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Producer Orrin Keepnews To Be Honored At A Memorial Concert At Yoshi's, Oakland, Nov. 29
When Orrin Keepnews passed away at his El Cerrito home on March 1, the day before his 92nd birthday, he left behind an unparalleled legacy as a jazz producer, advocate, and entrepreneur. Keepnews’s brilliant career spanned more than 60 years, during which time he founded three forward-thinking labels (Riverside, Milestone, Landmark) and produced hundreds of major ...
John Coltrane: A Love Supreme: The Complete Masters
by Mark Corroto
For many a jazz fan John Coltrane's A Love Supreme is their personal desert island pick, the one recording they would not hesitate to live their days out listening to. Recorded on December 9, 1964, the session has endured as a document of the saxophonist's faith, as it was the proclamation of his rebirth from the ...
Gideon King & City Blog: City Blog
by Paul Naser
New York based guitarist/composer Gideon King's unique musical upbringing has allowed him to blend emotional, compelling songwriting that incorporates sophisticated harmonies and the always engaging element of improvisation. King says of himself, “ My brother, a well-known jazz pianist... cleverly referenced Mccoy Tyner, John Coltrane, Bill Evans, and many others. My sisters, on the other hand, ...
Girl Talk: Saxophonists Nicole Glover and Kirsten Edkins
by C. Michael Bailey
The universe of horn players ceased being a “boys club" about thirty years ago. Women have taken commanding roles in both the trumpet (Carol Morgan, Ingrid Jensen, Saskia Laroo) and saxophone (Sharel Cassity, Alisha Pattillo, Nancy Wright, Virginia Mayhew, Pattie Cossentino, Jane Ira Bloom, Claire Daly). Add to these lists two new names, Nicole Glover and ...
Fred Hersch Trio at The Village Vanguard
by Dan Bilawsky
Fred Hersch Trio Village Vanguard New York, NY October 26, 2015 While sitting in wait before a set at New York's Village Vanguard, the eyes are inevitably drawn to the various photos, posters, and odds and ends lining the walls--images and items that may seem random and incongruous to the ...
Mary Halvorson: Meltframe
by Stefano Merighi
Il primo disco di Mary Halvorson in solo sancisce la piena maturità acquisita dalla chitarrista bostoniana. Un'artista che folgora immediatamente oppure insospettisce, che appare come un'apprendista sempre in fase di studio oppure come una razionale dispensatrice di finezze da tempo metabolizzate. Fin dalle prime sortite in trio, o in gruppi più ...
Keigo Hirakawa Trio: And Then There Were Three
by Mark Sullivan
Pianist Keigo Hirakawa clearly loves bebop, and bandmates Eddie Brookshire (bass) and Fenton Sparks (drums) are on the same page. There's energy and swing in abundance here, and while it is contemporary jazz, it's also telling that their cover of the great bebop pianist Bud Powell's classic “Dance Of The Infidels" fits right in with the ...
Spirits Rejoice! An Interview with Jazz and Religion Author Dr. Jason Bivins
by K. Shackelford
When contemplating the connection between jazz and religion, many short pieces have been written about it, yet no American scholar has released an exhaustive and comprehensive book on such an important topic. Dr. Jason Bivins, a well-respected religious studies and philosophy professor, has brilliantly tackled the task. His new book, Spirits Rejoice! (Oxford University Press, 2015) ...
Terry Klinefelter Instrumental and Vocal Ensemble: Philadelphia Songbook Vol. 2
by Victor L. Schermer
Terry Klinefelter Instrumental and Vocal Ensemble Philadelphia Songbook Vol.2 American Philosophical Society Philadelphia, PA September 10, 2015 At the outset of a busy weekend of jazz events in Philadelphia, this concert directed by versatile pianist- composer-arranger Terry Klinefelter was an amalgam of two musical genres: straight-ahead mainstream jazz and rhythm-and-blues, ...
Trombonist Robin Eubanks Releases "More Than Meets The Ear," A Groundbreaking Big Band Album By Eubank’s Mass Line Big Band Out November 27, 2015
Multiple DownBeat critics poll winner and electric trombone pioneer Robin Eubanks has covered vast terrain in the course of a 30-plus-year career, but until this year he’d never made a big band album. That changes with the release of More than Meets the Ear (ArtistShare), a groundbreaking collection of Eubanks’ muscular, interwoven compositions. And it introduces ...
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