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Results for "Lennie Tristano"

Article: Extended Analysis

Unreleased Art: Volume 9 - Art Pepper & Warne Marsh At Donte's, April 26, 1974

by C. Michael Bailey
October 24, 2016

When any previously unheard Art Pepper is released, the event bears a bit of context. Laurie Pepper's Volume 9 addition to her Unreleased Art series is the 3-CD box Art Pepper & Warne Marsh at Donte's April 26, 1974. It contains music from late in Pepper's fallow period between the releases of Intensity (Contemporary, 1960) and ...

Article: Album Review

Joshua Breakstone/The Cello Quartet: 88

by Mark Sullivan
October 24, 2016

Veteran guitarist Joshua Breakstone pays tribute to some of his favorite pianist/composers here. He tells a story about a fellow Berklee student (a saxophonist) who asked legendary saxophonist Sonny Stitt if he could sit in. Stitt shut him down with the question “how many keys on a saxophone?" The novice couldn't answer--there are 23--but everyone knows ...

Article: Multiple Reviews

Poker di Michael Jefry Stevens

by Giuseppe Segala
October 10, 2016

Il pianista, compositore, teorico e didatta Michael Jefry Stevens ha impresso il proprio significativo contributo al jazz contemporaneo attraverso un lavoro che dura da circa quarant'anni, associato a un ampio ventaglio di musicisti e a formazioni di grande interesse, tra cui Mosaic Sextet e Liquid Time con Dave Douglas, The Fonda/Stevens Group con Joe Fonda, Conference ...

Article: Album Review

Fred Hersch Trio: Sunday Night at the Vanguard

Read "Sunday Night at the Vanguard" reviewed by Angelo Leonardi

by Angelo Leonardi
September 5, 2016

"Questo è di gran lunga l'album migliore che ho realizzato in trio--dice Fred Hersch -e rappresenta al meglio il nostro modo di suonare." Ogni musicista tende a pensare allo stesso modo e la frase ci lascia perplessi perchè non è facile superare album strepitosi come Floating (Palmetto, 2014) realizzato in studio e Alive at ...

Article: Album Review

Alex Merritt Quartet: Anatta

by Budd Kopman
June 3, 2016

Everyone, listeners and composers/players bring their life experience to the music at hand. Jazz musicians in particular, especially today when many, if not most, compose as well as perform, pour themselves once into a composition, and then again when performing it. The performer aims to virtually disappear, to separate the distance and space between himself and ...

Article: Multiple Reviews

Tutti intorno al piano di Frank Carlberg

by Alberto Bazzurro
April 7, 2016

Finlandese di nascita e bostoniano d'adozione, il pianista e compositore Frank Carlberg, docente al New England Conservatory e al Berklee College of Music, influenzato da Paul Bley e Ran Blake così come da Jimmy Giuffre, ha collaborato nel tempo con Steve Lacy (ci torneremo), Bob Brookmeyer e Kenny Wheeler, ha scritto musica anche per organici di ...

Article: Take Five With...

Nicola Fazzini e il Questionario di Proust

by AAJ Staff
March 31, 2016

All About Jazz: Il tratto principale della mia musica. Nicola Fazzini: Ricercare ed essere originale, almeno così spero. AAJ: La qualità che desidero nei musicisti che suonano con me. N.F.: Un insieme di creatività e rigore. Saper ricercare ed essere liberi con profondità, passione e studio. AAJ: Come musicista, il ...

Article: Live Review

A Day With Dave Liebman

by Ian Patterson
February 16, 2016

A Day With Dave Liebman National Concert Hall Dublin, Ireland January 31, 2016 Lasting the course in jazz, that's to say, building a successful career that, just like any other job, spans more than half a lifetime, brings with it a wealth of knowledge and experience. Sharing that knowledge with ...

News: Video / DVD

Konitz and Marsh: Half Note

February 2, 2016

The Half Note in New York was a jazz club at 289 Hudson St. that operated from 1957 to 1972. Today, the building still stands and houses a deli (below), unless, of course, the insane New York real estate market has consumed this building, too. [Photo above of Warne Marsh] In June 1964, CBS's Look up ...

Article: Year in Review

2015: The Year in Jazz

by Ken Franckling
January 4, 2016

The year 2015 was a curious blend of ups and downs, with glimmers of optimism offset by its losses. Venues opened to great fanfare, but others closed for a variety of reasons. UNESCO's International Jazz Day became firmly entrenched as the exclamation point on Jazz Appreciation Month activities in April. Daily arts journalism took a hit ...