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168

Article: Album Review

Rova Saxophone Quartet: Resistance

Read "Resistance" reviewed by Kurt Gottschalk


Two premiere saxophone quartets came out of the final quarter of the last century, and both continue to carry on (each having lost one original member along the way). Rova and the World Saxophone Quartet (WSQ) are notable for having overcome the limitations posed by groupings of like instruments, each finding their way to distinct voices ...

657

Article: Record Label Profile

Intakt Records

Read "Intakt Records" reviewed by Kurt Gottschalk


“We didn't want to have a label. We told people we would do one record, maybe two." So says Patrik Landolt, executive director and one of the founders of the highly regarded Swiss label Intakt. Landolt was working as a journalist at the leftist weekly he founded (and still edits) 17 years ago ...

149

Article: Album Review

Carter-Cook-Kowald-LaMaster: Principle Hope

Read "Principle Hope" reviewed by Kurt Gottschalk


As skillful a horn player as he is, Daniel Carter isn't much of a conversationalist. He's proficient on sax, flute, clarinet and trumpet, but in general it's best if he's the only one touching the horns. Without speculating as to why, it's safe to say that Carter is best heard solo or backed by strings and ...

212

Article: Album Review

Matthew Shipp: Equilibrium

Read "Equilibrium" reviewed by Kurt Gottschalk


Matthew Shipp has done a praiseworthy thing with an odd outcome in his Blue Series for the Thirsty Ear record label. Shipp has overseen the creation of an important and identifiable sound, a label in the classic sense of old Blue Note and Impulse! records which appealed to the listener by offering a dependable product with ...

129

Article: Album Review

Various Artists: Live at Tonic

Read "Live at Tonic" reviewed by Kurt Gottschalk


Back a dozen years ago and more, the Knitting Factory put itself on the national map with a series of self-released live compilation discs. It was not just a good PR move on the part of the club, nor simply a smart way to launch their label. The five Live at the Knitting Factory discs, and ...

281

Article: Album Review

Assif Tsahar: Embracing the Void

Read "Embracing the Void" reviewed by Kurt Gottschalk


On his first few releases, in duos and trios with Susie Ibarra and William Parker, Assif Tsahar proved himself a talented tenor man. More recently, he is showing his composing side, and a strong side it is. His string-heavy New York Underground Orchestra played a beautiful set at this year's Vision Festival with the leader conducting; ...

207

Article: Album Review

Kahil El'Zabar: Love Outside Of Dreams

Read "Love Outside Of Dreams" reviewed by Kurt Gottschalk


Despite more domestic releases in the last decade than ever before in his career, and a higher profile after playing with the likes of Hamiet Bluiett and DD Jackson, percussionist and composer Kahil El'Zabar remains one of the best kept secrets in the Midwest. There are a few possible (if superficial) reasons: the strong Africanism embraced ...

237

Article: Album Review

Cecil Taylor/Bill Dixon/Tony Oxley: Cecil Taylor/Bill Dixon/Tony Oxley

Read "Cecil Taylor/Bill Dixon/Tony Oxley" reviewed by Kurt Gottschalk


I have a confession to make. One night at the Hotel Colibri in Victoriaville, Quebec, after a resoundingly disdained set by Cecil Taylor, Bill Dixon and Tony Oxley, I rode up in the elevator with Oxley and Victo festival promoter Michel Levasseur. My room was on the first floor, but I wanted to hear what they ...

141

Article: Album Review

Ori Kaplan: Le Magus

Read "Le Magus" reviewed by Kurt Gottschalk


There's a variety of assumptions to be made from saxophonist Ori Kaplan titling his new CD Le Magus. The suggestion could be that Kaplan is a sorcerer, one of the wise men who traveled to Bethlehem to greet the newborn Jesus or the twisted, manipulative millionaire of the John Fowles novel. In a sense, though, any ...


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