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Donald Harrison & Quantum Leap: New York City, NY, September 20, 2012

by Ernest Barteldes
Donald Harrison & Quantum LeapThe Jazz StandardNew York City, New YorkSeptember 20, 2012New Orleans-based saxophonist Donald Harrison kicked off the evening's first set with a shuffle-based groove, immediately starting with an improvised solo. The quintet, rounded out by pianist Zaccai Curtis, bassist Max Moran, drummer Joe Dyson and electric guitarist Detroit ...
George S. Clinton Named Film Scoring Chair
Berklee College of Music announces that noted composer George S. Clinton has been named chair of the college’s Film Scoring Department. Clinton will build on the 32-year legacy of the department and ensure that graduates have the skills to thrive in a field that is undergoing continual transformation. Berklee offers the world’s only undergraduate film scoring ...
Block and Roll and All That Jazz

by Sammy Stein
There are just a few bands that can fill a jazz venue as easily as they fill one more used to contemporary pop music, and it seems right to acknowledge one of the best jazz-influenced, long-lived and popular groups from the late '70s to the present day, The Blockheads. This band filled Ronnie Scott's and The ...
Manner Effect: Abundance

by Hrayr Attarian
Manner Effect is not merely an energetic group consisting of a vocalist backed by a four- piece band, but a quintet with two frontline instruments and a rhythm section. This is primarily due to Sarah Elizabeth Charles's utilization of her amazing vocal cords as a wind instrument, and in her delivery of songs in the tradition ...
Ben Williams: The Effect of Sound

by Daniel Lehner
It's continuously perplexing that Ben Williams did not set out on playing the bass first. Forced to pick the most attractive string instrument amongst the cellos and violins, the 7th grade aspiring guitarist ended up picking the instrument that he, now in his upper twenties, is in massively high demand for and is unsettlingly proficient in. ...
The Art Of The Song

by Bruce Lindsay
Singing is possibly the most universal of the arts, certainly of the musical arts. The human voice is the most portable of instruments, always there, always available. It's also the most expressive of instruments: almost every instrument invented in history has at some time or other been used to mimic the voice; none have truly succeeded.
A Few Frames Of Public Access Art

by Skip Heller
Music and television have always worked together, and through the history of the medium, apocolypses have happened because the world was tuned in together. Language quickly becomes hyperbole when people recall Elvis Presley or the Beatles on Ed Sullivan, Ricky Nelson's fantastic weekly performances on his parents' show (The Adventures of Ozzie and Harriet), any number ...
Why Do I Write These Articles?

by Mort Weiss
The following will be an exercise in candor. I like to see my name in print on a Major--the major jazz web site. And I hope it will further better my record sales. I like to think that folks/people are finding things of interest in my remembrances that I've accumulated within my persona over a long ...
RJ Smith: The One - The Life and Music of James Brown

by Jeff Dayton-Johnson
The One: The Life and Music of James Brown RJ SmithHardcover, 464 pagesISBN: 978-1592406579Gotham Books2012James Brown (1933-2006): singer, bandleader, composer, impresario, self-made man-- Amiri Baraka called him our number one black poet." Brown describes himself, in the pages of RJ Smith's biography, as 75 ...
Profile: Violinist Marissa Licata - From Alicia Keys To Recording A New Album With Her Father
Q: When would you say triggered your passion for music? How old were you at the time? A: My passion for music probably started before I began playing at three. There was always music in the house because of my father. The age that I recognized a serious passion was probably around age six. I had ...