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Ben Monder: Amorphous Music
by Nenad Georgievski
Ben Monder is a guitarist with a singular and influential voice. While he has received a great acclaim for his multifaceted work and unparalleled technical facility, Monder has also demonstrated remarkable breadth both as a bandleader and composer. His debut album for ECM Amorphae is a kind of a movie for one's ears. Amorphae consists of ...
John Abercrombie on ECM - Part 1: Through the '80s
by Budd Kopman
Now that the The First Quartet set of recordings by guitarist/composer John Abercrombie from 1979-1981 has been released, it is as good a time as any to explore Abercrombie's career on ECM as a leader/co-leader, plus some his work as a sideman. There is a famous epithet from Bill Evans: “Jazz is not a ...
Ben Monder: Amorphae
by John Kelman
Having made his first--and, up to now, only--appearance on Munich's lauded ECM Records on the late drummer Paul Motian's Garden of Eden (2006), it's certainly taken a long time for the virtuosically talented guitarist to get a date of his own. Monder's résumé--while filled with significant associations including, in addition to Motian, composer/bandleader Maria Schneider, double ...
John Scofield: Past Present
by Angelo Leonardi
John Scofield alterna ciclicamente immersioni nel rock e dintorni con altre jazzisticamente vivaci e ricche di blues feeling. Dopo la recente pubblicazione di un live del '99 con la rock band statunitense Gov't Mule (Sco-Mule, Evil Teen 2015) oggi rinnova una lontana collaborazione con il sassofonista Joe Lovano: era con lui nel quartetto che agli inizi ...
Eliane Elias at Dazzle
by Geoff Anderson
Eliane Elias Dazzle Denver, CO November 19, 2015 Eliane Elias' current album Made in Brazil (Concord Jazz, 2015) is a lush affair. An orchestra provides a luxurious atmosphere on over half the songs. Guest vocalists add further layers and Take 6 contributes its brand of vocal jazz. Guitarists, drummers, percussionists, bass ...
James Clay: Texas Tenor, Second Generation
by David Perrine
The term “Texas tenor" was originally coined to describe the sound and style of such swing era players as Herschel Evans, Illinois Jacquet, Buddy Tate, Budd Johnson, Arnett Cobb and others, and has subsequently been applied to second generation players from Texas that included James Clay, David “Fathead" Newman and Marchel Ivery. What these players had ...
Eliane Elias: Made in Brazil - Swung at Birdland
by Dr. Judith Schlesinger
Eliane Elias is a paradox. An artist of rare talent, experience, and range, she is a keyboard master with few peers whose deep musicality transcends genre. An astonishing singer, composer, arranger, and songwriter, her performances are celebrated for their swing, lyricism, and unique sound. Elias is also a beautiful woman with long blond hair who's been ...
Eliane Elias at Birdland Jazz Club
by Ernest Barteldes
Eliane Elias Birdland Jazz Club New York, NY April 11, 2015 On the last night of her residence at New York City's Birdland Jazz Club, pianist/vocalist Eliane Elias focused on Brazilian music and tunes from Made in Brazil (Concord, 2015), released earlier that week. The set opened with an instrumental take ...
Eliane Elias: The Authenticity of the Groove
by R.J. DeLuke
"I was 22 years old and I told Toots Thielemans that I had some tunes I'd like him to listen to," says Eliane Elias, the Brazilian-born pianist, a child prodigy who rose to the upper echelons of music during her time in the United States. The discussion with the famed harmonica player came during a rehearsal ...
Eliane Elias: Made In Brazil
by Jeff Winbush
If you've never been to Brazil, consider Eliane Elias as a goodwill ambassador with Made In Brazil. It is a triumphant return for the pianist/vocalist to her native land to record her first album there since relocating to the United States in 1981. There is a delicacy to how Elias chooses and approaches the ...
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