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Bill Bruford/Michiel Borstlap: Every Step a Dance, Every Word a Song

by John Kelman
Drummer Bill Bruford has certainly come a long way since his emergence with Yes in the early '70s. While his interest in jazz was evident in the improvisational aspect of his 25-year association with King Crimson, his mathematical sense of precision and disposition towards mind-boggling subdivisions of rhythm often precluded the kind of elasticity required to ...
Andre Bush: Start from Silence

by John Kelman
In his biography, guitarist Andr' Bush cites creative composers/players including Wayne Shorter, Keith Jarrett and, most notably, Pat Metheny as seminal influences. And, to be sure, Bush's disposition towards longer-form composition clearly puts him in the same general space as Metheny and Shorter, with his latest release, Start from Silence , being filled with pieces of ...
Winterfold Reissues Two By Patrick Moraz and Bill Bruford

by John Kelman
For drummer Bill Bruford, known for his work with progressive rockers King Crimson and Yes, but perhaps someone who should be more duly considered for his recent forays into jazz with his Earthworks band, currently featuring British woodwind multi-instrumentalist Tim Garland, the creation of his own record label seems, as it has for many artists including ...
The 21st Century Guide to King Crimson: Volume One 1969-1974

by John Kelman
Of all the groups to emerge from the late '60s-early '70s heyday of British Progressive Rock (capitals fully intended), no group has reinvented itself more frequently and, perhaps, more rapidly than King Crimson. As time has gone on the group's ostensible leader Robert Fripp has refashioned the group through periods of high melodrama to nuevo metal ...
Maurice Brown: Hip to Bop

by John Kelman
Sometimes it's not a good thing when young artists release their own records before they have the opportunity to pay some dues. They may possess admirable technique but have yet to develop a rounded conception that gives their music focus. A precocious trumpeter who, at the age of 23, has already played with a wide range ...
Carl Weingarten: Hand in the Sand: A Collection 1990-2004

by John Kelman
While he may not be known to a broader international public, guitarist Carl Weingarten has been an active player for the past fifteen years, recording nine albums mostly for his own Multiphase Records label. As he moves forward in a career that has been compared to a diversity of artists including Brian Eno, Robert Fripp, Bill ...
Weber Iago: Os Filhos do Vento

by John Kelman
With his Adventure Music début, Os Filhos do Vento (Children of the Wind), pianist/composer Weber Iago links together three of his consuming passions--jazz, classical and Brazilian music--into a rich blend that alludes to all without resting particularly in any one camp. Instead, he creates a sound that displays its broad roots while managing to be personal ...
King Crimson: Neal and Jack and Me

by John Kelman
King CrimsonNeal and Jack and MeDiscipline Global Mobile2004 More than any group that emerged from the so-called progressive rock era of the late '60s and early '70s, King Crimson has continued to reinvent itself. From orchestral bombast to faux-free jazz, from semi-fusion to nuevo metal, Crimson is one band that not ...
Tangerine Dream: The Bootmoon Series

by John Kelman
Tangerine Dream was always considered to be a trend-setting group, but looking back on their work retrospectively, the full impact of their innovations is more than a little remarkable. Ranging from thumping techno beats to New Age meanderings to pure noise to ambient soundscapes, Tangerine Dream were not the first group to make extensive use of ...
Ricardo Silveira/Luiz Avellar: Live: Play the Music of Milton Nascimento

by John Kelman
The music of Milton Nascimento shares common ground with fellow Brazilian Egberto Gismonti, but there are differences. What they share is a root in the traditional folk music of the forests of Brazil. But whereas Gismonti leans towards the abstract and to compositions that are more complex, sharing an equal affinity with modern classical music, Nascimento ...