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Wayne Escoffery: Like Minds
by Dave Linn
Wayne Escoffery was born in London and raised in New Haven, Connecticut. He began playing the saxophone at the age of 11, later studying at the Educational Center for the Arts in New Haven and the New England Conservatory of Music in Boston. In the late 1990s, Escoffery started gaining recognition on the jazz scene with ...
Lonnie Liston Smith: Jazz Is Dead 17
by Chris May
Having kicked off 2023 with one of the strongest albums in its catalogue--Phil Ranelin and Wendell Harrison's Jazz Is Dead 16--Ali Shaheed Muhammad and Adrian Younge's label continues on a roll. Jazz Is Dead 17 finds the two producers in their funked-up comfort zone and relishing it. Strange but true, Jazz Is Dead ...
Mark de Clive-Lowe, Melanie Charles, Shigeto: Hotel San Claudio
by Chris May
Lovers of Pharoah Sanders' fundamentally acoustic spiritual-jazz may experience something of a road-to-Damascus moment listening to Hotel San Claudio: the realisation that high-tech, digital-era excursions can, in the right hands, bring more than just novelty to the music. Almost half of Hotel San Claudio--a collaboration between keyboardist Mark de Clive-Lowe, vocalist and flautist ...
Sun-Mi Hong, Christine Correa, Muriel Grossmann & Manuel Hermia
by Maurice Hogue
This episode is filled with new interesting new releases, highlighted by ex-pat South Korean drummer Sun-Mi Hong who's settled nicely into the Amsterdam scene, vocalist Christine Correa's take on the seminal music of Abbey Lincoln & Max Roach, saxophonist Muriel Grossmann's spiritual and spirited approach, and Belgian saxophonist Manuel Hermia with his latest band, Freetet. Gebhard ...
Kevin “Bujo” Jones: Jazz as a Part of The Continuum
by Jane Kozhevnikova
Jazz musicians can be found working in any other music styles, probably because jazz gives great flexibility and freedom of expression that can be easily applied to any music. Kevin “Bujo" Jones, a percussionist born in Englewood, New Jersey, and residing in Grand Rapids, Michigan, feels equally comfortable playing jazz and non-jazz. Moreover, he does not ...
Michael Marcus, Forest Chorus, Joao Lencastre & Perelman/Shipp
by Maurice Hogue
Europe's improvised scene is well-represented in this edition of One Man's Jazz with samplings of new releases by Forest Chorus which feature the great multi-reedist from Finland, Mikko Innanen, Portguese drummer Joao Lencastre & Communion, and three women artists making lots of waves: bassist Silvia Bolognesi from Italy, French pianist Cécille Cappozzo and German drummer Eva ...
Mark de Clive-Lowe: Celebrating Pharoah Sanders
by Chris May
It is a curious thing, but among the present day champions of Pharoah Sanders' fundamentally acoustic music are two early adopters of post-production heavy, digitally-enabled, high-tech mutoid jazz: bassist and producer Bill Laswell and keyboardist and broken-beat pioneer Mark de Clive-Lowe, whose Freedom: Celebrating The Music Of Pharoah Sanders (Soul Bank) was released in July 2022. ...
Nucleus: Nucleus Live at the BBC
by Maurizio Comandini
Dio salvi la regina. E la BBC. L'emittente di stato britannica ha capito fin da subito che da quelle belle energie musicali, che spuntavano come l'erba di Hyde Park sotto al tiepido sole di quelle latitudini, passavano le scelte esistenziali e culturali delle nuove generazioni e sin dagli anni sessanta ha dato ampio spazio alla musica, ...
Aksel Rönning Trio, Blue Reality Quartet & Ches Smith’s We All Break
by Maurice Hogue
Like Haitian-drums? Drummer Ches Smith does and he taps into the Voudo rhythm and spirit of Haiti on his new Path Of Seven Colors. Like Bob Dylan's music? The German quartet Absolutely Sweet Marie tackles nothing but; their third volume, Wherever You Roam, is just out and there are a some tunes from that featured. What ...
Daniele Sepe, tra jazz, Zappa e la pirateria
by Neri Pollastri
Non è la prima volta che su queste pagine intervistiamo Daniele Sepe; del resto il musicista partenopeo è saldamente sulla scena dai primi anni Novanta, sempre mescolando ogni genere musicale—dal folk alla classica, dal jazz a ogni “nuovo ritmo" affacciatosi sulla scena giovanile—e inventandosi spesso formazioni e spettacoli che vanno oltre la sola musica, attingendo al ...
