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3

Article: Profile

Introducing Nir Felder

Read "Introducing Nir Felder" reviewed by Angelo Leonardi


La recente uscita di Golden Age, debutto da leader di Nir Felder (Okeh 2014), conferma i positivi riconoscimenti che il chitarrista ottiene sulla scena musicale di New York. A partire da maestri come Greg Osby, Terri Lyne Carrington o Jack DeJohnette, molti jazzmen l'hanno coinvolto nei loro organici, facendolo conoscere oltre la cerchia del suo pubblico ...

18

Article: Interview

Takuya Kuroda: Rising Son

Read "Takuya Kuroda: Rising Son" reviewed by DanMichael Reyes


Awards aren't handed down to individuals that proclaim how tough it is to live in New York. Likewise, it's not news to write that the life of the modern day jazz musician is difficult. If we follow the past two sentences we might come to the conclusion that the life of a New York jazz musician ...

Album

No Beginning No End

Label:
Released: 2013
Track listing: 01. It’s All Over Your Body; 02. Sword + Gun; 03. Trouble; 04. Vanguard; 05. Come to My Door; 06. Heaven on the Ground; 07. Do You Feel; 08. Make It Right; 09. Bird of Space; 10. No Beginning No End; 11. Tomorrow.

News: Recording

Trumpeter Takuya Kuroda Set To Make Blue Note Debut With Feb. 18 Release Of “Rising Son” Produced By José James

Trumpeter Takuya Kuroda Set To Make Blue Note Debut With Feb. 18 Release Of “Rising Son” Produced By José James

Ascendant trumpeter and composer Takuya Kuroda is set to make his Blue Note debut with the February 18 release of Rising Son, which was produced by Jose James. Kuroda, who is best known for his inspired presence in James’ band, steps forth here to helm that remarkable band which features keyboardist Kris Bowers, electric bassist Solomon ...

6

Article: Extended Analysis

Etienne Charles: Creole Soul

Read "Etienne Charles: Creole Soul" reviewed by Nigel Campbell


With his simple declaration, “sound is my art...I just try to create," Trinidadian jazz trumpeter Etienne Charles puts into context his role of creator and producer in relation to his latest recording. This new album, previewed earlier this year in Tobago at Jazz on the Beach at Mt Irvine, reveals an evolution of his art that ...

8

Article: Interview

Etienne Charles: Trumpet's First Chantwell

Read "Etienne Charles: Trumpet's First Chantwell" reviewed by DanMichael Reyes


Trinidadian-born trumpeter Etienne Charles has made it a point to share the culture of his native homeland with the world through music, whether it is writing songs on cuatro or steel pan, incorporating Kweyol chants on the opening track to his latest album Creole Soul (Culture Shock, 2013), or playing with an undeniable Caribbean bounce that ...

8

Article: Album Review

NEXT Collective: Cover Art

Read "Cover Art" reviewed by Chris M. Slawecki


Cover Art heralds the NEXT Collective: Seven musicians--Logan Richardson (flute and alto saxophone), Walter Smith III (bass clarinet and tenor saxophone), Matthew Stevens (guitar), Gerald Clayton (piano and Fender Rhodes), Kris Bowers (Fender Rhodes), Ben Williams (bass) and Jamire Williams (drums) --whose debut quite capably bears up under the heavy “young lions of jazz" mantle. Bassist ...

6

Article: From the Inside Out

Requiems, Remodels & Remembrances

Read "Requiems, Remodels & Remembrances" reviewed by Chris M. Slawecki


Michael BurksShow of StrengthAlligator Records2012 Michael “Iron Man" Burks grew up playing guitar. A quick study, he soon began leading the blues, rhythm and blues and soul house bands that backed O.V. Wright, Johnnie Taylor and other stars as they passed through the ...

8

Article: Album Review

Jose James: No Beginning No End

Read "No Beginning No End" reviewed by Enrique Turpin


Tal vez no sea intención de José James (Mineápolis, 1978) reemplazar a D'Angelo en el reinado del neo-soul que se empezó a fraguar a mediados de los años 90, pero puede que lo logre sin proponérselo. En su cuarto trabajo --y primero para Blue Note-- ha recuperado el testigo que seguía en el suelo a la ...

Article: Album Review

José James: No Beginning No End

Read "No Beginning No End" reviewed by AAJ Italy Staff


Che la presenza della voce nel jazz sia un'importante chiave di successo commerciale non è certo una novità [anche la coraggiosa Impulse! consigliò a John Coltrane un bel disco con Johnny Hartman, dopotutto...], ma negli ultimi tempi assistiamo a un ulteriore rinforzarsi di queste strategie di marketing. Se le vicende di casa nostra raccontano di abbinamenti ...


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