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423

Article: Multiple Reviews

Satoko Fujii: Trace a River, Cloudy Then Sunny & Kuro

Read "Satoko Fujii: Trace a River, Cloudy Then Sunny & Kuro" reviewed by Kurt Gottschalk


Satoko Fujii Trace a River Libra 2008 Junkbox Cloudy then Sunny Libra 2008 Gato Libre Kuro Libra 2008 The ...

174

Article: Album Review

Wadada Leo Smith's Golden Quartet: Tabligh

Read "Tabligh" reviewed by Kurt Gottschalk


Wadada Leo Smith's first Golden Quartet record came as a happy surprise during a burst of activity. The five albums he released on Tzadik from 1999 to 2002 focused largely on his beautifully serene, long-form compositions. But 2000's Golden Quartet seemed to mark not just a new standing band for the trumpeter but an exciting new ...

450

Article: Multiple Reviews

Joelle Leandre Triple: Winter in New York (2006); DMG @ The Stone Vol. 1 & Freeway

Read "Joelle Leandre Triple: Winter in New York (2006); DMG @ The Stone Vol. 1 & Freeway" reviewed by Kurt Gottschalk


Joelle Leandre & Kevin Norton Winter in New York 2006 Leo Records 2007 Joelle Leandre / Marilyn Crispell / Roy Campbell, Jr. / Mat Maneri The Stone Quartet DMG/ARC 2008 Joelle ...

439

Article: Multiple Reviews

Wiliam Parker Triple: Corn Meal Dance; The Inside Songs of Curtis Mayfield: Live in Rome & Alphaville Suite

Read "Wiliam Parker Triple: Corn Meal Dance; The Inside Songs of Curtis Mayfield: Live in Rome & Alphaville Suite" reviewed by Kurt Gottschalk


William Parker / Raining on the Moon Corn Meal Dance Aum Fidelity 2007 William Parker The Inside Songs of Curtis Mayfield: Live in Rome Rai Trade 2007 William Parker Double Quartet

208

Article: Album Review

ShotXShot: Let Nature Square

Read "Let Nature Square" reviewed by Kurt Gottschalk


The ShotXShot formula is a simple one. It follows the Ornette Coleman model of group improvisation on set themes, although its music doesn't sound like Coleman's harmolodics. It has a rolling, mellifluous sound, without Coleman's sharp angles. And rather than the sax/trumpet front line of Coleman's classic quartet, it has the twin saxophones of Bryan Rogers ...

535

Article: Record Label Profile

Les Disques Victo

Read "Les Disques Victo" reviewed by Kurt Gottschalk


Victoriaville is a small prairie city 100 miles northeast of Montreal in Quebec. Its name--or the diminutive “Victo"--has become synonymous among a legion of faithful with the diverse music festival that happens there every May. It might not be the biggest festival the town of 40,000 sees every year--the summer “Retro" '50s fest probably pumps more ...

176

Article: Album Review

Anthony Coleman: Lapidation

Read "Lapidation" reviewed by Kurt Gottschalk


After a recording career given over in large part to shtick and nostalgia, the last few years have seen a well-deserved spike for Anthony Coleman. His last two records for Tzadik showed him (on 2006's Pushy Blueness) as a strong composer and (also 2006, Shmutisige Magnaen: Coleman Plays Geburtig) a remarkable interpreter. Lapidation continues the documentation ...

231

Article: Album Review

Steve Harris Zaum: I hope you never love anything as much as I love you

Read "I hope you never love anything as much as I love you" reviewed by Kurt Gottschalk


With a background in jazz, improv, funk, rock and rhythm and blues it makes sense that Steve Harris' music didn't come off sounding like any one thing. The drummer, who died in January, 2008 at the age of 59, may have been as known for his efforts close to home as his recordings--he worked as Music ...

415

Article: Multiple Reviews

William Parker: Blue Shadows & The Last Dances

Read "William Parker: Blue Shadows & The Last Dances" reviewed by Kurt Gottschalk


Charles Gayle Blue Shadows Silkheart 2007 Hamid Drake/Anders Gahnold/William Parker The Last Dances Ayler 2007 Over the last decade (this year marks the 10th anniversary of his brilliant Peach ...

819

Article: Profile

Joelle Leandre

Read "Joelle Leandre" reviewed by Kurt Gottschalk


Joelle Leandre has a huge voice. Not just a formidable singing voice, which can be friendly and frightening, charming and vulgar. And not only on her instrument which can be firmly grounded one moment and soar the next. Leandre's voice unabashedly carries conversation, carries it to unexpected places, making quick turns, never slowing down or backing ...


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