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Marion Brown: Capricorn Moon To Juba Lee Revisited
by Chris May
The release of this album is an event momentous enough to warrant repeating the preamble to the previously published review of Albert Ayler's Quartets 1964: Spirits To Ghosts Revisited.... Before considering the music on this disc, something else has to be celebrated--the resurrection of Werner X. Uehlinger's Hat Hut label (see past profiles). Founded ...
John Dikeman And The Origin Of The Species
by Mark Corroto
If we were to go searching for saxophonist John Dikeman's spirit animal, we might have to bypass beast for sapien. Let's just say his spirit animal is the father of punk, Iggy Pop. Like early music by The Stooges, Dikeman's sound makes reference to the music of both Albert Ayler and Pharoah Sanders. It's a shame ...
Marion Brown, Dave Burrell: Live at the Black Musicians' Conference, 1981
by Vincenzo Roggero
Nell'aprile del 1981 presso la University of Massachusetts Amherst si tenne la Black Music Conference, settimana di concerti, workshop, letture che vide coinvolti studenti, insegnanti musicisti. La serata del dieci aprile prevedeva come apertura il duo Marion Brown e Hilton Ruiz, ma la defezione all'ultimo minuto del pianista di origine portoricana portò sul palcoscenico Dave Burrell, ...
Marion Brown / Dave Burrell: Live at the Black Musicians' Conference, 1981
by John Sharpe
Once again the Lithuanian NoBusiness team has unearthed a jewel from the archives, this time an unissued live recording by two masters of the 1960s New Thing who thrived thereafter. Alto saxophonist Marion Brown, a participant on John Coltrane's legendary Ascension (Impulse, 1965), and pianist Dave Burrell, a stalwart of Archie Shepp's outfits, combined on a ...
Marion Brown/Dave Burrell: Live at the Black Musicians' Conference, 1981
by Mark Corroto
One of the benefits of our digital music world is the ability to drive deeply into the jazz narrative. By that I mean, preserving the story of important musicians, the ones whose story was omitted from the Ken Burns' CliffsNotes history of jazz. Without a few labels and several producers, musicians like Bobby Naughton, Clifford Thornton, ...
Szun Waves, other new releases and some archive cuts
by Bob Osborne
Blurring the boundaries between jazz, ambience and electronica, the sophomore album from Szun Waves New Hymn to Freedom, is the album of the week on the show. This new release is a document of six entirely live improvisations with “no edits or overdubs." The album title is apt, it is jazz, but it also bedded in ...
Ken Vandermark / Marker: Roadwork 1/Roadwork2/Homework1 (Box Set)
by Karl Ackermann
Reed player, composer and improviser Ken Vandermark has led, or been a part of, more than fifty different groups in his prolific twenty-year recording career. Along the way he has played with many of the top talents in experimental, free, and avant-garde jazz, including Joe McPhee, Joe Morris, Paul Lytton, Marcin Oles, Adam Lane, Ab Baars, ...
Wadada Leo Smith: Solo: Reflections and Meditations on Monk
by Mark Corroto
The most fitting tribute to Thelonious Monk on the 100th anniversary of his birth was not by a pianist, but by a trumpeter, and not any ordinary trumpeter. Wadada Leo Smith, like Monk, is a musician's musician. While his peers have seemingly always investigated his music, it took the listening audience (and, ahem, critics) awhile to ...
Ivo Perelman Makes It Rain
by Mark Corroto
If music was sports, then Ivo Perelman would be baseball and most other musicians football. Where football's regular season is 16 games, baseball plays 162. Likewise, most musicians release one album every year or two, but Perelman has averaged seven titles per year for the last seven years. His 2017 Leo Records output is thirteen (fourteen, ...
Toxic: Mat Walerian/Matthew Shipp/William Parker: This Is Beautiful Because We Are Beautiful People
by Matthew Aquiline
Polish multi-instrumentalist Mat Walerian is on the verge of reserving his seat in the pantheon of groundbreaking hornmen who recorded for the late Bernard Stollman's storied ESP-Disk' label. Not as frenetic as Frank Wright, nor as strident as Sonny Simmons, Walerian instead boasts a singular approach that binds Eastern influence and blues sensibility with fluent, legato ...
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