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Musician

Lennie Tristano

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A pianist of exceptional co-ordination and skill, for whom playing in different metres with each hand held no terrors, Lennie Tristano overcame blindness to become one of the leading teachers in jazz. While he was studying for his music degree in Chicago in the early 1940s, he had already begun playing and working with a circle of musicians who became his pupils - including saxophonist Lee Konitz and guitarist Billy Bauer. Tristano mastered the bebop style, playing both intricate runs and sustained chordal passages, and by the late 1940s was working in New York, where he made some significant discs with the musicians who had developed bebop - notably Charlie Parker and Dizzy Gillespie

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Article: Take Five With...

Take Five with Saxophonist Steve Treseler

Read "Take Five with Saxophonist Steve Treseler" reviewed by AAJ Staff


Meet Steve Treseler Steve Treseler is an award-winning Seattle-based saxophonist, composer, and innovative leader in teaching improvised music. Hailed by Earshot as a “firebrand of the tenor saxophone," DownBeat calls his music “beautifully crafted... whether free, through-composed, or somewhere in between." Steve performs and leads improvisation workshops throughout North America and Europe, performing at Birdland, Blue ...

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Article: Play This!

Patrick Watson: Peter, The Wolf, And The New Orleans Bayou Ghosts

Read "Patrick Watson: Peter, The Wolf, And The New Orleans Bayou Ghosts" reviewed by Daniel Mège


Is Patrick Watson a jazz musician? Lennie Tristano said that jazz is defined by feeling. Having seen Patrick Watson on stage in 2025 in Lausanne and 2026 in Winterthur, Switzerland, he definitely has it, plus very cool vibes. He deserves the title. Since its release, “Peter and the Wolf" from Uh Oh (Secret City ...

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Article: Interview

Richie Beirach: Indelible Memories and Thought-Provoking Reflections on a Life in Jazz, Part 1

Read "Richie Beirach: Indelible Memories and Thought-Provoking Reflections on a Life in Jazz, Part 1" reviewed by Victor L. Schermer


This two-part article was first published on All About Jazz on August 13, 2019. Part 1 | Part 2 Richie Beirach hovers somewhat mysteriously in the pantheon of the great modern jazz pianists. Some of the others in that category from his generation (coming up in the 1960s/'70s), like Herbie Hancock, Keith ...

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Article: Album Review

Jimmy Halperin: High And Outside

Read "High And Outside" reviewed by Ken Hohman


Pianist Lennie Tristano's music was in many ways more complex than bebop, featuring a different harmonic language and driven by long, freely improvised melodic lines over a carefully modulated rhythm section. Tristano's disciple, saxophonist Lee Konitz, was the most creative interpreter of this approach and demonstrated its limitless possibilities over eight decades before his passing in ...

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Video

Lennie Tristano - Solo Piano

Featuring the music of Lennie Tristano
Duration: 40:53

Lennie Tristano was blind yet a piano visionary. His pioneering approach to improvisation, characterized by long, unbroken melodic lines and intricate polyphony, remains a cornerstone of the cool jazz movement. This 1965 solo performance from Copenhagen’s Tivoli Gardens captures the pianist at his most daring and introspective. Listen for the independence of his hands as he reconstructs familiar standards, often ballads, into dense, contrapuntal tapestries. On more swinging tunes, Tristano’s left hand provides a steady pulse while the right unfurls endless jagged improvisations. The nine-song set begins with "Darn that Dream."
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Article: Album Review

Ramona Horvath: Absinthe

Read "Absinthe" reviewed by Artur Moral


How could one not connect with someone who, from her debut album as a leader, Lotus Blossom (Black & Blue, 2017), demonstrated such knowledge and admiration for Billy Strayhorn's timeless compositions? Or who, in the liner notes of her new project, counts among her supporters fellow pianists of the stature of Giovanni Mirabassi, Ignasi Terraza and ...

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Article: Album Review

Ted Brown Quartet: Just You Just Me

Read "Just You Just Me" reviewed by Jack Kenny


Ted Brown's 2013 album, recorded at various locations in New York and New Jersey, is steeped in the traditions of both Lester Young and Lennie Tristano, but what emerges is distinctly his own. Born in 1927, Brown channels the inspirations of these jazz giants, yet asserts his own individuality in every phrase. The ghostly presences of ...

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Article: Album Review

Rich Peare: Blues For Peter

Read "Blues For Peter" reviewed by Jack Kenny


There is a special kind of pleasure in sitting in a jazz club, listening to talented musicians use their skills to explore some of the finest melodies of the last sixty years. In their debut album, Blues for Peter, Rich Peare (classical guitar) and Don Messina (double bass) offer just that experience. The album features eight ...

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Article: Multiple Reviews

The Song Poetry of Torhild Ostad and Kazzrie Jaxen

Read "The Song Poetry of Torhild Ostad and Kazzrie Jaxen" reviewed by Jakob Baekgaard


While many singers interpret songs, few elevate them into song poetry--a fusion of lyricism and phrasing that transcends genre. This rare quality emerges when voice, words, and musical interplay coalesce into something greater than the sum of their parts. It is a phenomenon found in the recent albums by Norwegian vocalist Torhild Ostad and pianist-singer Kazzrie ...


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