Public Access Art
by Skip Heller
Music and television have always worked together, and through the history of the medium, apocolypses have happened because the world was tuned in together. Language quickly becomes hyperbole when people recall Elvis Presley or the Beatles on Ed Sullivan, Ricky Nelson's fantastic weekly performances on his parents' show (The Adventures of Ozzie and Harriet), any number ...
