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Cliff Jordan and John Gilmore: Blowing in From Chicago – 1957
by Marc Davis
Imagine if Art Blakey and the Jazz Messengers, at the height of their popularity in 1957, invited a couple of sax guys you've never heard of to play with them. The result would be Blowing in From Chicago--a lively, wonderful record firmly in the Blue Note bop tradition. The rhythm section is ...
Doug Webb: Triple Play
by David A. Orthmann
As tempting as it is to simply consign a blowing session label to Triple Play, a three tenor saxophone plus rhythm date led by Doug Webb, there's ample evidence that something more disciplined and structured is afoot. For one thing, eight of the disc's eleven tracks are under six minutes--in other words, there's not a lot ...
Peter Bernstein Quartet al Teatro Franco Parenti di Milano
by Claudio Bonomi
Peter Bernstein Quartet Rassegna “Jazz al Parenti" Teatro Franco Parenti Milano 22.03.2015 Il secondo appuntamento di Jazz al Parenti, nuova rassegna milanese dedicata al jazz curata da Gianni Morelenbaum Gualberto (direttore artistico anche di Aperitivo in Concerto, manifestazione che si tiene invece al Teatro Manzoni da ...
Alto Saxophone
by Bob Bernotas
Of the many members of the saxophone family, the alto and tenor have emerged as its most prominent siblings. From the mid-1920s onward, many big band alto saxophonists have filled a dual role, best personified by the multi-talented Benny Carter, serving as the lead voice in the saxophone section as well as a featured solo improvisor. ...
Lou Donaldson: Alligator Bogaloo – Blue Note 4263
by Marc Davis
Alligator Bogaloo is very much a product of its time--1967--and it is extremely groovy. Start with the cover. A woman with crazy eye makeup wears a nutty hijab-like getup and is waving her arms like an early-day Bangle walking like an Egyptian. Tres psychedelic. Well, no surprise there. It's April 1967. The ...
Louis Smith: Smithville – Blue Note 1594
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by Marc Davis
Sometimes, thumbing through the old Blue Note catalogue, you wish for something brand new. Something not the usual Jimmy Smith--Lee Morgan--Lou Donaldson--Horace Silver. And then you find it and wonder, “Who is this guy? And what ever happened to him?" Louis Smith is that guy. The trumpeter recorded exactly two Blue Note ...
Yuma Jazz Company: Intuition
by Jack Bowers
Intuition is the fourth album by the Yuma Jazz Company, a well-groomed post-bop quintet that has been gigging in southwestern Arizona since it was formed around a dozen years ago. As one would expect from a group whose home base lies a few miles from the Mexican border, the Latin influence is strong, especially on “Late ...
1950s and ‘60s Blue Note – Is It All the Same?
by Marc Davis
A few years ago, a reader from California named Charlie F. started a provocative discussion in the All About Jazz forums with the title: “I've decided not to buy any more Blue Note albums." Oh boy. He began, “Recently, I came to notice something about Blue Note albums of the 50s-60s, which was that ...
J.R. Monterose – Blue Note 1536
by Marc Davis
J.R. Monterose is that rare bird at Blue Note Records--the guy who got one shot at leading a band, then practically vanished from the face of the earth. It's odd because the history of Blue Note is filled with famous guys (almost never gals) who took up residence and stayed just about forever. Think ...
Bologna Jazz Festival 2014
by Libero Farnè
Bologna e Ferrara 28.10-22.11-2014. Il Bologna Jazz Festival non è certo un festival che perlustra il fermento dell'attualità, che espone le proposte più “forti" e innovative della ricerca americana ed europea, ma non si può nemmeno definire un appuntamento di mainstream nel senso stretto della parola. Salvo rare eccezioni, l'ottava edizione del ...
