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151

Article: Album Review

William Hooker: The Seasons Fire

Read "The Seasons Fire" reviewed by Laurel Gross


There's that iconic story about Elvin Jones, the man who altered the course of jazz drumming by seeking new sounds. Once at a gig in a bar as a young man, a customer came up to him and said, “Hey, make some noise." Relating the incident to Lewis Nash in a 1977 interview, Jones added: “People ...

204

Article: Album Review

The Jason Lindner Big Band: Live at the Jazz Gallery

Read "Live at the Jazz Gallery" reviewed by Laurel Gross


There's nothing quite like hearing a big band in person to partake of all the vibes in the room. But Live at the Jazz Gallery will give large ensemble fans a great sampling of what the distinctive and highly enjoyable Jason Lindner Big Band can offer. Lindner and his talented crew flawlessly present a menu of ...

220

Article: Album Review

Deborah Weisz: Trio

Read "Trio" reviewed by Laurel Gross


When some people talk about jazz being good because it is “relaxing," this listener wants to scream: What's wrong with these people? Jazz should be all kinds of things, but “relaxing ? That word seems to imply that the music is not challenging, interesting. Well, here's one case where this writer might have ...

311

Article: Album Review

Luis Bonilla: Terminal Clarity: Live at the Jazz Gallery

Read "Terminal Clarity: Live at the Jazz Gallery" reviewed by Laurel Gross


During its first seconds, Trombonilla's Terminal Clarity: Live at the Jazz Gallery sounds like a band tuning up or a bit of traffic gridlock with an impatient honk or two. But then it advances full swing into an enjoyable post-bop exploration worthy of intent listening. Luis Bonilla, a talented and focused New York-based ...

150

Article: Album Review

Bennie Wallace: Disorder at the Border, The Music of Coleman Hawkins

Read "Disorder at the Border, The Music of Coleman Hawkins" reviewed by Laurel Gross


Left New York's Jazz Standard last month barefoot because the band blew my socks (and even my boots) off. Baby it was cold outside, a December night threatening snow. But Bennie Wallace and the boys had played so hot I was warmed up inside and so immune to any chill. Wallace has been ...

627

Article: Profile

John Bunch

Read "John Bunch" reviewed by Laurel Gross


Pianist John Bunch has a lot of fantastic memories playing with such jazz luminaries as Benny Goodman, Woody Herman, Eddie Condon, Maynard Ferguson, Buddy Rich, Gene Krupa and as accompanist, musical director and conductor of major orchestras for Tony Bennett, but he recalls another “unforgettable" moment that wasn't so great.Even at 86 and still ...

137

Article: Album Review

Moutin Reunion Quartet: Sharp Turns

Read "Sharp Turns" reviewed by Laurel Gross


Must it be pointed out that François and Louis Moutin are twins? Admittedly, it is a novelty to see these two handsome Gallic faces mirror-image each other in live performance, and on a special DVD side of Sharp Turns, by their Moutin Reunion Quartet. But live with them a little and it will become apparent that ...

145

Article: Album Review

Amir ElSaffar: Two Rivers

Read "Two Rivers" reviewed by Laurel Gross


This exploration of Iraqi, American and Arab sensibilities, rooted in the lands and cultures bordering the Tigris and Euphrates rivers--the two flowing sources of the CD's title--is deeply affecting, musically adventurous and provocative. American-born ElSaffar, a talented New York-based trumpeter/composer, ventured to Iraq six years ago to study the music of his father's ...

159

Article: Album Review

Bob DeVos: Playing For Keeps

Read "Playing For Keeps" reviewed by Laurel Gross


There's nothing muddy about the waters Bob DeVos dips his digits into--his fluid, sure and straight-ahead guitar rings as clear as any superbly played horn. Favoring moving single-note lines, he has fashioned a playing style influenced by horn masters like Sonny Stitt and he obviously admires Coltrane, who has received tributes on a couple of his ...

182

Article: Album Review

Joe Fiedler: The Crab

Read "The Crab" reviewed by Laurel Gross


Trombone can be incredibly affecting and riveting, but is too often an underappreciated instrument, not always receiving the full respect or platform it deserves, even when its inborn versatility is masterfully handled by practitioners who grapple with its challenges and make it soar. No matter what music, mood or master it serves, this long and shiny ...


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