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Lucien Dubuis Trio with Marc Ribot: Ultime Cosmos
by Mark Corroto
Lucien Dubuis' Swiss trio has had a long association with guitarist Marc Ribot. He might even have been the inspiration for the reedman, bassist/guitarist Roman Nowka, and drummer Lionel Friedli to form their group. So when the New York guitarist joins them for Ultime Cosmos, there is bound be fireworks. The Lucien Dubuis Trio ...
Foot Job Band and Tongs: between porno, rock and a jazz place
by Mark Corroto
Back in 1980s and early 1990s in New York, musicians were reinventing jazz and the “downtown scene," as it was called, was focused on the The Knitting Factory club. Artists like saxophonists John Zorn, John Lurie and Thomas Chapin, guitarist Marc Ribot and cellist Tom Cora became famous. While they were schooled in the traditional, their ...
NYNDK: The Hunting Of The Snark
by Mark Corroto
Jazz collective NYNDK's The Hunting of the Snark takes its title from a Lewis Carroll poem that inspired Norwegian composer Arne Nordheim's contemporary composition, written for the 1994 Winter Olympics opening ceremony. Formed in 2003, the band, led by trombonist Chris Washburne, saxophonist Ole Mathisen, and pianist Soren Moller, is a transcontinental collective from New York ...
Ulrich Gumpert / Gunter Baby Sommer: Das Donnernde Leben
by Mark Corroto
Collaborations between pianists and drummers often evolve around a unique chemistry creating interesting works of art. Such is the case with Misha Mengelberg and Han Bennink, Matthew Ship and Guillermo E. Brown, and Louis Moholo-Moholo and Marilyn Crispell. There's also Cecil Taylor and Tony Oxley, Paul Lovens, Jackson Krall or Max Roach). Add pianist Ulrich Gumpert ...
Uwe Oberg / Christof Thewes / Michael Griener: Lacy Pool
by Mark Corroto
Lacy Pool, by pianist Uwe Oberg, drummer Michael Griener, and trombonist Christof Thewes, demonstrates the “circles within a circle" puzzle that mathematicians have riddled over for centuries. The piano covers of soprano saxophonist Steve Lacy's compositions were accomplished without the use of a saxophone, much like Lacy's interpretations of Thelonious Monk were made without a piano. ...
Jason Adasiewicz's Rolldown: Varmint
by Mark Corroto
Jason Adasiewicz's quintet Rolldown, has been together since 2004, and Varmint, its second release, again invites you into Mr. Peabody's “wayback machine" (from The Rocky And Bullwinkle Show of the 1960s) to explore ancient history with a modern ear. That ancient history is the 1960's New Thing, and our explorers are armed with the knowledge of ...
John Funkhouser, Angelica Sanchez, David Arner: 3 x Piano 3
by Mark Corroto
It's unclear why anyone would desire the end result, but as the saying goes, “there are many ways to skin a cat." Setting aside the vivisection angle for a moment, there are countless approaches to the classic jazz piano trio. Ever since ragtime, boogie-woogie and stride pianists caught the attention of popular music listeners, jazz pianists ...
Manuel Mengis Gruppe 6: Dulcet Crush
by Mark Corroto
Experiencing the music of trumpeter Manuel Mengis, a standard list of musicians and musical styles heard in his music comes to mind. This is a disservice, because his methodology is quite original. Still the temptation to explain his third disc for hatOLOGY following The Pond (2008) and Into the Barn (2005) in terms of others sounds, ...
Ike Sturm: JazzMass
by Mark Corroto
Because of its transcendent nature, listening to jazz is often considered to be a spiritual experience. Certainly listening to John Coltrane's A Love Supreme (Impulse!, 1964) is a larger-than-life experience. Same can be said of bassist Ike Sturm's JazzMass, a 10-part construction for jazz septet, voices and strings that presents prayer and music as a sacrament. ...
Brother Thelonious Quintet: Brother Thelonious
by Mark Corroto
Nobody can deny the distinctive signature of Thelonious Monk's music. Written for simple piano, bass, and drums, it is a remarkable blending of melody, harmony, and rhythm. Now, expand his conception into a quintet setting and the challenge as Monk would say, to “lift the bandstand," presents itself to the musicians and arrangers. Assigning ...
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