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Jonathan Goldman: Bump and Let It Slide
by Chris M. Slawecki
On Saturday February 29, Spanglish Fly will celebrate completing their tenth full year as America's leading producer and exporter of the wicked hot musical sauce known as Latin boogaloo with a special anniversary performance hosted by the legendary Brooklyn hotspot Barbes. The quintessential musical melting pot Spanglish Fly features musicians with roots in Puerto ...
Lee Morgan: The Sidewinder
by Greg Simmons
Legend tells us that 1964's The Sidewinder was the album, and indeed the song, which saved Blue Note Records at a time when the label was struggling financially. Dashed off to fill some tape, at the end of the recording session, it peaked at number 25 on the Billboard charts—almost unheard of for a hard-bop record—stabilizing ...
Results for pages tagged "lee morgan"...
Lee Morgan
Born:
Lee Morgan was a jazz prodigy, joining the Dizzy Gillespie big band at 18, remaining a member for two years. Beginning in 1956, he began recording as a leader, mainly for the Blue Note label, eventually he recorded twenty-five albums for the company. Morgan's principal influence as a player was Clifford Brown, having had direct contact with him before Brown's premature death.
He was also a featured sideman on several early Hank Mobley records, and John Coltrane's Blue Train. On the latter LP, he even played a bent-up horn like Gillespie's. Joining Art Blakey's Jazz Messengers in 1958 further developed his talent as a soloist and writer. He toured with Blakey for a few years, and was featured on Moanin, which is probably Blakey's best known recording. When Benny Golson left the Jazz Messengers, Morgan persuaded Blakey to hire Wayne Shorter, a young tenor saxophonist, to fill the chair. This classic version of the Jazz Messengers, including Bobby Timmons and Jymie Merritt would record the classic The Freedom Rider album.
Tales of The Mystic Order of the Jazz Obsessed - Jazz Societies, Part II
by Karl Ackermann
Part 1 | Part 2 Jazz Societies, Part 1 briefly traced the preservation and interpretation of jazz from the oral history of its West African roots through academic and cultural institutions. The article included an overview of jazz societies and foundations that further the fostering of jazz education. The organizations vary in scope, size ...
Roberto Magris Sextet: Sun Stone
by Jerome Wilson
Roberto Magris, the prolific Italian pianist who spends a lot of his time in America, has recorded with several different types of groups in his career. This is his first outing with a new straight--ahead sextet that includes Chicago legend Ira Sullivan on alto and soprano saxophones and flute, and it is a strong one.
The Sidewinder
By Lee Morgan
Label: Music Matters
Released: 2019
Track listing: The Sidewinder; Totem Pole; Gary's Notebook; Boy, What A Night; Hocus-Pocus.
The Joshua Breakstone Trio: Children of Art: A Tribute to Art Blakey’s Jazz Messengers
by Mark Sullivan
When last heard from, guitarist Joshua Breakstone was exploring the music of legendary jazz pianists with his Cello Quartet on 88 (Capri Records, 2016). On this album he is joined by double bassist Martin Wind (whose credits include several recordings with drummer Matt Wilson as well as dates as leader) and drummer Eliot Zigmund (who is ...
Hard Bop Trumpet - Lee Morgan, Freddie Hubbard, Donald Byrd (1960 - 1967)
by Russell Perry
In this portion of Jazz at 100, we are featuring tenor players and trumpeters who propelled hard bop into the 1960s. In this hour, we will continue with the Trumpet Players, Part 1, featuring three players who apprenticed in the Jazz Messengers: Lee Morgan—a Blue Note leader since 1956, Freddie Hubbard—who made his debut as a ...
Blue Note Records Beyond The Notes
by Chris May
Blue Note Records Beyond The Notes Director: Sophie Huber Run Time: 111 minutes Eagle Rock Entertainment 2019 Blue Note fans will love this film. It is an unblemished, 360-degree, feel-good feast for the eyes and the ears. Intended by director Sophie Huber to make sense ...
The Jazz Messengers in the 1960s (1960 - 1964)
by Russell Perry
As the 1960s began Art Blakey's Jazz Messengers were fueled by the compositions of Wayne Shorter with the front line of Shorter and Lee Morgan. In 1961, this transitioned to the last great Messengers lineup of the 1960s—and it was one of the best ever—Freddie Hubbard on trumpet, Curtis Fuller on trombone, Wayne Shorter on tenor, ...
