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News: Recording

Leon Lee Dorsey's 'Freedom Jazz Dance' with Mike Clark and Manuel Valera is out August 20, 2021 via Jazz Avenue 1

Leon Lee Dorsey's 'Freedom Jazz Dance' with Mike Clark and Manuel Valera is out August 20, 2021 via Jazz Avenue 1

Jazz Avenue 1 is proud to announce the August 20, 2021 release of Freedom Jazz Dance by veteran bassist Leon Lee Dorsey, drummer extraordinaire Mike Clark and brilliant Cuban-born pianist Manuel Valera. Dedicated to the late Puerto Rican-born piano master Hilton Ruiz, whom Dorsey regularly played with in his last years (appearing on 2004’s A New ...

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Article: Album Review

Keith Brown Trio: African Ripples

Read "African Ripples" reviewed by Troy Dostert


In-demand pianist Keith Brown has ample experience as a sideman and a couple solid leader dates under his belt. But his African Ripples has the distinctive feel of a “statement" record, setting forth the full expanse of his creative vision with bold flair. Inspired by the classic Fats Waller piece first recorded in 1934, the album ...

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Article: Interview

Steven Feifke: Kinetic

Read "Steven Feifke: Kinetic" reviewed by Dan Bilawsky


In terms of physics, kinetic energy is described as a force or power which a body or object possesses by virtue of being in motion. With reference to the aptly named debut from the Steven Feifke Big Band, that ideal is fully applicable. Kinetic, recorded in early 2019 and released in April of 2021, capitalizes on ...

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Article: Album Review

Marques Carroll: The Ancestors' Call

Read "The Ancestors' Call" reviewed by Jerome Wilson


This is the debut album from Chicago-based trumpeter Marques Carroll and he uses it to address very specific concerns—the ongoing struggle for identity and freedom that African-Americans have been going through in the USA for centuries. He does this in compositions that represent a dialogue between generations, music that reaches back to the spiritual jazz of ...

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Article: Interview

Ulysses Owens: Big Band, Big Sound

Read "Ulysses Owens: Big Band, Big Sound" reviewed by R.J. DeLuke


Some jazz drummers, as remarkable as they may be and as successful as their careers are, just aren't suited to drive a big band. It's not for every percussionist. But every big band needs a good one or the effort will fall short. A ship needs a rudder. Ulysses Owens Jr., who started beating out rhythms ...

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Article: Album Review

Berta Moreno Afro-Jazz Soul Project: Tumaini

Read "Tumaini" reviewed by Troy Dostert


Tenor saxophonist Berta Moreno released her promising debut, Little Steps, in 2017. It signaled her debt to forbears such as Wayne Shorter and Joe Henderson, and displayed an impressive command of bop language. Tumaini, her engaging follow-up, moves in a rather different direction. Time well-spent in Kenya gave Moreno a wider focus for her compositions, as ...

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Article: Album Review

Roni Ben-Hur: Stories

Read "Stories" reviewed by Jerome Wilson


Guitarist Roni Ben-Hur, originally from Israel, has absorbed a lot of different cultures and styles into his music. That is reflected on this CD in the variety of music played here: straight ahead jazz as well as Latin and Middle Eastern folk melodies. Mexican singer Magos Herrera brings a sense of husky passion to ...

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Article: Album Review

Roni Ben-Hur: Stories

Read "Stories" reviewed by John Chacona


Guitarist Roni Ben-Hur is an old soul. Uninterested in ostentation, the Israeli-born guitarist has been content to release a series of warm-hearted recordings that favor partnership over pomposity. Half his 12 leader dates have been duets or are co-credited. Stories isn't one of them, but it might as well be. This is an ensemble recording, patient ...

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Article: Extended Analysis

The Complete Louis Armstrong Columbia & RCA Victor Studio Sessions 1946-66

Read "The Complete Louis Armstrong Columbia & RCA Victor Studio Sessions 1946-66" reviewed by Skip Heller


Louis Armstrong officially returned to small band leadership May 17, 1947 via a triumphant concert at Town Hall that was less comeback than reaffirmation. It was even the dawn of his second great period, full of recordings that stood tall with his epochal 1920's output, and the subsequently-assembled Louis Armstrong and his All Stars would immediately ...

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Article: Interview

Samara Joy: Ascension Into Jazz

Read "Samara Joy: Ascension Into Jazz" reviewed by R.J. DeLuke


When Samara Joy performs, she takes her place, stands confidently and sings. Immediately the strength and richness of her voice—which is natural—grabs the attention of the listener. There are no gyrations. It's refreshing that a young artist doesn't see the need for unnecessary vocal gymnastics. Too often, those can miss the mark. Her style ...


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