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4

Article: Album Review

The Bobby Broom Organi-Sation: Jamalot

Read "Jamalot" reviewed by Chris May


When Jimmy Smith brought the tablets down from the mountain, one of the commandments decreed that the job of an organ trio was to mix jazz standards with pop tunes and mash them all up into a seamless joyous brew. Guitarist Bobby Broom keeps to the original recipe on the live album Jamalot, recorded in 2014 ...

7

Article: Album Review

The Doors: Live at Konserthuset, Stockholm September 20, 1968

Read "Live at Konserthuset, Stockholm September 20, 1968" reviewed by Doug Collette


An excellent companion piece to the comparably memorable Live in Bakersfield August 21, 1970 (Rhino, 2023) and Live At The Matrix 1967: The Original Masters (Rhino, 2023), Live at Konserthuset, Stockholm September 20, 1968 features a live radio broadcast from September 20, 1968. Capturing The Doors at one of their performing peaks, it is apposite to ...

3

Article: Live Review

Umbria Jazz Winter 30

Read "Umbria Jazz Winter 30" reviewed by Libero Farnè


Umbria Jazz Winter 2023 Orvieto Varie sedi 28.12.2023--1.11.2024 Umbria Jazz Winter, tutto concentrato nel centro storico di Orvieto, è un festival a misura d'uomo. Prestigiose le sue sedi, tutte raggiungibili a piedi in trasferimenti di pochi minuti: il Teatro Mancinelli, prezioso teatro all'italiana della seconda metà dell'Ottocento, il maestoso Palazzo del ...

7

Article: Album Review

Sullivan Fortner: Solo Game

Read "Solo Game" reviewed by Mike Jurkovic


Mentored by Fred Hersch and Jason Moran, and produced by Hersch, Solo Game puts pianist Sullivan Fortner in a really good place. That is before the music even starts. Then it does start with a sly and subdued solo on Stevie Wonder's buoyant 1973 top tenner, “Don't You Worry 'bout a Thing," while dropping subtle hints ...

Results for pages tagged "Kurt Weill"...

Musician

Kurt Weill

5

Article: Live Review

Miles Davis Celebration at SFJAZZ Center

Read "Miles Davis Celebration at SFJAZZ Center" reviewed by Harry S. Pariser


Music of Miles Davis: A Celebration SFJAZZ Center San Francisco, CA May 25-29, 2023 Music of Miles Davis: A Celebration For four consecutive nights, four different ensembles graced the stage of SFJAZZ Center to present four aspects of the musical legacy of renowned trumpeter Miles Davis The evenings also featured compositions ...

3

Article: Album Review

Judy Whitmore: Isn't It Romantic

Read "Isn't It Romantic" reviewed by Pierre Giroux


It seems that for most singers at some point in their career, delving into the Great American Songbook is “de rigueur." And why is that? Perhaps it's because the melodies are captivating, the lyrics are meaningful, and the quality of the compositions has proven to be timeless. In any event singer Judy Whitmore has added her ...

1

Article: Live Review

Umbria Jazz 2021

Read "Umbria Jazz 2021" reviewed by Libero Farnè


Perugia Varie sedi 09--18/07/2021 Fra i molti festival jazz che si sono affollati e sovrapposti nei mesi di giugno e luglio, probabilmente Umbria Jazz è quello che più ha sofferto della situazione pandemica. L'impossibilità di organizzare i concerti gratuiti nel centro storico, la mancanza di turismo, la defezione, anche all'ultimo minuto, di ...

22

Article: Album Review

Lucia Cadotsch: Speak Low II

Read "Speak Low II" reviewed by Friedrich Kunzmann


On their sophomore effort, the multinational European trio around Swiss vocalist Lucia Cadotsch follows the band's initial instinct of organically dissecting and rearranging old favorites of the respective band members. This time around the trio is expanded by English keyboartdist Kit Downes' occasional organ embellishments and Lucy Railton's additions of odd melodic cello lines to conceptually ...

48

Article: Album Review

The Calle Stenman Quintet: Mr Sands Is In The Dressing Room

Read "Mr Sands Is In The Dressing Room" reviewed by Chris May


Welcome to the debut album from the self-proclaimed “roughest jazz group in Sweden," led by trumpeter, flugelhornist and composer Calle Stenman. By rough, Stenman's original Swedish text probably meant something akin to “raucous," for there is nothing untutored or blemished about the album, which has been carefully crafted. Four of the tunes—the hard boppish “Jazzkaban," post-boppish ...


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