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1,430

Article: Interview

Jeremy Pelt: A Man of Honor

Read "Jeremy Pelt: A Man of Honor" reviewed by Esther Berlanga-Ryan

by Esther Berlanga-Ryan

For the younger generation of jazz musicians, those in their thirties today, the path is not always as smooth and easy as we may think it is. Nobody likes to live in anybody's shadow. Jazz is populated with giants who left their mark and those who look up to them in order to be able to ...

492

Article: Album Review

Paul Keeling: The Farthest Reach

Read "The Farthest Reach" reviewed by Raul d'Gama Rose

by Raul d'Gama Rose

The cultures of several musical idioms collide in the music of pianist Paul Keeling on his album, The Farthest Reach. There is a distinct channeling of the pulsating rhythm of late-1960s bop, the gospel of which was spread by musicians such as Lee Morgan and Freddie Hubbard. Keeling also channels the glacial imagery of musicians who ...

1,574

Article: Interview

Craig Handy: The Busiest Man In Jazz

Read "Craig Handy: The Busiest Man In Jazz" reviewed by Robert Dugan

by Robert Dugan

Saxophonist Craig Handy is a musician's musician. Those “in the know" know about him, which is why he's been a first call player in New York for over two decades. He is a careful, thoughtful improviser—expansive and precise. His solos build on a rich knowledge of the tradition at the same time as they often set ...

612

Article: Old, New, Borrowed and Blue

Remembrance: Paying Tribute Through The Art Of Jazz Composition

Read "Remembrance: Paying Tribute Through The Art Of Jazz Composition" reviewed by Dan Bilawsky

by Dan Bilawsky

Paying tribute to the dearly departed is simply a part of life. We honor them with words and we pay our respects through our actions as we help to keep their memory alive. In music, we pay tribute to the dead through the medium that we know best...sound. Whether we use “requiem," “threnody," “ode," “elegy," or ...

158

News: Radio

James Zollar Debuts at #17 on the CMJ National Jazz Radio Chart

James Zollar Debuts at #17 on the CMJ National Jazz Radio Chart

After a twelve year recording hiatus as a leader, Zollar re-emerges with Zollar Systems, a refreshingly sharp hard bop recital, bristling with energy and sonic acuteness. Tired of that old Blue Note '50s-'60s blowing session model? Think again. Zollar breathes new life into the old form, tightening it up and repackaging it for the 21st Century. ...

349

Article: Album Review

James Zoller: Zollar System

Read "Zollar System" reviewed by C. Michael Bailey

by C. Michael Bailey

James Zollar is a musical treasure hidden in plain sight. He has played and recorded as a sideman for a variety of artists, including Cecil McBee, Tom Harrell, Weldon Irving and Sam Rivers, as a member of Wynton Marsalis' brass section in the Lincoln Center Jazz Orchestra, The Duke Ellington Orchestra and several of Don Byron's ...

533

Article: Big Band Report

Farewell, Sir John

Read "Farewell, Sir John" reviewed by Jack Bowers

by Jack Bowers

Some of us are old enough to remember when Sir John Dankworth was simply Johnny Dankworth, and quite simply one of the finest jazz musicians Great Britain has ever produced. Johnny became Sir John in 2006 when he was knighted by Queen Elizabeth, nine years after his wife, the marvelous singer Cleo Laine, was made a ...

1,679

Article: Interview

Nik Turner: Bringing the Music to the People

Read "Nik Turner: Bringing the Music to the People" reviewed by Jack Gold-Molina

by Jack Gold-Molina

Nik Turner is perhaps best known as the founding saxophonist and flautist for pioneering “space rock" band Hawkwind. As well as contributing to the profound influence that this band has had on rock and punk with its focus on community and grassroots movements--including its many benefit shows and long-standing support of England's free festivals, Turner may ...

229

Article: Album Review

Hadley Caliman: Straight Ahead

Read "Straight Ahead" reviewed by C. Michael Bailey

by C. Michael Bailey

The most appealing thing about Hadley Caliman, save for his very eloquent name, is his equally eloquent and understated tenor saxophone playing. Firmly in a post-Coltrane context, Caliman plays a virile and muscular tenor saxophone whose tone compels because of its carefully crafted rough edges. Straight Ahead follows up his 2008 Origin release Gratitude. ...

962

Article: Old, New, Borrowed and Blue

Four In One: Monk From Four Different Angles

Read "Four In One: Monk From  Four Different Angles" reviewed by Dan Bilawsky

by Dan Bilawsky

Superstitions tend to hold sway over many, otherwise, rational people. Plenty of us avoid walking under ladders, knock on wood and partake in countless other rituals that, while lacking in sound reasoning, certainly make us feel better and bring us comfort in our daily lives. Brides-to-be even fall into this category and believe that it will ...


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