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News: Recording

McCoy Tyner: Ballads & Blues

McCoy Tyner: Ballads & Blues

Pianist McCoy Tyner is best known for being a member of the John Coltrane Quartet beginning in 1960. During those years, Tyner re-invented the piano as a highly percussive, stirring instrument that churned the waters for Coltrane's abstraction and spiritual solos. For some strange reason, in late 1962 and the first half of 1963, Tyner was ...

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Article: Interview

Charles Lloyd: The Winds Of Grace

Read "Charles Lloyd: The Winds Of Grace" reviewed by Ian Patterson

by Ian Patterson

At seventy nine years young Charles Lloyd is showing no signs of slowing down. The summer months see the Memphis saxophonist/flautist on the North American and European festival circuits with his quartet of Gerald Clayton, Reuben Rogers and Eric Harland, followed by dates with The Marvels, Lloyd's most recent group, featuring Bill Frisell, Greg Leisz, Rogers ...

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News: Recording

Virtuoso Flutist Lori Bell Returns With "Blue(s)," Her 10th Studio Album, On July 14th

Virtuoso Flutist Lori Bell Returns With "Blue(s)," Her 10th Studio Album, On July 14th

On July 14, 2017, virtuoso flutist, composer/arranger, and educator, Lori Bell will release blue(s), a 9-song excursion showcasing straight-ahead blues, and the word “blue” (which appears in each song title), highlighting its rich color, lingering mood and resplendent hue. Now in the third decade of her acclaimed career, blue(s) is Bell's 10th album overall, and the ...

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Article: Lyrics

Ricordiamo Michael Brecker

Read "Ricordiamo Michael Brecker" reviewed by Angelo Leonardi

by Angelo Leonardi

Sono trascorsi più di dieci anni dalla morte di Michael Brecker, avvenuta il 13 gennaio 2007, il giorno dopo quella di Alice Coltrane. Brecker è stato il massimo e più influente sax tenore post-coltraniano ed è quanto mai doveroso ricordarne la vita e il percorso artistico. Il 25 gennaio di quest'anno la comunità jazzistica ...

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Article: Album Review

Jon Davis: Happy Juice

Read "Happy Juice" reviewed by Dan Bilawsky

by Dan Bilawsky

Everyone has their own version of happy juice. For some, it's the drink; for others, it's literature; for many, it's film; and for a certain breed, it's jazz, that most potent and unpredictable of aural intoxicants. It's the people that fall into that last group who are most likely to quickly uncork this one and take ...

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Article: Album Review

Laszlo Gardony: Serious Play

Read "Serious Play" reviewed by Dan Bilawsky

by Dan Bilawsky

The beauty of personal expression may be the greatest and most effective balm to soothe our hearts in troubled times. That's the message that pianist Laszlo Gardony gifts us with Serious Play. Following the approach used on Clarity (Sunnyside, 2013), Gardony delves deep into his own subconscious in real time to create a ...

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Article: Album Review

Charnett Moffett: Music From Our Soul

Read "Music From Our Soul" reviewed by Dan Bilawsky

by Dan Bilawsky

Bassist Charnett Moffett is one of those figures that we tend to take for granted, mostly because it seems like he's simply always been here. The once-upon-a-time child prodigy has been omnipresent on the scene since the mid '80s, holding down the low end for jazz's elite while bringing strength, consistency, and creativity to the fore ...

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Article: Interview

Terri Hinte: Co-Creating the Image of Jazz

Read "Terri Hinte: Co-Creating the Image of Jazz" reviewed by Victor L. Schermer

by Victor L. Schermer

Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 [This is the second of an All About Jazz series of interviews and articles on “The Many Faces of Jazz Today: Critical Dialogues" in which we explore the current state of jazz around the world with musicians, ...

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Article: Album Review

SFJAZZ Collective: Live: SFJAZZ Center 2016 - Music of Miles Davis & Original Compositions

Read "Live: SFJAZZ Center 2016 - Music of Miles Davis & Original Compositions" reviewed by John Kelman

by John Kelman

In the thirteen years since the SFJAZZ Collective first came together in February 2004, this revolving door octet (septet, in 2009) of “cream of the crop" US-based jazz musicians has, most years, followed a consistent modus operandi: select a well-known jazz (and, in two cases, beyond jazz) musician and pay tribute through innovative arrangements of his/her ...


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