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How (Not) To Listen To Early Jazz
by Andrew J. Sammut
Jazz listeners may admit that early music got things to where they are now, similar to how the Model T made the Lamborghini possible. Most just prefer not to drive anything too old. For most listeners, early jazz remains an esoteric and even a strange experience. Perhaps it's all that monochromatic footage of ...
Second “Louie” Awards Gala: New York, NY, December 4, 2012
by Daniel Kassell
Louis Armstrong House Museum 2012 GalaThe Manhattan PenthouseNew York, NYDecember 4, 2012While waiting their turn to play as the Louis Armstrong Centennial Band, trumpeter/vocalist Bria Skonberg, clarinetist Anat Cohen, trombonist Wycliffe Gordon, banjoist James Chirillo, tubaist David Ostwald and drummer Marion Felder enjoyed a great meal before the Second Annual Louis ...
Unplugged Jazz With Guitarist Marty Grosz This Week On Riverwalk Jazz
Riverwalk Jazz this week features a giant of jazz rhythm guitar—Marty Grosz. His career spans over 60 years. Equal parts showman, jazz scholar and raconteur, Marty is a virtuoso in a playing style that’s both timeless and so far off the radar it’s all but lost in today’s music world. The program is distributed in the ...
Furthest From "Weather Bird" So Far...
by Nic Jones
I've taught jazz history classes where I've made use of the Armstrong yardstick. It's a straightforward thing involving no more than comparing and contrasting two Louis Armstrong performances from the 1920s, the latter of which is always “Weather Bird," a duet featuring Armstrong and Earl Hines, on piano. So pitting, say, “Skip the Gutter," from June ...
Fresh Sound Records and the Legacy of Recorded Jazz
by Bruce Klauber
If the importance and the contributions of jazz are measured by its recorded legacy, then Fresh Sound Records--and its founder, Jordi Pujol--must be duly recognized for rescuing a legacy that might otherwise be lost or nearly impossible to find, and for making it available to the public. Specifically, this legacy includes recorded works by ...
Dick Hyman, Topsy Chapman Celebrate Teddy Wilson This Week On Riverwalk Jazz
Teddy Wilson backed Louis Armstrong and Billie Holiday—then became a star playing with Benny Goodman. He made history as one of the first black musicians to join a white band in public performances. Wilson’s understated, delicately-swinging piano style defined the Swing Era. This week on Riverwalk Jazz, pianist Dick Hyman (who took piano lessons from Wilson ...
This Week On Riverwalk Jazz: Gary Giddins On Louis & Bing
Bing Crosby and Louis Armstrong struck up a friendship in the 1920s that flourished as they worked together—for almost half a century—on stage, in movies, and on radio and TV. This week on Riverwalk Jazz, Gary Giddins, author of Bing Crosby: A Pocketful of Dreams-the Early Years, 1903-1940 shares a look into the friendship between Bing ...
John Proulx: The Best Thing for You
by C. Michael Bailey
While female jazz vocalists outnumber male jazz vocalists five to one, it would be a fallacy to believe there is not a wealth of talent among the men singers. With Louis Armstrong and Chet Baker now memories, and Mark Murphy and Jon Hendricks in twilight, as Kurt Elling ascends their throne, there exists a vocal diaspora ...
Saxophonist Sam Reed In Collingswood on Thurday Dec. 6th
Jazz Bridge in Collingswood! presents legendary veteran saxophonist Sam Reed and his group on December 5th at the Collingswood Community Center, 30 Collings Avenue in Collingswood, New Jersey. Tickets are $10, $5 for students, and are available only at the door. Show time is 7:30. It would be enough to ensure the legendary status of saxophonist ...
Eddie Durham: Genius in the Shadows
by Jim Gerard
On December 13, 1932, in the eye of the Great Depression that was devastating the record industry, the Bennie Moten Orchestra shuffled “on their uppers" into a converted church in Camden, N.J., and silently launched the Swing Era, three years before clarinetist Benny Goodman's formal inauguration as the “King of Swing" at the Palomar Ballroom in ...
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