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Hrayr Attarian's Top Dozen with a Feminine Bend for 2013
by Hrayr Attarian
Here is my top dozen for 2013 (with a feminine bent and in alphabetical order). Women remain unjustly underrepresented as instrumentalists in jazz. Hopefully these superb records will help improve that disparity by introducing listeners to these outstandingly creative artists and their stimulating work. Jamie Baum In This Life ...
The Dude Abides
by Mark Corroto
To paraphrase Jeffrey Lebowski, aka The Dude (or El Dudarino, if you are not into the brevity thing), “I've had a rough night, and I hate the fucking Grateful Dead, man." Actually, The Dude said the “Eagles" (and I guess I'm obliged to agree with him), but for me the Dead seem to always get under ...
Caroline Davis: Live Work & Play
by Mark F. Turner
It's easy to become jaded in an ocean of music where many recordings sound so much alike. But every now and then something piques even great curiosity, as is the case with Live Work and Play , the captivating debut by saxophonist/composer Caroline Davis. Her abilities as a musician and leader signal not just another new ...
Matthew Shipp: Shipp Shape
by Chris Rich
Pianist Matthew Shipp is very keenly attuned to the details and nuances of what has to be the most forlorn and anemic environment imaginable for anything a sensible person would call business. Think of it as the sort of business ecosystem that resembles the least habitable places on earth, say a fumarole at the bottom of ...
Victoriaville 2012
by Kurt Gottschalk
Festival International Musique Actuelle VictoriavilleVictoriaville, CanadaMay 17-20, 2012There are many ways to weigh a music festival, but one method that sets a fairly reasonable standard for excellence is whether or not there was at least one point that elicited feelings of good fortune. Not just if it was enjoyable or if highly respected ...
CrossCurrent 3: A Cry for Cultural Development
by Gian Paolo Galasi
CrossCurrent Festival 3: Press Conference Piazza Loggia, Café Aquarium Brescia, Italy June 21, 2011 This space may not be the most fitting for an extended cultural/sociological analysis of how artistic expression and economical acknowledgment feeds each other, but there are events that can be taken as a good starting point for ...
The Jazz Session #286: Matana Roberts
Matana Roberts has released two albums recently: Live In London (Central Control, 2011) and Coin Coin Chapter One: Gens De Couleurs Libre (Constellation, 2011). In this interview, Roberts talks about her Chicago roots and the mentorship of Fred Anderson; how she combined her musical practice with her passion for genealogy; and why working on your sound ...
Matana Roberts - Coin Coin Chapter One: Gens de Couleur Libre (Constellation, 2011)
Saxophonist and composer Matana Roberts has been involved in a lengthy genealogical exploration of her family's rich history, and in doing so has conceived of an ambitious twelve part experience of music, narrative and sound. Part one is this album, subtitled Chapter One: Gens De Couleur Libres which is a fascinating mix of genres, ideas and ...
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