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Article: Take Five With...

Eivind Opsvik e il Questionario di Proust

Read "Eivind Opsvik e il Questionario di Proust" reviewed by AAJ Staff


All About Jazz: Il tratto principale della mia musica. Eivind Opsivik: Atmosfere forti. AAJ: La qualità che desidero nei musicisti che suonano con me. E.O.: Che siano al 100% al servizio della musica. AAJ: Come musicista, il momento in cui sono stato più felice. ...

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Article: Book Excerpts

Zappa and Jazz: Did it Really Smell Funny, Frank?

Read "Zappa and Jazz: Did it Really Smell Funny, Frank?" reviewed by Geoffrey Wills


The following is an excerpt from “Chapter 2: Early Encounters with Jazz" of Zappa and Jazz: Did it Really Smell Funny, Frank? by Geoffrey Wills (Matador, 2015). When, at the age of fourteen, Zappa entered Mission Bay High School in San Diego in 1955, his first exposure to the elitist snobbery of a ...

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News: Birthday

Jazz Musician of the Day: Lester Young

Jazz Musician of the Day: Lester Young

All About Jazz is celebrating Lester Young's birthday today! Lester “Prez" Young was one of the giants of the tenor saxophone. He was the greatest improviser between Coleman Hawkins and Louis Armstrong of the 1920s and Charlie Parker in the 1940s. From the beginning, he set out to be different: He had his own lingo; In ...

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Article: Book Review

The Velvet Lounge: On Late Chicago Jazz

Read "The Velvet Lounge: On Late Chicago Jazz" reviewed by David A. Orthmann


The Velvet Lounge: On Late Chicago Jazz Gerald Majer 224 pages ISBN: #023113682X Columbia University Press 2005 Three men sit around a table in a restaurant that--for one night a week--masquerades as a jazz club. The dinner plates have been cleared, and we're waiting to settle the check. ...

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Article: Album Review

Giacomo Gates: Everything Is Cool

Read "Everything Is Cool" reviewed by Jack Bowers


Giacomo Gates was almost forty years old when someone suggested that he try his hand at singing. Luckily for the rest of us, Gates thought that was a good idea, moved to New York City later that year (1989) and began singing in clubs. Six years later Gates recorded his first CD, Blue Skies, and Everything ...

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Article: My Blue Note Obsession

Sonny Rollins, Volume One – 1956

Read "Sonny Rollins, Volume One – 1956" reviewed by Marc Davis


It's easy to like Sonny Rollins. The guy is bluesy, edgy and clever. And it almost doesn't matter which period of Rollins' career you choose. It's all pretty terrific. But there's an unexpected down side: Because Rollins has so many fantastic recordings, listening to ones that are merely good can be a little disappointing. ...

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Article: Multiple Reviews

Three Shots from Siwula: Blaise Siwula & NoFrillsMusic

Read "Three Shots from Siwula: Blaise Siwula & NoFrillsMusic" reviewed by Jakob Baekgaard


The emergence of free jazz in the 1950s and 1960s pioneered a new way of thinking about music that not only affected the way music sounded, but also the way it was shared and distributed. In many ways, free jazz was a movement away from mainstream and mass-distribution and the rediscovery of music as art, but ...

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Article: Profile

James Clay: Texas Tenor, Second Generation

Read "James Clay: Texas Tenor, Second Generation" reviewed by David Perrine


The term “Texas tenor" was originally coined to describe the sound and style of such swing era players as Herschel Evans, Illinois Jacquet, Buddy Tate, Budd Johnson, Arnett Cobb and others, and has subsequently been applied to second generation players from Texas that included James Clay, David “Fathead" Newman and Marchel Ivery. What these players had ...

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Article: From Far and Wide

The Word is Beat: Jazz, Poetry & the Beat Generation

Read "The Word is Beat: Jazz, Poetry & the Beat Generation" reviewed by Jakob Baekgaard


It is the aspiration of much literature that it wants to change the way we look at the world, but few authors and poets have been as influential as the group of writers labeled the Beat Generation. They saw a lot that they did not like about American society in the fifties when they came of ...

Article: Lyrics

I 10 CD nel CD-Player di... Samuel Blaser

Read "I 10 CD nel CD-Player di... Samuel Blaser" reviewed by Vincenzo Roggero


01. Clifford Jordan plays Leadbelly -These Are My Roots (Atlantic Records -1965). Ho condiviso l'ascolto di questo fantastico disco durante una session a Brooklyn circa due anni fa con il sassofonista Michael Blake e il bassista Michael Bates. 02. Michael Blake -Tiddy Boom (Sunnyside Records -2014). Con Michael, che è uno ...


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