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Eivind Opsvik e il Questionario di Proust
by AAJ Staff
All About Jazz: Il tratto principale della mia musica. Eivind Opsivik: Atmosfere forti. AAJ: La qualità che desidero nei musicisti che suonano con me. E.O.: Che siano al 100% al servizio della musica. AAJ: Come musicista, il momento in cui sono stato più felice. ...
Zappa and Jazz: Did it Really Smell Funny, Frank?
by Geoffrey Wills
The following is an excerpt from Chapter 2: Early Encounters with Jazz" of Zappa and Jazz: Did it Really Smell Funny, Frank? by Geoffrey Wills (Matador, 2015). When, at the age of fourteen, Zappa entered Mission Bay High School in San Diego in 1955, his first exposure to the elitist snobbery of a ...
Jazz Musician of the Day: Lester Young
All About Jazz is celebrating Lester Young's birthday today! Lester Prez" Young was one of the giants of the tenor saxophone. He was the greatest improviser between Coleman Hawkins and Louis Armstrong of the 1920s and Charlie Parker in the 1940s. From the beginning, he set out to be different: He had his own lingo; In ...
The Velvet Lounge: On Late Chicago Jazz
by David A. Orthmann
The Velvet Lounge: On Late Chicago Jazz Gerald Majer 224 pages ISBN: #023113682X Columbia University Press 2005 Three men sit around a table in a restaurant that--for one night a week--masquerades as a jazz club. The dinner plates have been cleared, and we're waiting to settle the check. ...
Giacomo Gates: Everything Is Cool
by Jack Bowers
Giacomo Gates was almost forty years old when someone suggested that he try his hand at singing. Luckily for the rest of us, Gates thought that was a good idea, moved to New York City later that year (1989) and began singing in clubs. Six years later Gates recorded his first CD, Blue Skies, and Everything ...
Sonny Rollins, Volume One – 1956
by Marc Davis
It's easy to like Sonny Rollins. The guy is bluesy, edgy and clever. And it almost doesn't matter which period of Rollins' career you choose. It's all pretty terrific. But there's an unexpected down side: Because Rollins has so many fantastic recordings, listening to ones that are merely good can be a little disappointing. ...
Three Shots from Siwula: Blaise Siwula & NoFrillsMusic
by Jakob Baekgaard
The emergence of free jazz in the 1950s and 1960s pioneered a new way of thinking about music that not only affected the way music sounded, but also the way it was shared and distributed. In many ways, free jazz was a movement away from mainstream and mass-distribution and the rediscovery of music as art, but ...
James Clay: Texas Tenor, Second Generation
by David Perrine
The term Texas tenor" was originally coined to describe the sound and style of such swing era players as Herschel Evans, Illinois Jacquet, Buddy Tate, Budd Johnson, Arnett Cobb and others, and has subsequently been applied to second generation players from Texas that included James Clay, David “Fathead" Newman and Marchel Ivery. What these players had ...
The Word is Beat: Jazz, Poetry & the Beat Generation
by Jakob Baekgaard
It is the aspiration of much literature that it wants to change the way we look at the world, but few authors and poets have been as influential as the group of writers labeled the Beat Generation. They saw a lot that they did not like about American society in the fifties when they came of ...
I 10 CD nel CD-Player di... Samuel Blaser
by Vincenzo Roggero
01. Clifford Jordan plays Leadbelly -These Are My Roots (Atlantic Records -1965). Ho condiviso l'ascolto di questo fantastico disco durante una session a Brooklyn circa due anni fa con il sassofonista Michael Blake e il bassista Michael Bates. 02. Michael Blake -Tiddy Boom (Sunnyside Records -2014). Con Michael, che è uno ...




