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Satoko Fujii: Solo
by Mark Corroto
Solo piano performances generally fall into one of two categories--introverted or extraverted affairs. Obvious examples of extraverts are Fats Waller and Art Tatum, while inward-looking pianists are Brad Mehldau and Bill Evans. Extraverts play music pointed at the audience, while introverts internalize the experience. How then do we categorize the music of Satoko Fujii? ...
Samuel Hällkvist: Variety of Rhythm
by Mark Corroto
Somewhere Miles Davis and Teo Macero are smiling. Swedish guitarist Samuel Hällkvist has taken their approach and refined it for the 21st century. What Macero began, with a razor blade and hours of fragmented and seemingly disjointed studio sessions, turned into the infamous Bitches Brew (Columbia, 1970). Hällkvist journeys a similar path, and most significantly here, ...
Charles Gayle/Giovani Barcella/Manolo Cabras: Live In Belgium
by Mark Corroto
Picking up any recording by the saxophonist (sometimes pianist) Charles Gayle always reminds me of the quote by actress Bette Davis' from the the film All About Eve (1950). After downing her martini in one gulp, Davis walks away, turns, and announces “fasten your seatbelts, it's going to be a bumpy ride." Not bumpy as in ...
Light Coorporation: 64:38 Radio Full Liv(f)e
by Mark Corroto
Few musicians or bands exhibit imperturbability to the degree that the ensemble Light Coorporation (yes, that's how it's spelled) does. The Polish band, founded by guitarist Mariusz Sobański in 2007, has released its fifth recording 64:38 Radio Full Liv(f)e. This is a recording of a live date dedicated to jazz pianist and composer of film scores, ...
Mark Corroto's Best Releases of 2017
by Mark Corroto
And what a year it was. With all hurricanes, raging fires, and end-of-the-world politics, we were fortunate to have the magical salve that is music. Complied here are my favorite releases of this past year. I tried to pare down a long list of 50 to 10, but it was impossible. The music you see below ...
Miguel Angelo: I Think I’m Going To Eat Dessert
by Mark Corroto
We can all agree that music is perceived and enjoyed through the sensory faculty known as hearing. Certainly, but a musical performance is enhanced when an additional sense is summoned, like the visual when attending a production. In the case of this solo performance by bassist Miguel Ângelo, that additional sense is touch. With I Think ...
Die Enttäuschung: Lavaman
by Mark Corroto
It has been twenty years since Die Enttäuschung recorded the music of Thelonious Monk, but Monk continues to be an essential component of their music making. This is also the case with Steve Lacy and Roswell Rudd's music after their Monk cover band School Days (Emanem, 1975) disbanded. The concepts of Monk's music were integral in ...
Wadada Leo Smith: Solo: Reflections and Meditations on Monk
by Mark Corroto
The most fitting tribute to Thelonious Monk on the 100th anniversary of his birth was not by a pianist, but by a trumpeter, and not any ordinary trumpeter. Wadada Leo Smith, like Monk, is a musician's musician. While his peers have seemingly always investigated his music, it took the listening audience (and, ahem, critics) awhile to ...
Gard Nilssen: Live In Europe
by Mark Corroto
Clocking in at just a minute over two-hours of music, the three CDs (or LPs, if you'd like) that make up Live in Europe provide an audacious excursion into creative music. The drummer, known for his work in multiple groups such as the quartets Cortex and Starlite Motel, Bushman's Revenge, Zanussi Five, and the Trondheim Jazz ...
Enzo Pietropaoli: The Princess
by Mark Corroto
It can be risky for jazz musicians to play pop songs. They have to navigate the memories that each composition holds for the listener while also making the music distinctive and personal. Miles Davis could do it with Michael Jackson's “Human Nature" and Cyndi Lauper's “Time After Time," and of course Sonny Rollins can make any ...
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