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The Pandemic Sessions: Solos, Part 2
by Mark Corroto
Part 1 | Part 2 The entire world was in lockdown during the COVID-19 crisis, and of course, that included musicians. Unable to tour and record with their various ensembles, many artists prepared solo projects (some recorded before the virus struck). Most of the music is very personal, as if the artists are asking ...
Ivo Perelman: Special Edition Box: Procedural Language
by Mark Corroto
Ivo Perelman and Matthew Shipp: how many duo recordings have their been? Five? A dozen? More like sixteen, and that's not taking into account the double, triple, quadruple releases, nor Perelman/Shipp's recordings in trio, quartet, and quintet formats. The numbers boggle the mind, and truth be told, flatten the wallet. While you may ask why so ...
The Pandemic Sessions: Solos, Pt. 1
by Mark Corroto
Part 1 | Part 2 The entire world was in lockdown during the COVID-19 crisis and of course, that includes musicians. Unable to tour and record with their various ensembles, many prepared solo projects (some recorded before the virus struck) for your listening pleasure. Most of the music is very personal, as if the ...
Ignaz Schick / Oliver Steidle: ILOG2
by Mark Corroto
The combination of Berlin based musicians Ignaz Schick and Oliver Steidle, known as ILOG, expands on the concepts of free improvisation with ILOG2 to include, for the lack of a better term, mania. Their frantic, often feverish, improvisations bring to mind both John Zorn's Naked City and William Burroughs' cut-ups. The opening piece, “There Is No ...
Matt Clark Three: One From Brooklyn
by Mark Corroto
UK guitarist Matt Clark is a seasoned world traveler. In the pandemic year of 2020, he did not let the lockdown keep him from peregrination. He knows that to travel fast, you must travel light. Meaning without baggage, and this trio recording, One From Brooklyn, crosses the Atlantic without leaving his home studio. Clark, a musical ...
Albert Ayler Quintet: 1966: Berlin, Lörrach, Paris & Stockholm. Revisited
by Mark Corroto
It may sound odd to describe the music that Albert Ayler's quintet performs here as the musical equivalent of comfort food, but these sounds can be associated with security and nostalgia. They are a reminder of the spark ignited by this tenor saxophonist from Cleveland. Ayler, maybe more than any artist of his day, paved the ...
EUPHORIUM_freakestra: soundz offfe drzk wähuh
by Mark Corroto
The funny thing about DNA is that just when scientists believe it to be the identifiable signature of all living things, along comes CRISPR gene editing. This technology allows an operator to edit the basic genetic material of an organism, much like the music of Oliver Schwerdt's EUPHORIUM_freakestra. We're not talking science fiction here, more like ...
Fred Frith & Ikue Mori: A Mountain Doesn’t Know It’s Tall
by Mark Corroto
Have you experienced a performance of John Cage's composition “4:33"? If you are not familiar, while studying Zen Buddhism, Cage wrote “four minutes, thirty-three seconds" to be performed solo or in any combination of instruments or players. The instructions were for the performers to NOT play their instruments for the allotted 273 seconds. Their 'silence' was ...
Julius Hemphill: The Boyé Multi-National Crusade For Harmony
by Mark Corroto
There is something inherently objectionable when a billionaire acquires an artistic masterpiece by say, Leonardo DaVinci or Claude Monet, only to sequester it from public view. You might feel the same about Julius Hemphill's recordings Dogon A.D. (Mbari, 1972) and 'Coon Bid'ness (Arista/Freedom, 1975). Both five star recordings, now out of print, cost a small fortune ...
Alex Koo / Attila Gyárfas / Ralph Alessi: Identified Flying Object
by Mark Corroto
Belgian-Japanese pianist Alex Koo and Hungarian drummer Attila Gyárfás formed the duo Identified Flying Object to explore fully improvised music that has one foot in jazz, one in chamber music, another in minimalism, and a fourth in electronic manipulations. Their initial release Galactic Liturgy (2017) is followed up here with the addition of Ralph Alessi's trumpet ...
