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The Latest From Clean Feed Records
by Mark Corroto
2021 marks the twentieth year of Lisbon's Clean Feed Records. Listeners went from thinking ”who knew there was jazz in Portugal?" to acknowledging the label as the flag bearer of jazz' vanguard. Besides releasing music by Evan Parker, Mats Gustafsson, Steve Lehman, Julius Hemphill, Charles Gayle, Anthony Braxton, Elliott Sharp, Eric Revis, Harris Eisenstadt, and Kris ...
Hafez Modirzadeh: Facets
by Hrayr Attarian
Innovative composer and saxophonist Hafez Modirzadeh has always pushed the idiomatic envelope in his work. His eighth release as a leader, the stimulating Facets is, as hinted on the cover art, a musical kaleidoscope. Consisting of 18 short tracks the album explores various time signatures, modes and tonal colors that fuse many musical traditions.
Ches Smith’s We All Break: Path of Seven Colors
by Vic Albani
Il fatto che da qualche anno la produzione discografica non sia più nelle strette mani delle multinazionali sta man mano aprendo infinite possibilità per gli artisti più creativi e, quantomeno in questo caso, ai nomi collegabili all'avanguardia. Oramai la situazione è chiarissima per i fruitori della stessa (in breve, a noi ascoltatori). Si brindi ...
Ches Smith / We All Break: Path of Seven Colors
by Karl Ackermann
For some time, drummer/composer Ches Smith kept his interest in the Voudou music of Haiti at bay. Recognizing himself as an outsider in that world, he researched, listened, studied, and after years brought a project to fruition. Smith's group We All Break released their self-titled, self-produced debut in 2017 and received less attention than deserved. Now ...
Tom Rainey Obbligato: Untucked In Hannover
by Dan McClenaghan
Tom Rainey Obbligato is drummer Rainey's jazz standards group. Untucked In Hannover is the first live album of a triptych. It follows Obbligato (2014) and Float Upstream (2017), both on Intakt Records. Great American Songbook tunes hammered and bent and stretched away from expectations into new shapes is the name of the game, an approach which ...
Lina Allemano, Dennis Gonzalez and Znap
by Maurice Hogue
A mixed bag of treats: Toronto's talented avant-garde trumpeter, Lina Allemano, debuts her latest Vegetables , saxophonist Noah Preminger and bassist Kim Cass hook up for a pandemic-inspired project, Dallas trumpeter Dennis Gonzalez is back again with the Ataraxia Trio, and there are some European releases: from Italy in the form of Circles 44 and Nazareno ...
Celebrate ‘Jazz In Canada’ With Two Free Virtual Concerts April 29-30
On April 29-30, 2021 at 8PM EDT, audiences are invited to experience the vitality of Canadian Jazz artists’ Kris Davis and FYEAR, co-presented by the National Arts Centre and Canada Council for the Arts, at Germany's jazzahead! These concerts will be streamed online from the National Arts Centre’s Facebook page and simultaneously streamed by 18* Canadian ...
Women in Jazz: Pianists / Composers
by Russell Perry
Until recently, women in jazz were predominantly singers and pianists. While women have expanded their contributions, women players still excel in both roles and there are an amazing group of women pianists enriching the music today, many of whom are top-flight composers. In our final program dedicated to women in jazz, celebrating an extended Women's History ...
Jazzahead! And International Jazz Day Announce Co-operation
Two of the leading international organisations in jazz, the Herbie Hancock Institute of Jazz and jazzahead!, the world’s largest jazz trade fair, are jointly announcing a new co-operation in honor of UNESCO International Jazz Day 2021. jazzahead! this year takes place under the motto “Close Together From Afar" and will run from Thursday 29 April to ...
Hafez Modirzadeh with Kris Davis, Tyshawn Sorey and Craig Taborn: Facets
by Troy Dostert
A rigorous, sometimes imposingly cerebral innovator, tenor saxophonist Hafez Modirzadeh has dedicated himself since the 1980s to ever more ambitious ways of opening up the Western musical tradition to scrutiny. A particular obsession is the restrictive quality of conventional instrumental tunings, which, as Modirzadeh perceives them, can limit the possibilities available to improvisers and composers alike, ...
