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Josh Roseman: Reimagining the Constellations
by R.J. DeLuke
Josh Roseman is a busy man. Extremely busy. He's also an extremely bright one, which is good because otherwise one might pause to consider whether, with all those activities, he is wearing himself too thin. Turns out he is spreading wide, but nothing about him or his many pursuits is thin. Especially not his creativity.
Big Bands: Wayne Horvitz, Satoko Fujii, Steve Lehman, Kenny Werner & Andrew D'Angelo
by Martin Longley
The New York Composers OrchestraUniversity Of The StreetsOctober 23, 2010 Even for local residents, an appearance by the New York Composers Orchestra has become a rarity. Its guiding forces, the pianists Wayne Horvitz and Robin Holcomb, have long been living in Seattle (they moved in 1989), so get-togethers have ...
Ray Anderson - Marty Ehrlich Quartet: Hear You Say
by Bruce Lindsay
Trombonist Ray Anderson and reed player Marty Ehrlich first played together in 1978 as part of Anthony Braxton's band. Thirty-one years later, with extensive individual discographies, the pair finally formed a band of their own and recorded a concert at the 2009 Jazz Festival Willisau, in Switzerland. Hear You Say is this recording--a highly energetic, exciting, ...
Jason Robinson: The Two Faces of Janus
by Troy Collins
Currently serving as Assistant Professor of Music at Amherst College in Massachusetts, multi-reedist Jason Robinson originally obtained his Ph.D. in music from the University of California. A promising new arrival to the East Coast scene, Robinson's academic background imbues his episodic writing with an organically cohesive sensibility, while his years spent co-leading the longstanding bicoastal ensembles ...
Dan Berg & The Gestalt: Manifesto
by Karl Ackermann
Manifesto, the debut release from Dan Berg & The Gestalt, may be one of 2010's best recordings. The composer/keyboardist--a Brooklyn native and former student of reed man Marty Ehrlich--has created a smart, versatile and accessible collection that bridges genres and techniques, while remaining at home in the jazz idiom. With touches of Tin Hat Trio, bits ...
Anthony Braxton: Creative Orchestra (Koln) 1978
by Jeff Stockton
Jazz is often viewed as a progressive art form, one that by its very nature is constantly changing and reinventing itself. The paradox is that change isn't always what the audience wants to hear, so it frequently takes awhile simply to catch up. Such seems to be the case with the music of Anthony Braxton, one ...
Allison Miller: Breaking Ground
by Franz A. Matzner
It takes a rare individual to excel in multiple artistic genres, particularly when success unfolds in the public spotlight and presents very different contexts. Certainly technical ability is important, but it also takes a peculiar blend of flexibility, curiosity, and determination. Perhaps that is what makes drummer, composer, bandleader, and outspoken feminist Allison Miller such a ...
Anthony Braxton: Creative Orchestra (Koln) 1978
by Glenn Astarita
Composer and multi-reedman Anthony Braxton's complex and personalized compositional paradigms emanated in the 1960s, underscored by 12 language types, diagrams, and other methodologies to complement the improvisation aspect. On this double-disc, 2009 reissue of a 1978 concert, Braxton employs a diverse dream team including reedmen Marty Ehrlich and Ned Rothenberg and trumpeter Kenny Wheeler. Consequently, Braxton ...
Allison Miller: Boom Tic Boom
by Mark Corroto
Just say yes to records led by drummers. Why? Because drummers may rarely be the leaders or composers, but they're always the soul of any good recording. Where's Coltrane without Jones, or Jarrett without DeJohnette? Nowhere. That's why, when a session is commanded by a percussionist, as is Boom Tic Boom by drummer Allison Miller, there ...
Hot and Cool: 40 Years of Jazz at NEC
by Marcia Hillman
New England Conservatory (NEC) is celebrating the 40th anniversary of being America's first fully-accredited Jazz Studies Program at a music conservatory. The merriment kicked off in NEC's home of Boston with a week of events in October 2009, culminating in a performance by the Wayne Shorter Quartet accompanied by the school's Philharmonia, a merger between jazz ...
