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Ivo Perelman / Joe Morris / Gerald Cleaver: Family Ties
by Mark Corroto
Her boyfriend might have left Janis Joplin with nothing, as she asserts in her classic version of Kris Kristofferson's “Me and Bobby McGee," but Ivo Perelman refutes Joplin's claim that “freedom's just another word for nothin' left to lose" on Family Ties.The Brazilian saxophonist has returned to recording with a deluge of releases, this ...
Matthew Shipp Trio: Elastic Aspects
by Mark Corroto
When speaking of the development of the piano trio, talk inevitably turns to its different lineups, such a the evolution of Bill Evans' trio before and after the Scott LaFaro, or the differing approaches of drummers Paul Motian and Joe La Barbera. For Matthew Shipp, his latest company signals a sort of turning point--perhaps even a ...
Je Suis!: Mistluren
by Mark Corroto
In 1962 free jazz pioneer Albert Ayler moved to Sweden. Like Jesus Christ's 40 days in the desert, he came home to the United States after being tempted by the devil, and led a revolution in free jazz. His Swedish temptation, perhaps it was a viral contagion, has survived these past 50 years, resurfacing in the ...
Pete Robbins Transatlantic Quartet: Live In Basel
by Mark Corroto
Like most modern jazz players, alto saxophonist Pete Robbins works in multiple bands, playing varying styles and disciplines of this thing called jazz. Sounds reasonable, yes? But, thirty years ago this wasn't possible. Musicians, listeners, and jazz critics (let's not leave them out) had to take sides, choose categories and labels to classify and compartmentalize their ...
Side A: A New Margin
by Mark Corroto
It is quite rare to hear multi-reedist Ken Vandermark record or perform with a pianist, the reason being that, back in the day (the early 1990s), his brand of new Chicago jazz was presented much like the hardcore punk scene of the previous decade--out of the back of a van. Like Henry Rollins and Black Flag, ...
Keith Rowe / John Tilbury: E.E.Tension and Circumstance
by Mark Corroto
If it weren't for the sound of one hand clapping, we would have no resonance at all.That snarky summation might best describe this hour-long duo performance by former AMM ensemble band mates Keith Rowe and John Tilbury. Like the zen koan “one hand clapping," this music evokes an almost instantaneous meditation.Recorded just ...
Evan Parker / Wes Neal / Joe Sorbara: At Somewhere There
by Mark Corroto
Why, you might ask, does Evan Parker perform free jazz in trio, a format more identified with rhythm-based jazz? The answer is quite evident on At Somewhere There, a 40-minute improvisational interaction with two new partners.This trio's rhythm is supplanted by energy, animation, and a certain verve; but then, Parker has been at this ...
Jimmy Owens: The Monk Project
by Mark Corroto
Jimmy Owens' tribute to the indomitable music of Thelonious Monk is a luxurious road trip that travels on smooth roads once precarious and quite perilous. His septet, an experienced large/small ensemble, glides almost effortlessly through the opulence of this music.The ease in which these musicians maneuver through the nine Monk compositions, plus Duke Ellington's ...
Noah Preminger's "Before The Rain" Among Jazz Critics' Top CDs of 2011
The latest CD by the Noah Preminger Quartet, “Before The Rain" (Palmetto Records), has appeared on at least 11 best-jazz-CD lists for 2011 and has won a coveted spot on the Rhapsody Jazz Critics' Poll. The CD, which features the 25-year-old Preminger, a tenor saxophonist/composer, along with pianist Frank Kimbrough, bassist John Hébert and drummer Matt ...
Noah Kaplan Quartet: Descendants
by Mark Corroto
Schooled at the knee of microtonal innovator Joe Maneri and supported by Maneri collaborator Joe Morris on his first release as a leader, saxophonist Noah Kaplan's Descendants is quite the auspicious debut.Kaplan's music is an archeological dig that unearths the remains of mummified blues and early jazz--at least a well-preserved jazz sound once rediscovered ...
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