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About Lucky Millinder

Results for pages tagged "Lucky Millinder"...

Musician

Lucky Millinder

Born:

He played no instruments, sang no songs, never became a noted composer, but in his own way, a musician of undeniable talent. He put bands together, got the vocalists, the right songs, and presented the entire package. Lucky Millinder was a genuine showman who was very much in the spotlight, while, contributing to the background of Jazz, Blues, Rhythm and Blues and all that followed. The man who would be nicknamed Lucky was born Lucius Venable Millinder in Anniston, Alabama August 8, 1900, but it was exposure to his folks new home in Chicago that would provide more than luck to Lucky Millinder's musical development

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Article: History of Jazz

Honky Tonk at Seventy

Read "Honky Tonk at Seventy" reviewed by Daniel Gould

by Daniel Gould

Seventy years ago this summer, a group of jazz men made a record that became the genre's first million-seller. The group was the Bill Doggett Combo, and the track was “Honky Tonk, Parts 1 & 2" (King, 1956). It sold 4 million copies worldwide and went to #2 (Pop) and #1 (R&B). While Bill Doggett always ...

4

Article: Radio & Podcasts

A Blues Spectacular

Read "A Blues Spectacular" reviewed by Jerome Wilson

by Jerome Wilson

In a change from this show's usual format, this episode investigates the blues in many different forms. There are jump blues, British blues, acoustic blues, female blues singers, and much more. Artists featured on the show include Jimmy Rushing, Josh White, James Blood Ulmer, Ernie Andrews, Lil Green, and Jeff Beck. Playlist Henry Threadgill ...

1

Article: Radio & Podcasts

Fletcher Henderson, Count Basie, Charlie Parker & Ella Fitzgerald

Read "Fletcher Henderson, Count Basie, Charlie Parker & Ella Fitzgerald" reviewed by Joe Dimino

by Joe Dimino

We dedicate the entirety of the 843rd Episode of Neon Jazz to the history and culturally vital institution, Harlem's Apollo Theater. After finding an illustrated book on the history of this landmark institution in the history of African American culture, it was essential to cover the jazz side of things from the book's perspective. We begin ...

5

Article: Album Review

Eddie "Lockjaw" Davis with Shirley Scott: Cookin’ with Jaws and the Queen: The Legendary Prestige Cookbook Albums

Read "Cookin’ with Jaws and the Queen: The Legendary Prestige Cookbook Albums" reviewed by Mark Corroto

by Mark Corroto

There is something undeniably hip about the four discs which make up Cookin' With Jaws And The Queen, the music by tenor saxophonist Eddie “Lockjaw" Davis and Hammond B3 organist Shirley Scott. Recorded in three sessions between June and December 1958, at Rudy Van Gelder's studio, which happened to be in his parents' home, the music ...

3

Article: Radio & Podcasts

The Birth of Bebop (1939 - 1945)

Read "The Birth of Bebop (1939 - 1945)" reviewed by Russell Perry

by Russell Perry

"By the early 1940s... a new approach to small-combo jazz playing was developing, characterized by a more flexible approach to rhythm, a more aggressive pursuit of instrumental virtuosity, and an increasingly adventurous harmonic language."--Scott Deveaux Dizzy Gillespie, Charlie Parker, Thelonious Monk and Coleman Hawkins -the pioneers of Bebop. Playlist Host Intro 0:00 ...

3

Article: Multiple Reviews

Forward Into The Past

Read "Forward Into The Past" reviewed by Jerome Wilson

by Jerome Wilson

It's in the nature of most jazz musicians to reach out for the new but a few find their inspiration in the music of the pre-bebop era. Here are three examples. Ernie Krivda and Swing City A Bright And Shining Moment Capri Records 2018 Saxophonist Ernie Krivda is ...

2

Article: Album Review

The Glenn Crytzer Orchestra: Ain't It Grand?

Read "Ain't It Grand?" reviewed by Jack Bowers

by Jack Bowers

As Karen Carpenter once sang, it's “yesterday once more"--at least it is whenever and wherever the gregarious Glenn Crytzer Orchestra springs into action. Crytzer's ensemble not only revitalizes songs from the long-ago Swing Era of the 1920s, '30s and '40s, its high-stepping two-CD set, Ain't It Grand?, even sounds as though it were recorded in those ...

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News: Recording

Who Was Jane Fielding?

Who Was Jane Fielding?

Back in 2012, I posted on Jane Fielding, a husky-voiced vocalist who recorded just two albums—Introducing Jane Fielding (1955) and Embers Glow (1956)—along with two songs performed on Bobby Troup's Stars of Jazz in 1957. Then she disappeared. At the end of the post, I originally asked Ms. Fielding to reach out to me. In February ...

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News: Event

Return Engagement For "Last Call At The Downbeat" In April!

Return Engagement For "Last Call At The Downbeat" In April!

In November 1942, 25-year-old trumpeter Dizzy Gillespie is in Philadelphia leading his own quartet for a 7-week engagement at the Downbeat Club. He’s just been fired by Lucky Millinder after a stint at the famed Earle Theatre at 11th and Market Streets—right around the corner. It’s war time, and big band swing is still the rage, ...


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