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Brad Mehldau Trio: Live
by John Kelman
It's been three years since Jeff Ballard replaced original drummer Jorge Rossy in pianist Brad Mehldau's trio with bassist Larry Grenadier. While the trio has been busy on its own and with guitar icon Pat Metheny in support of Metheny Mehldau (Nonesuch, 2006) and Quartet (Nonesuch, 2007), it's also been three years since Day is Done ...
Live
By Oliver Lake
Label: Passin' Thru Records
Released: 2007
Track listing: Brass & Oak; Naisiai; Yo' Dance; No VT; Levels; Montana Grass Song; Cloth; Broken in Parts; Pure Improv.
Live
Label: Tone Center
Released: 2007
Track listing: CD1: Worried Life Blues; The Sun; A Peaceful Ride; Underwear; 6/8 Blues; Born in the Rain. CD2: The Mighty SB; Ghouls and Goblins; Widow; Johnny Swing; Good Friend; Untitled.
Live
Label: Little Louie Records
Released: 2007
Track listing: Just Blues; What About Jed?; A Long Winter; Lemon Water; The Preacher Is Broken; That Darn Dream; Where
Live
By Stan Getz
Label: Giant Step Records
Released: 2007
Track listing: CD1: I Only Have Eyes For You; Jive At Five; Moonlight In Vermont; Love Me Or Leave Me; So Long Broadway; Topsy; Four Others; All The Things You Are; Creme De Menthe; Viva Zapata!; Bernie's Tune; Solitaire. CD2: Morgan Davis; La Soncailli; Luau; Comin' Thru The Rye Bread; Taking A Chance On Love; The Big Top; The Duke You Say!; Sunset Eyes; Witch Doctor No. 2; Round About Midnight; Mood For Lighthouse; Blind Man's Bluff; Lady Jean; Casa De Luz.
Lynne Arriale Trio: Live
by Donald Elfman
Quietly and brilliantly the Lynne Arriale Trio has been defining the art of the piano trio. For nearly fifteen years, Arriale, bassist Jay Anderson and drummer Steve Davis have created smart, inventive jazz that has the capacity to wow audiences thanks to its expansive approach to tunes, virtuosic playing and sheer longevity. And, of course, it ...
Stan Getz & The Lighthouse All Stars: Live
by Nic Jones
Tenor saxophonist, Stan Getz, had a way with music that was always pretty uncompromising. Capable of producing a tone of exceptional beauty, he often relied on it to disguise a certain imperious quality in his work. If this was indeed the case, then it was prevalent for the majority of his career. However, musically speaking, he ...


