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Lionel Loueke: Creating His Own Lines
by R.J. DeLuke
Lionel Loueke, the guitarist from Benin in West Africa who brings to jazz music rich melodic and rhythmic sensibilities influenced from his homeland, always had an eye for inventing his own lines; injecting his own persona into the music even when it was against the rules. Even when he didn't yet realize the magical sounds he ...
Sean Wayland: Click Track Jazz: Slave to the Machine Vols 1 & 2
by AAJ Italy Staff
I due volumi di Click Track Jazz: Slave to The Machine curati dal tastierista e compositore australiano Sean Wayland, contengono una ricognizione molto ampia - per un totale di venisette brani - sulla possiblità di unire degli inserti sintetici alle classiche sonorità acustiche del jazz, sviluppati dalle tastiere o da strumenti elettronici come l'EWI ("Electronic Wind ...
Donny McCaslin: Lightness and Gravity
by Jeff Dayton-Johnson
Saxophonist Donny McCaslin seems like a young player, given his energy and inventiveness. But he has been playing jazz for three decades. As a child, he was part of his father's jazz ensemble and a member of his high school jazz band. He led his own bands after moving to New York from his native California, ...
Donny McCaslin: Casting For Gravity
by Glenn Astarita
Incorporating electronic instrumentation into his palette, tenor saxophonist Donny McCaslin dishes out a thrusting program that could, to some extent, be nestled within the jazz-fusion genre, but not in the traditional sense. The hard-hitting saxophonist and his band integrate fusion mechanics and spacey treatments to underscore many of the popping grooves, thundering pulses, knotty time signatures ...
Donny McCaslin: Casting For Gravity
by Jeff Dayton-Johnson
Tenor saxophonist Donny McCaslin has bravely developed a uniquely personal sound that proudly claims its heritage in the long mainstream of jazz, yet sounds freshly innovative. He has released eleven albums under his leadership, among which Recommended Tools (Greenleaf, 2008), with its punishing, revealing trio format, was a high-water mark. McCaslin deploys sheets-of-sound density inherited from ...
Donny McCaslin: Casting For Gravity
by Mark Corroto
If saxophonist Donny McCaslin stuck a toe into the ocean of electric jazz with his previous album Perpetual Motion (Greenleaf, 2010), then with Casting For Gravity he dives headfirst into the sea. But don't worry, with his musical dexterity and adeptness on horn, he is in no danger of sinking. In fact, he takes to these ...
Lionel Loueke: Heritage
by Ernest Barteldes
On Heritage, Benin-born Lionel Loueke takes a more electric approach than on previous releases, which mostly featured his acoustic, nylon-string guitar. This change is immediately felt on the opening “Ifê," beginning with the muted notes of an acoustic steel-stringed guitar whose sound resembles a kalimba (thumb piano). Loueke is backed solely by his trio (rounded out ...
Lionel Loueke: Heritage
by Franz A. Matzner
Lionel Loueke's Heritage deftly intertwines modern jazz constructs with traditional African themes in a highly personal exploration of these two cultural streams which define Loueke's upbringing and musical identity. The result is a gracious, elevating and welcoming sound that still challenges preconceived notions.Thoughtfully composed, the album's ten pieces together present an intimate--sometimes philosophical--complex musical ...
Lionel Loueke: Heritage
by Mark F. Turner
Lionel Loueke's two previous Blue Note recordings--Karibu (2008) and Mwaliko (2010)--displayed his usual virtuosity as a guitarist/vocalist who links his West African Beninese musical roots with a modernist jazz outlook that is uniquely his own. On Heritage, he's assembled new musicians and hooks up with innovative pianist Robert Glasper, who coproduced and performs on the album. ...
Tyshawn Sorey: Composite Reality
by Daniel Lehner
Though Tyshawn Sorey's Oblique-I (Pi Recordings, 2011) is his most recent release to date, it's actually comprised of some of the percussionist/composer's earliest work. Containing music that is sonically dense, enormously challenging and (as the title suggests) consistently blurs and obscures the lines drawn between improvisation and composition, it has been hailed by critics and fans ...
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