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26

Article: Album Review

Rodrigo Amado: Wire Quartet

Read "Wire Quartet" reviewed by Mark Corroto

by Mark Corroto

It is possible that Portuguese saxophonist Rodrigo Amado's earlier releases caught your attention because of the names of his playing partners. Chicago trombonist Jeb Bishop recorded two discs with Amado's Motion Trio, The Flame Alphabet (Not Two, 2012) and Burning Live At Jazz AO Centro (JACC Records, 2012). There was also Searching For Adam (Not Two, ...

5

Article: Album Review

Peter Van Huffel/Michael Bates/Jeff Davis: Boom Crane

Read "Boom Crane" reviewed by Mark Corroto

by Mark Corroto

Pity the neighbors of the jazz trio Boom Crane. It's not that their garage band approach to music making is off-putting or offensive, it's that the ferocity of their approach is just so demanding. Saxophonist Peter Van Huffel's New York trio of Michael Bates (bass) and Jeff Davis (drums) release this, their inaugural recording, as a ...

4

Article: Album Review

Sara Serpa & André Matos: Primavera

Read "Primavera" reviewed by Mark Corroto

by Mark Corroto

A little bit of magic is evident in the recording Primavera by the Portuguese-born-now-New Yorkers Sara Serpa and André Matos. Not magic as in sleight of hand or illusion, but magical as in enchanting and, indeed, spellbinding. The musical pair, also wife and husband, created this duo recording with the help of some of their own ...

4

Article: Album Review

Mario Pavone: Street Songs

Read "Street Songs" reviewed by Mark Corroto

by Mark Corroto

Listing an accordion in a jazz sextet's lineup evokes either thoughts of avant-garde leanings or maybe kitschy hipsterism. Not so for bassist Mario Pavone. Street Songs includes Adam Matlock's bellows-driven squeezebox, not as a gimcrack ornament, but a link to the immigrant working class neighborhood music of Pavone's post-WW II youth. The musician's history ...

5

Article: Album Review

Marc Ribot Trio: Live At The Village Vanguard

Read "Live At The Village Vanguard" reviewed by Mark Corroto

by Mark Corroto

It had been 16,631 days since bassist Henry Grimes had last played music at New York's infamous Village Vanguard. His performance, with saxophonist Albert Ayler, on December 18, 1966 was recorded and released as In Greenwich Village (Impulse!, 1967). Back after 45 years, 6 months, and 12 days, the bassist, now part of guitarist Marc Ribot's ...

6

Article: Multiple Reviews

Rejoice - Three New Ivo Perelman Discs

Read "Rejoice - Three New Ivo Perelman Discs" reviewed by Mark Corroto

by Mark Corroto

Just think what could have been if artists like Jimmy Lyons or Albert Ayler were recording today. We might have had the ability to witness their development and observe how creative music gets nudged in new and different directions. That's exactly the gift we're given with the proliferation of recent Ivo Perelman recordings. The São Paulo-born, ...

7

Article: Album Review

Mats Gustafsson/dieb13/Martin Siewert: Fake The Facts: Soundtrack

Read "Soundtrack" reviewed by Mark Corroto

by Mark Corroto

Stripped to its core, music is communication. It is the accompaniment to life's movie. The first fabulists, our cavemen ancestors probably invented music by imitating the sounds of nature, such as bird calls, wolf howls, and the patter of rain on the cave's entrance. The pleasure delivered by that experience caused several members of the cavemen's ...

3

Article: Album Review

Douglas Detrick’s Anywhen Ensemble: The Bright and Rushing World

Read "The Bright and Rushing World" reviewed by Mark Corroto

by Mark Corroto

Go ahead, ask the question, “But is it jazz?" Douglas Detrick's Anywhen Ensemble presents the ten movement suite, The Bright and Rushing World, a continuous piece of music, commissioned by Chamber Music America. So maybe it isn't jazz. Detrick's ensemble contains a jazz drummer Ryan Biesack, who can be heard on Pieces (OA2 Records, ...

6

Article: Album Review

The Young Mothers: A Mothers Work Is Never Done

Read "A Mothers Work Is Never Done" reviewed by Mark Corroto

by Mark Corroto

Ingebrigt Håker Flaten reminds us that jazz is the musical equivalent of a dark star, a musical black hole, absorbing all musical energy and classifications. The Norwegian-born bassist-turned Austin, TX resident assembled a multi-genre sextet under the uncategorizable name The Young Mothers. Sure, let's not call this jazz, because it would alienate 99% of fans. But ...

8

Article: Album Review

Ensemble 5: The Summary Of 4

Read "The Summary Of 4" reviewed by Mark Corroto

by Mark Corroto

It is refreshing to hear a free jazz improvising group that doesn't abandon meter and melody for the goal of spontaneous music making. For percussionist Heinz Geisser, performing improvised music doesn't require he throw the figurative baby out with the bath water. The dude abides.Like the Collective 4tet he established in the 1990s with ...


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