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Article: Album Review

Superbrass: Brass Taps

Read "Brass Taps" reviewed by Nicholas F. Mondello

by Nicholas F. Mondello

Superbrass' Brass Taps is all wet. Now, before one misinterprets, an explanation is in order. Roger Argente, Principal bass trombonist with the Royal Philharmonic and his illustrious crew comprised of Britain's finest brass and percussion players are sending up eleven impeccably performed original selections all inspired by and programatically about H2O in one way or another.

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Article: Album Review

John Butcher, Thomas Lehn, John Tilbury: Exta

Read "Exta" reviewed by John Eyles

by John Eyles

The trio of saxophonist John Butcher, synthesiser player Thomas Lehn and pianist John Tilbury had a certain inevitability about it. Although they had not recorded together prior to this album, each of the three possible pairs had done so--Lehn and Tilbury when the Englishman recorded the extraordinary The Hands of Caravaggio (Erstwhile, 2002) with MIMEO of ...

5

Article: Album Review

Barbacana: Barbacana

Read "Barbacana" reviewed by Glenn Astarita

by Glenn Astarita

This Anglo-French quartet dishes out a profusion of surprises on each track. Youthful vigor and ingenuity are staples for these musicians who generate a multidimensional platform, with inferences from progressive rock, jazz-rock and avant-garde-like adventurism. The album represents another young band presented by UK-based Babel Records that teeters on the leading-edge of what could be considered ...

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Article: Album Review

Spontaneous Music Ensemble: New Surfacing 1978 & 1992

Read "New Surfacing 1978 & 1992" reviewed by Glenn Astarita

by Glenn Astarita

This album offers a snapshot of the post-1976 version of the legendary free-jazz improvisational unit, Spontaneous Music Ensemble's (SME) reign as a quartet. Two thirds of the material is derived from performances by the guitar-violin-percussion rendition, captured at a 1978 concert in Newcastle, England. It was previously released on Trio & Triangle (Emanem, 1978) but the ...

News: Performance / Tour

As Alike As Trees Returns to Café Oto

Café Oto, London, Saturday 12 October and Sunday 13 October. In 2011, the inaugural As Alike as Trees festival was held at The Rag Factory near Brick Lane in London. Organised by drummer Eddie Prévost, saxophonist David O'Connor and violinist Jennifer Allum, it drew from the pool of musicians who had been participants, alumni or sympathisers ...

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Article: Extended Analysis

S.O.S.: Looking for the Next One

Read "S.O.S.: Looking for the Next One" reviewed by John Kelman

by John Kelman

With more and more archival “finds" hitting the shelves--real or virtual--it's becoming increasingly difficult to separate the wheat from the chaff. Just because an old, long considered lost recording has resurfaced doesn't inherently make it worthy of release: sometimes the sound isn't up to snuff--though, if it's a stellar performance, that can sometimes be forgiven--but other ...

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Article: Album Review

The Impossible Gentlemen: Internationally Recognisable Aliens

Read "Internationally Recognisable Aliens" reviewed by John Kelman

by John Kelman

When you come out of the gate as strongly as The Impossible Gentlemen (Basho, 2011), you create a pretty high set of expectations for the follow-up. Of course, when it's a quartet of musicians this accomplished--a transatlantic, trans-generational group consisting of a living legend (bassist Steve Swallow), a less-known but equally active American cohort (drummer Adam ...

8

Article: Album Review

Antoine Fafard: Occultus Tramitis

Read "Occultus Tramitis" reviewed by Glenn Astarita

by Glenn Astarita

An unanticipated surprise in the form of a new album is always welcome. And the star-studded cast of jazz, jazz fusion and progressive rock performers here is somewhat of an eye-opener, especially when considering that UK bassist Antoine Fafard (Spaced Out) is not a household name in the US. Gathering a supporting cast of this stature ...

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Article: Album Review

Musson - Noble - Sanders: Tatterdemalion

Read "Tatterdemalion" reviewed by Glenn Astarita

by Glenn Astarita

Tatterdemalion: the album title refers to someone who wears tattered clothing, a simile that may parallel the unadorned and rather raucous proceedings enacted by this trio's thoroughly “free" approach to jazz improvisation. You won't find pieces that intimate a sea of tranquility. It's more about an in-your-face type workout featuring saxophonist Rachel Musson's hardcore expressionism. However, ...

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Article: Extended Analysis

Kenny Wheeler: Six for Six

Read "Kenny Wheeler: Six for Six" reviewed by John Kelman

by John Kelman

When artists move into their eighties, every new album is a gift. It's difficult enough for any octogenarian musician to maintain his/her game, but especially horn players, for whom embouchure and breath are so essential to tone and reach. Six for Six is, however, a curious gift from expat Canadian trumpeter Kenny Wheeler, who's made Britain ...


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