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Stéphane Payen, Ingrid Laubrock, Chris Tordini, Tom Rainey: All Set
by Mark Corroto
The contrasts heard on All Set are both its center and its strength. The music, contributed by saxophonists Stéphane Payen (straight alto saxophone) and Ingrid Laubrock (tenor saxophone) is inspired by Milton Babbitt's third stream serial composition “All Set" which was performed in 1957. While that piece was through- composed, these nine compositions stand out for ...
Anna Webber: Idiom
by Hrayr Attarian
Award winning composer, saxophonist and flautist Anna Webber is a restless innovator and musical individualist. Her ninth release as a leader, the sublime and magnificent two-disc Idiom is an ambitious project which Webber pulls off brilliantly and with elegance. Five compositions from the “Idiom" series are represented here. Four are in a sparse trio setting while ...
Anna Weber, The Resonators & Anthony Joseph
by Maurice Hogue
Two products of the jazz program at McGill University in Montreal have new releases to sample this week: saxophonist and composer Anna Webber's Idiom is easily her most ambitious project to date featuring her Simple Trio (Matt Mitchell and John Hollenbeck) and a large ensemble of improvisers and new music specialists. Drummer Mark Nelson continues to ...
Noah Preminger: Thunda
by Mike Jurkovic
There's a fascinating, affirmative equilibrium coursing throughout Thunda that words may fall short of. It's a music of purity and wonder spoken by survivors of the oddest year. It's a broad, fearless conversation between two big thinkers and all who choose to listen in, either by accident or design. Simply stated, you'll find yourself easily lost ...
Ches Smith’s We All Break: Path of Seven Colors
by Vic Albani
Il fatto che da qualche anno la produzione discografica non sia più nelle strette mani delle multinazionali sta man mano aprendo infinite possibilità per gli artisti più creativi e, quantomeno in questo caso, ai nomi collegabili all'avanguardia. Oramai la situazione è chiarissima per i fruitori della stessa (in breve, a noi ascoltatori). Si brindi ...
Anna Webber: Idiom
by Mark Corroto
Is Idiom, from composer, saxophonist, and flutist Anna Webber, new classical music or jazz? Yes. Is the music scored or improvised? Again, yes. Last question: Is it demanding or easy on the ears? Both. On the heels of two stellar releases, the septet Clockwise (Pi Recordings, 2019) and the Webber/Morris Big Band recording Both Are True ...
Mario Pavone / Dialect Trio +1: Blue Vertical
by Karl Ackermann
Bassist and composer Mario Pavone died on May 15, 2021, after a seventeen-year battle with cancer. The Connecticut native had many interests and earned a degree in engineering, a Doris Duke Foundation grant and, for a quarter-century, shared his wisdom and talent with kids at the Litchfield Performing Arts Jazz Camp, where he also served as ...
Ches Smith / We All Break: Path of Seven Colors
by Karl Ackermann
For some time, drummer/composer Ches Smith kept his interest in the Voudou music of Haiti at bay. Recognizing himself as an outsider in that world, he researched, listened, studied, and after years brought a project to fruition. Smith's group We All Break released their self-titled, self-produced debut in 2017 and received less attention than deserved. Now ...
Sylvaine Hélary: Glowing Life
by Henning Bolte
Is flute an odd one out in the present jazz field? Not really and not at all in France. France not only has Michel Edelin in the older generation, it has still more flautists in the younger generation that are also bandleaders in their own right, for example Magic Malik, Eve Risser, Naïssam Jalal and, of ...
Tim Berne / Matt Mitchell: Spiders
by John Sharpe
In spite, or perhaps because, of the lull in work in 2020, alto saxophonist and composer Tim Berne maintained a busy release schedule. Spiders, his third set of duets with pianist Matt Mitchell, arrives hot on the heels of The Fantastic Mrs 10 (Intakt) and The Deceptive 4 Live (Intakt), both by his band Snakeoil which ...
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