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Walter Smith III: In Common 2
by Paul Rauch
The musical paths of saxophonist/composer Walter Smith III and guitarist/composer Matthew Stevens have crossed on many occasions over the years, touring and recording together in their respective bands and those of Esperanza Spalding, Ambrose Akinmusire, Terence Blanchard, Dave Douglas and Terri Lynne Carrington. They first recorded together in 2017, convening a stellar band to ...
Brian Landrus: For Now
by Doug Hall
Low-register reed specialist and multi-instrumentalist and composer Brian Landrus confronted a difficult period in his life and used adversity to inspire a passionate declaration in song on his 2020 release For Now (BlueLand Records). He took advice from the late valve-trombonist, composer and educator Bob Brookmeyer, “book a recording session before you have the music composed—then ...
Riverside Records: An Alternative Top Ten
by Chris May
From 1953, when it was set up, to 1964, when it was acquired by ABC, Riverside Records rivalled Blue Note and Prestige as one of the leading independent jazz labels based in New York City. The founders of all three labels were jazz fans who operated on slim margins and became producers partly because they enjoyed ...
Piano
by C. Michael Bailey
Following his debut as a leader on, Wynton Kelly: New Faces -New Sounds (Blue Note, 1951), pianist Kelly surfaced again some seven years later, this time on Riverside Records, with the simply titled Piano. The length of time between leader recordings is a testament to the pianist's value in a supporting role for artists like Dinah ...
New Faces - New Sounds
by C. Michael Bailey
In the early 1950s, Blue Note Records introduced new artists in the label's series New Faces -New Sounds. It highlighted such young artists as Horace Silver (1952); Lou Donaldson (1952); Elmo Hope (1953); and Frank Foster (1954). All of these recordings were released as part of Blue Note Record's 5000 Modern Jazz Series, all on 10-inch ...
Frank Tiberi: The Thundering is Still Heard
by Jim Worsley
The term “ninety-two years young" is a bit cliché, but if the shoe fits (oops, another cliché). Saxophonist Frank Tiberi (pictured above playing with saxophonist and long time friend George Garzone to the left) spoke with the verve and energy of a much younger man. He got excited, as if being back in the moment, when ...
MY IRIS: MY IRIS Live!
by Ian Patterson
Unable to undertake its scheduled April tour due to COVID 19, MY IRIS, the quartet led by saxophonist Trish Clowes, releases this live recording culled from gigs in Belfast and Galway in October 2019. Captured on Zoom recorder, Clewes has done an admirable job in producing a presentable sound on this digital-download, Bandcamp release. More importantly, ...
Lee Konitz: Il Ricordo di D'Andrea, Fasoli, Giuliani, Pieranunzi, Rava e Tommaso.
by Paolo Marra
Il sassofonista Lee Konitz è stato una delle figure più influenti del jazz moderno non solo per il suono unico al contralto e un senso dell'improvvisazione senza eguali, ma anche per essere rimasto nell'arco della sua lunga carriera sempre fedele a sé stesso ponendo la musica come protagonista assoluta della sua espressività, senza inutili esibizionismi.
Jeff Rupert/George Garzone: The Ripple
by Jim Worsley
The Ripple refers to the infectious, warm, intimate, yet big sound developed by the great Lester Young, starting in the late 1930s. While Young pioneered improvisational creativity, Stan Getz later took the baton (well, it was actually a saxophone) and further expanded his idol's stylish approach with new and creatively open-ended visions. Young and Getz collectively ...
Field Trip To The Vault!
by Marc Cohn
After a dose of 21st century music from Dave Allen, Pat Metheny and Aziza, we continue to celebrate the life of Sonny Rollins with tracks from his last session for Prestige in 1956. Then it's deep into the vault for two 78rpm recreations from Charlie Parker (on tenor) with Miles & Erroll Garner's trio from the ...
