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About Lennie Tristano
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Lennie Tristano
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A pianist of exceptional co-ordination and skill, for whom playing in different metres with each hand held no terrors, Lennie Tristano overcame blindness to become one of the leading teachers in jazz. While he was studying for his music degree in Chicago in the early 1940s, he had already begun playing and working with a circle of musicians who became his pupils - including saxophonist Lee Konitz and guitarist Billy Bauer. Tristano mastered the bebop style, playing both intricate runs and sustained chordal passages, and by the late 1940s was working in New York, where he made some significant discs with the musicians who had developed bebop - notably Charlie Parker and Dizzy Gillespie
The Joshua Breakstone Quartet: Wonderful!
by Pierre Giroux
Joshua Breakstone's Wonderful! arrives on CD nearly four decades after its original release. It is a reminder that truly good jazz never worries about expiration dates. Although the original recording came early in his career, Breakstone hardly sounds like a guitarist searching for his voice. The ideas are already in place. Thoughtful, swinging, and melodic, the ...
The Joshua Breakstone Quartet: Wonderful!
by Neil Duggan
This is a reissue of Joshua Breakstone's debut as leader. The recording, which has been out of print for nearly 40 years, dates back to 1984, when the guitarist was 27 years old. It also marks the first time the recording has been available on CD. While many guitarists of a similar vintage built ...
Moldejazz 2026
by Daniel Mège
Located at 62°7 North, Moldejazz (the Molde International Jazz Festival) is the ideal place for a festival in week 29, in early summer. A floral scent drifts through The Town of Roses, a ribbon less than a kilometer wide wedged into a peninsula between fjord and mountains. Even once it has set, the sun is never far ...
Merano Jazz Festival And Academy 2026
by Giuseppe Segala
Merano Jazz Festival and Academy 2026 Varie sedi 14-19 luglio 2026 I tre appuntamenti concertistici di MeranOjazz dedicati alla scena internazionale e le masterclass dell'Academy didattica erano quest'anno particolarmente sostanziosi. D'altra parte, nel 2026 si festeggiavano sia il trentennale del Jazzfestival nella cittadina termale, che il venticinquesimo anno dell'attività formativa, fondata ...
Listening to Prestige: Chronicling Its Classic Jazz Recordings, 1949–1972
by Mike Jurkovic
Listening To Prestige Tad Richards 278 Pages ISBN: # 9798855804959 Excelsior Editions/State University of New York 2026 Hubris and romanticism are the clashing hallmarks of history and jazz, like all human endeavors, is no exception. A sinuous, serpentine, and often torturous road through the American landscape: Slavery, poverty, migration, ...
Take Five with Saxophonist Steve Treseler
by AAJ Staff
Meet Steve Treseler Steve Treseler is an award-winning Seattle-based saxophonist, composer, and innovative leader in teaching improvised music. Hailed by Earshot as a “firebrand of the tenor saxophone," DownBeat calls his music “beautifully crafted... whether free, through-composed, or somewhere in between." Steve performs and leads improvisation workshops throughout North America and Europe, performing at Birdland, Blue ...
Patrick Watson: Peter, The Wolf, And The New Orleans Bayou Ghosts
by Daniel Mège
Is Patrick Watson a jazz musician? Lennie Tristano said that jazz is defined by feeling. Having seen Patrick Watson on stage in 2025 in Lausanne and 2026 in Winterthur, Switzerland, he definitely has it, plus very cool vibes. He deserves the title. Since its release, “Peter and the Wolf" from Uh Oh (Secret City ...
Richie Beirach: Indelible Memories and Thought-Provoking Reflections on a Life in Jazz, Part 1
by Victor L. Schermer
This two-part article was first published on All About Jazz on August 13, 2019. Part 1 | Part 2 Richie Beirach hovers somewhat mysteriously in the pantheon of the great modern jazz pianists. Some of the others in that category from his generation (coming up in the 1960s/'70s), like Herbie Hancock, Keith ...
Jimmy Halperin: High And Outside
by Ken Hohman
Pianist Lennie Tristano's music was in many ways more complex than bebop, featuring a different harmonic language and driven by long, freely improvised melodic lines over a carefully modulated rhythm section. Tristano's disciple, saxophonist Lee Konitz, was the most creative interpreter of this approach and demonstrated its limitless possibilities over eight decades before his passing in ...
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