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Ivo Perelman with Arcado String Trio: Deep Resonance
by Troy Dostert
Throughout his long and prolific recording career, Ivo Perelman has recorded with a large number of free improvisation's leading lights. Pianist Matthew Shipp stands at the top of the pile, with over two dozen joint appearances; Joe Morris, Gerald Cleaver, Whit Dickey, William Parker, and many others help comprise the long list of associates he's maintained ...
Ennio Morricone + Betty LaVette, Gordon Grdina, Billy Martin & New Releases
by Ludovico Granvassu
This week we pay tribute to the late Ennio Morricone the way we often do, through renditions of his memorable soundtracks performed by contemporary creative jazz artists like John Zorn, Bill Frisell, Marco Cappelli, Guano Padano, and Oddjob. We then check out some great new releases that cross borders, stylistic definitions and generations. Happy ...
Matthew Shipp String Trio: Symbolic Reality
by John Sharpe
Pianist Matthew Shipp's String Trio reunites three familiar collaborators whose paths cross in multiple settings. Bassist William Parker and violist Mat Maneri complete a line-up unchanged since the triumvirate's debut By The Law Of Music (Hatology, 1997). In the twenty-plus years since that point, they have further cemented their standing in the jazz world as leading ...
Whit Dickey: Morph
by Karl Ackermann
Two players on Morph, Matthew Shipp and Nate Wooley, hardly need an introduction to those who venture into free jazz or experimental waters. But the leader, free jazz drummer Whit Dickey, is more of an enigma. Though prolific, his credits are more often in a supporting role. Dickey has been working with Shipp for nearly four ...
Matthew Shipp: Poetic Connection
by Seton Hawkins
It is difficult to describe the impact of pianist and composer Matthew Shipp without descending into hyperbole. A core figure in the now-legendary David S. Ware Quartet, a bandleader with a staggering recording output, a groundbreaking curator for the influential Blues Series of Thirsty Ear Records, Matthew Shipp has also more recently broken new ...
R.I.P. McCoy Tyner and Jon Christensen
by Maurice Hogue
As social distancing becomes the norm in this new world, filling the spaces with music seems like a great idea to keep people together. Two musicians whose careers did exactly that are recognized in the last part of this week's episode: pianist McCoy Tyner and drummer Jon Christensen, both of whom passed in recent weeks. They ...
Ayman Fanous / Frances-Marie Uitti: Negoum
by Karl Ackermann
The very flexible tone systems of the Middle East and Southern Asia have influenced Western music for decades. From John Coltrane to Jimmy Page and George Harrison, the sounds of those regions have often successfully fused with the disciplined beat of the West. Egyptian-born, New York-based guitarist and bouzouki player Ayman Fanous and American-born, Paris-based cellist ...
Matthew Shipp String Trio: Symbolic Reality
by Karl Ackermann
Of the many formations in which Matthew Shipp works, his string trio is one of the most eclectic and appealing. Mat Maneri, William Parker and Shipp have covered the breadth of progressive improvised music from chamber to noise. Shipp has dabbled in electronica and hip-hop, but more often in the genre-less manner which makes him stand ...
About Mat Maneri
Results for pages tagged "Mat Maneri"...
Mat Maneri
Born:
Mat Maneri, born on October 4th, 1969 in Brooklyn, New York is an American composer, improviser and jazz violin and viola player, specifically derivatives such as the five-string viola, the electric six-string violin, and the baritone violin. He is the son of the saxophonist Joe Maneri. Maneri has recorded with Cecil Taylor, Matthew Shipp, Joe Morris, Joe Maneri, Gerald Cleaver, Tim Berne, Borah Bergman, Mark Dresser, William Parker, Michael Formanek, John Lockwood, as well as with his own trio, quartet, and quintet. He has also played on various band releases: Club d'Elf, Decoupage, Brewed by Noon, Paul Motian's Electric Bebop Band, Buffalo Collision
Matthew Shipp / Nate Wooley: What If?
by Mark Corroto
Sixty years after Miles Davis recorded “So What" during his Kind Of Blue (Columbia, 1959) sessions, the duo of pianist Matthew Shipp and trumpeter Nate Wooley ask the question What If?, as in, “What if, in the 21st century, all music was free?" Free as in free range, without prejudgement, unbiased and without partisanship. ...
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