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383

Article: Album Review

The Matt Wilson Quartet: That's Gonna Leave A Mark

Read "That's Gonna Leave A Mark" reviewed by George Kanzler


A drummer whose creativity, drive, dedication and infectious joy have garnered him high honors from fellow musicians and critics alike, Matt Wilson is also a perspicacious and activist bandleader. The Matt Wilson Quartet--alto and tenor saxophones doubling clarinets, bass and drums--is raucous, rambunctious and high energy. Among piano-less quartets, it's more in the tradition of Ornette ...

376

Article: Album Review

Rasul Siddik: House of Art

Read "House of Art" reviewed by Clifford Allen


The idea of playing free within a set of modes or changes is certainly nothing new in the world of creative music, but it can still be striking when a musician talks about following in the footsteps of Charlie Parker or Max Roach as such. To hear music like that of Paris-based trumpeter Rasul Siddik and ...

266

Article: Album Review

Duke Jordan: In Copenhagen

Read "In Copenhagen" reviewed by Chris Mosey


Irving Stanley “Duke" Jordan, pianist in legendary altoist Charlie Parker's classic quintet, recorded this solo album late in life. It shows he had lost none of the qualities that led Bird to pick him to take part--along with trumpeter Miles Davis, bassist Tommy Potter and drummer Max Roach--in such landmark recordings as “Bird of Paradise," “Dewey ...

1,010

Article: Music and the Creative Spirit

Amiri Baraka: Perspectives on Music and Race

Read "Amiri Baraka: Perspectives on Music and Race" reviewed by Lloyd N. Peterson Jr.


Amiri Baraka is the author of the insightful and comprehensive book, Blues People. It is a book that has opened many minds and readers to the African American Diaspora along with the history and roots of African American music. Baraka has now published a new book of essays titled, Digging (The Afro-American Soul of American Classical ...

224

News: Recording

Max Roach & Archie Shepp: "The Long March" on Hatology 2-640

Max Roach & Archie Shepp The Long March Hatology 2-640 Max Roach – drums Archie Shepp – tenor saxophone Recorded in concert at Willisau Jazzfestival on August 30th, 1979, two significant artists of different generations share a creative impetus of social and political concern, find a common ground ...

218

News: Radio

WPFW-FM Host Jamal Muhammad Presents the Carolina Connection Special August 25, 2009

WPFW-FM Host Jamal Muhammad Presents the Carolina Connection Special  August 25, 2009

WPFW-FM's Jamal Muhammad Presents The Carolina Jazz Connection, with Larry Reni Thomas on WPFW (Washington, DC) August 25, 2009 Features The Lady Who Shot Lee Morgan Interview! Jamal Muhammad of WPFW-FM, Washington, DC's jazz station, presents The Carolina Jazz Connection with Larry Reni Thomas, August 25, 2009, from 3pm to 6pm. The program, hosted ...

757

Article: Highly Opinionated

Why George Russell Will Always Live in Time

Read "Why George Russell Will Always Live in Time" reviewed by Raul d'Gama Rose


A measure of just how underrated a musician he was in his lifetime is reflected in the fact that even three days after he passed on most of the major publications had not even reported his death, much less celebrated his life in the glowing terms that he so richly deserved. Perhaps this was because oddly ...

265

Article: Album Review

Grant Stewart: Plays the Music of Duke Ellington & Billy Strayhorn

Read "Plays the Music of Duke Ellington & Billy Strayhorn" reviewed by George Kanzler


Here's a refreshing take on Ellingtonia, one that doesn't rely on the overdone ("Take the A Train," “Perdido") or easy ("C-Jam Blues"). Canadian native Grant Stewart brings a post-Swing, combo approach to his Ellingtonia, even going so far as to reference Max Roach, Sonny Rollins, Charles Mingus, Thelonious Monk{{ and the {{Duke Ellington/John Coltrane collaboration. The ...

202

News: Radio

Live from Cafe Bohemia: Hardbop in the Heart of Greenwich Village

In the mid-1950s Cafe Bohemia was one of the most happening jazz clubs in New York City—a Greenwich Village club that caught the vibe of Manhattan’s thriving art and intellectual scene. On any given night a visitor might hear Charles Mingus, Art Blakey, or Kenny Dorham holding down the stage, with future cult figure Herbie Nichols ...

567

Article: Take Five With...

Take Five With Jim Miller

Read "Take Five With Jim Miller" reviewed by AAJ Staff


Meet Jim Miller:Administrator of ElectroJazz Music (BMI, 1980); founded Encounter Records in 1986 and Dreambox Media in 1995, resulting in Philadelphia Magazine's choice award for 1999 Best of Philly Jazz Record Label; Produced Evelyn Simms' On My Own, awarded Best Jazz Recording of 1989 by the Philadelphia Music Foundation.Currently working and recording ...


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