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Results for "King Oliver"
Albert Ayler. Un ardito sogno futuristico
by Giuseppe Segala
Come una meteora, Albert Ayler ha attraversato il firmamento della musica neroamericana, dal 1962 al 1970. E ha lasciato il segno. Una traccia presente e attiva tutt'oggi, nell'operato di numerosi musicisti che dedicano il proprio lavoro all'improvvisazione e alla ricerca di un'autenticità dell'espressione artistica. L'apparizione del sassofonista nel mondo del jazz, una vera epifania, ...
Soundpath
by Victor L. Schermer
Muhal Richard Abrams (1930-2017) was a revered pianist, composer and teacher of great capability and range who, in addition to his own achievements, inspired and influenced many jazz musicians in both the mainstream and avant-garde categories. Largely self-taught as a result of a personal decision to follow his own path, and early on pursuing church music, ...
Mauro Ottolini: Nel cuore pulsante di Storyville
by Paolo Marra
Con il disco Storyville Story, prodotto dall'etichetta Parco della Musica Records, Mauro Ottolini ci riporta nel cuore pulsante della vita artistica di New Orleans facendoci rivivere lo spirito esuberante della tradizione del jazz degli anni'20 del secolo scorso. L'album, registrato dal vivo ad Orvieto e Perugia tra fine 2018 ed estate 2019, vede Fabrizio Bosso come ...
August Birthdays
by Marc Cohn
August birthdays this week, celebrating the centennials of Charlie Parker, singer Jimmy Witherspoon and bassist George Duvivier. George only did one session as a leader for a French label, which I have never been able to find. So, we pair him with other August celebrants: Jimmy Rushing, Lester Young, Arnett Cobb and Art Farmer. We also ...
American Frederick Thomas: 'The Black Russian' Who Connected Jazz To The Margins Of Asia
by Arthur R George
The child of former slaves, Frederick Bruce Thomas' New York Times obituary called him the sultan of jazz," for the jazz palace he founded in Constantinople (now jny: Istanbul) after World War I, a jazz borderland beyond even the music's early jny: Paris outpost. He was hosting bands in Constantinople in 1921 even before Louis Armstrong ...
Matt Ulery: Pollinator
by Mike Jurkovic
What a wonderful lift to an otherwise dismal year is Pollinator, Chicago based bassist Matt Ulery's unabashed revelry in swing jazz circa King Oliver and Jelly Roll Morton. Add a few pops, skips and other random surface noises to the sound of these eight unbridled, hothouse Ulery compositions and you'd swear you were sitting in and ...
Field Trip To The Vault!
by Marc Cohn
After a dose of 21st century music from Dave Allen, Pat Metheny and Aziza, we continue to celebrate the life of Sonny Rollins with tracks from his last session for Prestige in 1956. Then it's deep into the vault for two 78rpm recreations from Charlie Parker (on tenor) with Miles & Erroll Garner's trio from the ...
Pete Brown: White Rooms & Imaginary Westerns, Part 1
by Duncan Heining
Part 1 | Part 2 Poet, lyricist, rock musician, producer and scriptwriterPete Brown has covered a lot of bases in his six decades in music and literature. His career embodies that era that began with the Beatles' Love Me Do" in October 1962 and ended in January 1969 with the band playing live on ...
Ben Goldberg: Good Day For Cloud Fishing
by Mark Corroto
Poetry and jazz, jazz and poetry, which came first? Ben Goldberg poses that same question with Good Day For Cloud Fishing. His answer to the philosophical 'chicken or the egg' riddle is well, both. Sure, Homer wrote the Iliad centuries before King Oliver put cornet to lips, but damn if there wasn't some gutbucket rhyming to ...
The Black Swan: A History of Race Records
by Karl Ackermann
Montgomery, Alabama native Perry Bradford was an African-American composer and vaudeville musician when he approached General Phonograph Company, Director of Artists, Fred Hagar in 1920. Bradford was pitching Mamie Smith, a relatively unfamiliar pianist and singer from Cincinnati, Ohio, and Hagar agreed to a two-side recording deal. Widely regarded as a blues singer, Smith more frequently ...