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Anthony Braxton: Trio & Quintet (Town Hall) 1972
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by Mark Corroto
Maybe the world wasn't ready for the music of Anthony Braxton back in 1972, when this concert was recorded, and maybe it wasn't ready for him, when it was released twenty years later in 1992. Then again, is it really ready for him today? Certainly, and this music is very accessible. This beautifully remastered ...
Animation: Asiento
by Mark Corroto
1969 was perhaps a watershed year for jazz in America. Trumpeter Miles Davis, the anointed pied piper, recorded Bitches Brew (Columbia, 1970). It was to be the beginning of jazz/rock fusion. Maybe better described as jazz/rock/soul/funk fusion. Miles wasn't one to miss out on trends. He saw the popularity of Jimi Hendrix and Sly Stone, with ...
Duos: When The Sum Is Greater Than Its Parts
by Mark Corroto
The defining characteristic of all great partnerships in cinema, from the male-bonding buddy movie to the classic Katherine Hepburn and Spencer Tracy films, is the tension created between two self-assertive characters, before their eventual collaboration. The same can be said of jazz and improvisational duos. By matching two authoritative players, sparks fly and, if the two ...
Mostly Other People Do the Killing: The Coimbra Concert
by Mark Corroto
The stand-up comic begins, “I went to a day of rage riot the other day, and a Moppa Elliott concert broke out." He might continue with, “Take my jazz canon, please." That is just what the bassist's quartet, Mostly Other People Do The Killing, does--seize the jazz standard and demolish it. The Coimbra Concert is the ...
Endangered Blood: Endangered Blood
by Mark Corroto
Endangered Blood formed in 2008, to play a benefit concert to help pay for fellow musician Andrew D'Angelo's medical bills. For the performance, drummer Jim Black and bassist Trevor Dunn--two of the saxophonist's band mates--enlisted saxophonists Chris Speed and Oscar Noriega. As happens so often in modern groups, familiar players in different combination produce compelling results.
Nicholas Urie: My Garden
by Mark Corroto
First thoughts of accompanying the poetry of Charles Bukowski to music are predisposed to the techniques of Tom Waits and his post-beatnik circus. Composer/arranger Nicholas Urie takes another path, instead, orchestrating his 12-piece big band towards an alternative rendition and deeper understanding.Like his previous Excerpts From An Online Dating Service (Red Piano, 2009) ,where ...
Matthew Shipp: The Art Of The Improviser
by Mark Corroto
By now, critical listeners have formed an opinion about the music of pianist Matthew Shipp. Like his musical predecessors Cecil Taylor and Thelonious Monk, Shipp is an uncompromising voice that tends to force listeners to queue up in line, either for him or against him. With the release of The Art Of The Improviser, he has ...
Nick Mazzarella Trio: Aviary
by Mark Corroto
Saxophonist Nick Mazzarella keeps things neat and succinct on this shortish (30 minute) introductory release. Although compact, this release is quite loquacious and, perhaps, a presage of great things to come.All six compositions were penned by Mazzarella, and harken back to the early 1960s, and the rise of Ornette Coleman and Eric Dolphy. Mazzarella, ...
Ralph Bowen: Power Play
by Mark Corroto
The inscription on saxophonist Ralph Bowen's business card probably should read “solid citizen," because his post-bop jazz conception has always been steadfast and dependable. With Power Play, he only adds to his stalwart reputation. Together with bassist Kenny Davis, Bowen was picked, in the mid-1980s, to spearhead the return of Blue Note Records in ...
Dave Douglas and Keystone: Columbus, February 5, 2011
by Mark Corroto
Dave Douglas & KeystoneLincoln TheatreColumbus, OhioFebruary 5, 2011 It seemed somehow fitting that composer Dave Douglas' presentation of Spark Of Being (Greenleaf Music, 2010) be held in the aftermath of the blizzard of 2011. The audience for this retelling of Mary Shelley's Frankenstein, which begins and ends with a sailing ...
