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Charnett Moffett: The Bridge
by Howard Mandel
Solo bass records are rare, and might seem to appeal mostly to bassists and bass aficionados. But on The Bridge Charnett Moffett, the charismatic bass virtuoso with an impressive past and equally brilliant future, has proven here without benefit of a band--that his music can touch anyone who loves music, regardless of instrumentation or genre. ...
John Abercrombie: The First Quartet
by John Kelman
With the release of Arcade (1979), Abercrombie Quartet (1980) and M (1981), John Abercrombie's entire ECM discography as a leader is finally available on CD. Looking back at these albums and their position in his oeuvre, they are revealed as seminal documents of Abercrombie's arrival as a distinctive writer, improvising guitarist and bandleader, delivering on the ...
Jim Snidero: Far Far Away
by Dan Bilawsky
Far Far Away brings us ever so close to the genius of Jim Snidero. An incandescent affair built upon the pillars of new partnership and continuing collaboration, it showcases a marked consistency in craftsmanship and inventiveness that leaves no doubt as to this artist's place in the jazz firmament. Of course, seasoned listeners need no reminders ...
Blue Note Tokyo: Still Holds Praise From Jazz Musicians & Fans Alike
by Doug Hall
Opened in 1988, the Blue Note Tokyo nightclub has a long-established history of providing top-tier jazz performances and holds a special place in the veins of many renown jazz artists. Over several decades, the A-list of jazz performances include Sarah Vaughan, Oscar Peterson, Tony Bennett, Chick Corea, Stan Getz, McCoy Tyner, Dizzy Gillespie, Joe ...
Francisco Mela: Music Frees Our Souls Vol. 2
by John Sharpe
The three protagonists gaze out from the cover, variously smiling, appearing wryly amused, and looking stern. The image suggests a will to tackle things head on, without artifice or adornment. To tell it like it is. And that is the result: a thrilling no-nonsense representation of the combined artistry of drummer Francisco Mela, pianist Cooper-Moore and ...
Brazilian Vibraphonist Lucas Amorim Releases Debut 'Live in New York City'
From humble beginnings in Florianopolis, the capital of southern Brazil’s Santa Catarina state, rising vibraphonist Lucas Amorim readies to assert himself into New York City’s never sleeps jazz world with his live action debut Lucas Amorim: Live in New York City. Stirred to express himself after falling under the spell of Milt Jackson and Gary Burton ...
Jerome Kern The Jazz Standard
by David Brown
This week we celebrate the 138th birthday of Jerome Kern. Born in 1885, Kern was an important composer of musical theatre and popular music in the early 20th century. Many of Kern's songs have been adapted by jazz musicians to become standard tunes. Featured interpreters of Kern's songs will include David S. Ware, Connie Crothers, Clifford ...
Adrian Younge e Ali Shaheed Muhammad : Jazz Is Dead
by Angelo Leonardi
Hanno scelto un marchio provocatorio, Adrian Younge e Ali Shaheed Muhammad per l'etichetta discografica e la piattaforma di musica dal vivo che gestiscono a Los Angeles da alcuni anni. I due musicisti e produttori vengono dalla scena hip-hop: il primo ha lavorato con artisti di fama mondiale come Wu-Tang Clan, Souls of Mischief e ...
Criss Cross Records: The Healing Power Of Authenticity
by Chris May
When the founder of the Netherlands-based Criss Cross Jazz label, Gerry Teekens, passed away in 2019, there was an odds-on chance that Criss Cross would leave town with him. That is often the fate, in such circumstances, of organisations led by a singular visionary and defined by their personal aesthetic. The loss of the label would ...
Morten Schantz Trio: Passenger
by Ian Patterson
It might be tempting to view Morten Schantz's Passenger as a lockdown album, recorded as it was during those strange times of isolation, but the music can perhaps better be understood as the culmination of personal and musical growth stretching back over more than two decades. Schantz first led a piano trio whilst still ...
