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Michael Blake: Red Hook Soul

by Maurizio Comandini
Il saxofonista canadese Michael Blake è ormai newyorkese fino in fondo all'anima ma se date retta ai profumi che si spargono nell'aria ascoltando questo ottimo Red Hook Soul si direbbe che, quando serve, almeno una parte della sua anima si trasferisca magicamente nelle vie di New Orleans, a caccia di quel groove solido, viscerale e fantasioso ...
Roland Kirk: Here Comes The Whistleman

by Duncan Heining
This December, it will be thirty-nine years since Rahsaan Roland Kirk split the scene for good. He was forty-one and about two-thirds of that short life span had been spent as a professional musician. He might not have been around long but he left behind a powerful legacy that may have no parallel in jazz or ...
Piccola guida al nuovo jazz italiano

by Luca Canini
Non è vero che il jazz italiano sta bene. Non è vero che siamo il paese dei festival e che abbiamo musicisti che tutto il mondo ci invidia. Possiamo raccontarcela tra di noi, se vi va. Facendo finta che questo sia il migliore dei mondi possibili e che il sole dell'avvenire splenda alto sopra l'orizzonte, ma ...
BGO Records: Excellence in Jazz Reissues

by Jakob Baekgaard
In the digital age we live in, there is no doubt that the business of reissuing music is booming. It has never been easier to get music, old and new, in digital or physical form. However, one thing is to re-release a record; another thing is to do it the right way. BGO Records, run by ...
Mindi Abair: Game Changer

by Trish Richardson
You know a dream is like a river, Ever changing as it flows. And a dreamer's just a vessel, That must follow where it goes. --"The River," vocals by Garth Brooks, lyrics by Victoria Lynn Shaw You know what it's like to wake up in ...
Wadada Leo Smith, fenomenologia di un maestro

by Luca Canini
Non tutti i maestri sono uguali. C'è chi sceglie di farsi da parte, riducendo al minimo gli sconfinamenti, gli azzardi, i contatti con situazioni potenzialmente rischiose. E c'è chi invece si ostina a cercare, a condividere; tenendo fede a quella che del jazz è la suprema vocazione: la fisiologica tendenza a includere, in un continuo sovrapporsi ...
Lenny Pickett: Equal Opportunity Explorer

by R.J. DeLuke
Lenny Pickett is one of those tenor saxophonists who people have heard over and over and, if they're not paying attention, they don't realize it. If they are listening, they will probably pick up on his wailing altissimo phrases and his ballsy, funky sound. He's one of those players, like David Sanborn, who has ...
Alisha Pattillo: Houston by Way of Singapore

by C. Michael Bailey
Reed multi-instrumentalist Alisha Pattillo has a ubiquitous presence in Houston Texas, appearing with her own groups, which take on a variety of formats: Alisha's Quartet, Alisha's Quartet + 1 and Alisha's Quartet - 1. She is also the reed player for the Ezra Charles Band and Steve Krase & The in Crowd. Pattillo ...
Ralph Bowen: The Power Play

by Diana Kondrashin
[Editor's Note: A shorter version of this interview was originally published at Jazz.Ru. It has been translated and expanded exclusively for All About Jazz.]Ralph Bowen was born in Canada but he has pursued a jazz career in the United States for over 20 years, as tenor saxophonist, composer and arranger. He strikes neatly with ...
Duane Allman 'Skydog' retrospective chronicles groundbreaking career

Even if he’d never formed The Allman Brothers Band, Duane Allman would be a major figure in American popular music. Long before his name became known to mainstream audiences, he had already established his credentials as a once-in-a-lifetime guitar visionary, leaving his unmistakable stamp on a broad array of recordings. On March 5, 2013, Rounder Records, ...