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More Than A Jazz Legend: Dexter Gordon and His Search For Personal Integrity
by Victor L. Schermer
Sophisticated Giant: The Life and Legacy of Dexter Gordon Maxine Gordon 261 Pages ISBN: #9780520280649 University of California Press 2018 Dexter Gordon became a jazz legend in his own time. He played a key role in the bebop and hard bop movements, created an instantly recognizable style that ...
Big in Japan: A History of Jazz in the Land of the Rising Sun, Part 1
by Karl Ackermann
Part 1 | Part 2The music market in Japan--second only to the U.S. in terms of revenue--generates more than two-billion dollars in sales annually. Enthusiasts and collectors of jazz recordings had long ago discovered that Japan's robust music scene, and the now virtual accessibility to products have made the country a go-to resource for ...
Randy Weston: Brooklyn, Africa e ritorno
by Ludovico Granvassu
Per ricordare il grande pianista statunitense, riproponiamo un'intervista del 1999 che ripercorre la sua vita e la sua carriera, dalla nascita a Brooklyn agli anni passati in Africa fino alla consacrazione dopo il rientro negli Stati Uniti. Ogni anno, la facoltà di musica dell'università di Harvard, dedica parte del suo calendario accademico all'analisi ...
Kuumbwa And The Magic of Monday Night
by Arthur R George
Monday nights, otherwise a down time for many music venues, have been magic for the Kuumbwa Jazz Center in Santa Cruz, CA. Kuumbwa's most prominent shows occur, oddly, on off-calendar Monday nights or midweek, featuring headliners before or after their engagements nearby in San Francisco and Oakland and who are touring up or down the West ...
Derek Bailey & Company: Klinker
by Roger Farbey
Derek Bailey and Will Gaines had already recorded together on Rappin' & Tappin' (Incus, 1994) and on the video Will (1995), so this archival session, captured live on Thursday 24 August 2000, at The Klinker in London, presents a further opportunity to hear this odd couple. Gaines was 72 at the time of this concert and ...
State and Mainstream: The Jazz Ambassadors and the U.S. State Department
by Karl Ackermann
The Cold War that began in 1947 and ran for forty-four years, had jazz music as its primary deterrent to global tensions, and it did more to foster good will between the U.S. and global citizens than any previous program launched by the U.S. Department of State. Jazz music, even in its Golden Age, was seldom ...
Laurie Dapice: Parting the Veil
by Dan McClenaghan
Phrasing is important. The top jazz vocalists are experts at laying down the elastic--or the sharp and concise--turn of phrase. New York-based vocalist Laurie Dapice excels in this regard. Like a deft baker working and molding the dough, she stretches and kneads a syllable here, and slices another off with a sharp cut of a dough ...
Culture Clubs: Part IV: When Jazz Met Europe
by Karl Ackermann
The Geography of Jazz--When Jazz Met Europe In 2004 Maureen Anderson, a researcher at Illinois State University contributed a dissertation to the journal, African American Review, titled The White Reception of Jazz in America. Ostensibly, her article deals with stories published in high profile periodicals and journals from 1917 and into the 1930s, written by white ...
Culture Clubs: A History of the U.S. Jazz Clubs, Part III: Kansas City, Philadelphia, Los Angeles & Beyond
by Karl Ackermann
Beyond the Hubs While New Orleans, Chicago, Kansas City and New York City were the incubators of modern jazz, they were by no means the only locations with an appetite for live music. Jazz artists whose point of origin could not sustain multiple venues ventured to locations near and far to practice their trade. ...
Idrees Sulieman Quartet feat. Oscar Dennard: The 4 American Jazz Men in Tangier
by Stefano Merighi
La pubblicazione in doppio album di queste sedute del 1959 del quartetto di Idrees Sulieman rivestono importanza in primo luogo per ascoltare il talento assoluto del pianista Oscar Dennard. Colpevolmente dimenticato, Dennard si rivela uno strumentista di primissimo piano, una voce fuori dal coro tra i pianisti attivi negli anni 50. Un po' strangolato nell'orchestra ...






