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Ksawery Wojcinski

Ksawery Wojcinski, born in 1983 in Konin, Poland. Double-bass player, composer, vocalist. He graduated from Primary and Secondary Music School in Konin and Musical Academy in Bydgoszcz (Poland).He performed on numerous festivals, among others: Abank Jazz Festival ( Istambul, Turkey), Periferias Festival ( Spain), Jazz Juniors (Krakow) Jimi Glass (Spain), Berlin Jazz Festival (Germany). Off Festival, Lublin Jazz Festival (Poland) Jazz Jantar, Sopot Jazz Festival, Jazztopad, Krakow Jazz Autumn, Bielska Zadymka Jazzowa (Poland). Nordischer Klang (Germany), InJazz(Nederlands), Tzadik Poznan Festival, Warszawa Singera, Polski Jazz Festival (Austria), Jazz Bez (Poland-Ukraine) Ad Libitum FestivalHe gave concerts in Germany, England, Spain, Ukraine, Belarus, Denmark, Holland, Norway, Hungary, Austria and Serbia., Turkey. He colaborates with: Hamid Drake, Uri Caine, Charles Gayle, Nicole Mitchell, Satoko Fuji, Alan Bern, Michael Zerang, Mikolaj Trzaska, Marco Eneidi, Hans Peter Salentin, Tim Daisy, Dave Rempis, Frank Gratkowski, Mike Reed, Mwata Bowden, Tim Sparks, Ken Vandermark, Roger Turner, Mats Gustavsson, Tobias Delius, Ray Dickaty, Paal Nielsen Love, Matt Davis, Klaus Kugel, Aleksander Skoric, Agusti Fernandez Max Andrzejewski and many others. Discography: -Hera – 2010 (Multikulti) - Nuntium – 2011 ( Multikulti) - Hera- „Where My Complete Beloved Is” 2011( Multikulti) - Affinity – 2012 (Multikulti) - Arc of O- Nicole Mitchell – 2012 (Rouge Art) - Hera & Hamid Drake – 2013 ( Multikulti) - Szpilman, Uri Caine – 2014 ( Multikulti/Nina) - ”The Soul” Solo Album 2014 (For Tune) - Marco Eneidi- “Streamin Four” 2014 (ForTune) -”Prophetic Fall” -2014 ( Not Two) - Infant Joy Quintet – 2014 ( For Tune) -”Ten Little Stories” 2015 ( For Tune)/ -”Night Talks 2015 (Słuchaj!) - Marcin Łosik Trio- “Emotional Phrasing”2015 ( DotTime) - Warsaw Improvisers Orchestra -2015 ( Listen!) - Agusti Fernandez “River, Tiger , Fire 2015 ( Listen!) - Czoczko, “Core 6” 2015 ( For Tune) - Charles Gayle Trio ,”Christ Everlasting”2015 (For Tune) - Wójciński/Szmańda Q-tet “Delusions” 2016 ( Listen!) Upcoming this year: - Maniucha i Ksawery 2017 Music of Polisia.(Wodzirej) - Charles Gayle Trio 2017 ( For Tune)



Read "JAZZTOPAD 2018" reviewed by Henning Bolte

Jazztopad Festival Witold Lutoslawski National Forum of Music National Forum of Music, Club Mleczarnia November 21-25, 2018 Jazztopad is the annual Jazz Festival of Poland's Witold Lutoslawski National Forum of Music in Wroclaw. Wroclaw, a vibrant, hip, internationally oriented city that never sleeps, has character, lots of peculiar neighborhoods, populated by ...


I nuovi percorsi del Polish Jazz

Read "I nuovi percorsi del Polish Jazz" reviewed by Angelo Leonardi

Una nuova generazione si fa avanti con determinazione sulla scena del Jazz polacco e molti trovano accoglienza nel catalogo della For-Tune. L'etichetta si propone ambiziosamente di “salvare dall'oblio i fenomeni musicali di natura eterna." Non si rivolge esclusivamente al jazz o agli artisti polacchi e il suo catalogo ospita anche lavori di William Parker, Mary Halvorson, ...


Hera: Where My Complete Beloved Is

Read "Where My Complete Beloved Is" reviewed by Eyal Hareuveni

It may be symbolic that the albums of the innovative Polish ensemble Hera are released by the label Multikulti. After all, the label's name follows Don Cherry's all-embracing vision of a new world music, a vision where distant and foreign traditions enrich each other, artificial genre distinctions and geographical boundaries are blurred, and stereotypical divisions between ...


Label: CEA Music Company
Released: 2011
Track listing: 01. Chapter 1; 02. Chapter 2; 03. Chapter 3; 04. Chapter 4; 05. Chapter 5; 06. Chapter 6; 07. Chapter 7.


Robert Kusiolek: Nuntium

Read "Nuntium" reviewed by AAJ Italy Staff

Una lunga, unica improvvisazione (oltre quarantasette minuti) suddivisa in sette capitoli che la connotano dal punto di vista del climax ma che non ne scalfiscono l'organicità. Inizia con il silenzio Nuntium, i primi venti secondi sono pressoché impercettibili, e prosegue come un'invocazione, un violino dolente e il salmodiare della voce che procedono all'unisono. Poi, quasi che ...


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