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Jean-Michel Pilc: What Is This Thing Called?
by Maurizio Zerbo
Pochi altri pianisti jazz riescono come Jean-Michel Pilc ad unire vibrante espressività, magistero tecnico e volatile progettualità. Lo dimostra questo CD imperniato sulla variazione/destrutturazione del celebre standard “What Is This Called Love." Il tema di Cole Porter diventa così il pretesto per una rigogliosa cavalcata in solitudine, tra le mille pieghe del pianoforte jazz e non. ...
John Roney: Preludes
by C. Michael Bailey
Intelligent programming in a jazz release provides its own reward in seasoning the recital contained therein with a thoughtful foundation. Canadian pianist John Roney entitles his recording Preludes and proceeds to populate the disc with exactly that, “Preludes," those brief, often standalone keyboard compositions from the Romantic era. Preludes most often feature a limited number of ...
Ed Bickert: Canada's Secret
Canadian jazz artists don't get enough respect. American fans swoon over Belgians (Bobby Jaspar), French (Martial Solal), British (Tubby Hayes) and even Argentines (Gato Barbieri). But when it comes to Canada, many jazz fans yawn, viewing them as doppelgängers at best, or pale comparisons to U.S. jazz musicians. The problem has always been that Canadian jazz never ...
Profound Pianistic Presentations: Jazz Heaven DVDs from Jean-Michel Pilc and Enrico Pieranunzi
by Dan Bilawsky
There's more to music than the simple absorption and understanding of notes, rhythm, melody, and harmony; there's more to jazz than what naturally meets the eyes and ears; and, most daunting of all, there's more to learn than we can ever possibly imagine. But fear not, for there are resources out there to help aspiring musicians ...
Jean-Michel Pilc: What Is This Thing Called?
by Mark Corroto
Jean-Michel Pilc's solo piano recording What Is This Thing Called? might have been titled “Thirty-one Conversations About One Thing." That 'one thing' being his 31 variations on Cole Porter's composition “What Is This Thing Called Love." Why record 31 versions of one song? Maybe ask yourself why Claude Monet created so many paintings of the same ...
Jazz on the Screen: A Jazz and Blues Filmography
by AAJ Staff
This article appears courtesy of David Meeker and the Library of Congress. Learn more about Jazz on Screen. Overview of Jazz on the Screen By David Meeker The cultural, sociological and technical histories of jazz and motion pictures have run in parallel, sometimes intersecting, lines ever since both forms emerged ...
Down With Jazz 2014
by Ian Patterson
Down With Jazz Meeting House Square Dublin, Ireland May 31-June 1, 2014 There's nothing quite like a Bank Holiday weekend, sunshine and music. Having moved from 2013's September slot with its unpredictable autumn weather to the last weekend in May with its unpredictable spring weather, Down With Jazz 2014 passed off ...
Jazzkaar 2014
by John Kelman
Jazzkaar 2014 Tallinn, Estonia April 16-28, 2014 Any opportunity to return to Tallinn, the capital of Estonia in Eastern Europe, is one worth grabbing. Beyond the somewhat surreal feeling of being in a country that, just 23 years ago, was a completely different place, Tallinn is, quite simply, one of the most ...
Jazz Quanta May
by C. Michael Bailey
Oran Etkin Gathering Light Motema 2014 Multi-reedist Oran Etkin gathers his scattered points of inspiration from the whole of the Eastern Hemisphere and a good bit of the Western one. Etkin's main horn is the bass clarinet...not completely unheard of, Eric Dolphy played a mean one, but one ...
Sonorama: Putting the Past in the Future
by Jakob Baekgaard
It takes a collector to know what a collector wants. Ekkehart Fleischhammer who runs the German reissue label Sonorama has been in the record business since 2004, but he has spent far more time enjoying and searching for music. His own expertise and sense of quality is the foundation for Sonorama Records whose specialty is the ...
