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Susie Meissner: Tea for Two
by C. Michael Bailey
Natural but determined evolution makes for well conceived and produced projects. Vocalist Susie Meissner has proved this statement as she progressed from her debut recording I'll Remember April (Lydian Jazz, 2009), through her sophomore effort, I'm Confessin' (Lydian Jazz, 2011) to the present Tea for Two. Using a well-worn repertoire, Meissner, mostly with the support of ...
Lester Young on Verve
Lester Young was born on August 27, 1909 and died March 15, 1959. Known as Prez or Pres (short for President, a nickname Billie Holiday gave him), the tenor saxophonist was famous for his cool and airy relaxed style that modernized the tenor saxophone. Instead of improvising with an aggressive, vertical chopping approach, his sound was ...
Charlie Parker: In Praise of Bird on His 100th Birthday!
by Victor L. Schermer
A hundred years ago, on August 29, 1920, soon after jazz was born, Charlie Parker came into this world, and in the 35 years of a life cut short by addictions and impulse-driven living, he changed the face of the music. His innovations as one of the creators of bebop and his stunning sound and virtuosic ...
Jazz Musician of the Day: Lester Young
All About Jazz is celebrating Lester Young's birthday today! Lester “Prez" Young was one of the giants of the tenor saxophone. He was the greatest improviser between Coleman Hawkins and Louis Armstrong of the 1920s and Charlie Parker in the 1940s. From the beginning, he set out to be different: He had his own lingo; In ...
Muse Records: Ten Smoking Hot Albums
by Chris May
Alone among the other great jazz labels of the 1960s and 1970s—Blue Note, Prestige, Riverside, Impulse!, Strata-East and Atlantic—Joe Fields' Muse is rarely anthologised, written about or otherwise celebrated. Yet like its peers, Muse was prolific, releasing over 200 premium-grade albums during the 1970s, its most active decade, alone. This relative obscurity is ...
Prestige Records: An Alternative Top 20 Albums
by Chris May
Along with Alfred Lion's Blue Note and Orrin Keepnews' Riverside, Bob Weinstock's Prestige was at the top table of independent New York City-based jazz labels from the early 1950s until the mid 1960s. Like those other two labels, Prestige built up a profuse catalogue packed with enduring treasures. Originally a record retailer, Weinstock ...
Yuri Honing: Sounds And Vision
by Ian Patterson
Strange that such a gruesome tale, drowning in blood, could have inspired so much great art. So it goes with Bluebeard, the seventeenth century French folktale, which continues to inspire artists to this day. Dutch saxophonist/composer Yuri Honing's Bluebeard (2020)-- his fourth album on Challenge Records with his acoustic quartet--is not just a highly personal take ...
Walter Smith III: In Common 2
by Paul Rauch
The musical paths of saxophonist/composer Walter Smith III and guitarist/composer Matthew Stevens have crossed on many occasions over the years, touring and recording together in their respective bands and those of Esperanza Spalding, Ambrose Akinmusire, Terence Blanchard, Dave Douglas and Terri Lynne Carrington. They first recorded together in 2017, convening a stellar band to ...
Brian Landrus: For Now
by Doug Hall
Low-register reed specialist and multi-instrumentalist and composer Brian Landrus confronted a difficult period in his life and used adversity to inspire a passionate declaration in song on his 2020 release For Now (BlueLand Records). He took advice from the late valve-trombonist, composer and educator Bob Brookmeyer, “book a recording session before you have the music composed—then ...
Riverside Records: An Alternative Top Ten
by Chris May
From 1953, when it was set up, to 1964, when it was acquired by ABC, Riverside Records rivalled Blue Note and Prestige as one of the leading independent jazz labels based in New York City. The founders of all three labels were jazz fans who operated on slim margins and became producers partly because they enjoyed ...
