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Derek Brown: All Figured Out
by Jerome Wilson
Tenor player Derek Brown has made a name for himself with a concept called “BEATBoX SAX," a method of playing saxophone in a continuous stream of pops, honks, melody and slap-tonguing that comes out like a hip-hop variation on Boots Randolph's old novelty tune. “Yakety Sax." He has put several videos on YouTube of him doing ...
Benjamin Koppel: Curiosity Won't Kill This Cat
by R.J. DeLuke
Benjamin Koppel is an extraordinary Danish musician from an illustrious music family. He is all about music—of just about any kind. He's always absorbing it, discovering what there is to derive from it. A kind of restless desire to explore envelops him. He simplifies it in his own words: he's curious. It comes naturally to him. ...
Atlantic Records: More Giant Steps: An Alternative Top 20 Albums
by Chris May
Ahmet and Nesuhi Ertegun's Atlantic Records differs in one key respect from Prestige, Riverside, Impulse!, Strata-East and Flying Dutchman, the most prominent labels covered so far in this Building A Jazz Library series. Those labels' discographies consist almost exclusively of jazz. Atlantic had parallel interests in soul and rhythm-and-blues and, later, rock. This had consequences, as ...
About King Curtis
Results for pages tagged "King Curtis"...
King Curtis
Born:
Curtis 'King Curtis' Ousley was already a well-respected Jazz tenor saxophonist in 1952 when he moved to New York, to concentrate on doing session work for the growing Pop and R&B markets. Over the next decade, saxophone became the pre-eminent lead instrument within Rhythm & Blues/Rock n' Roll, and King Curtis became its leading exponent, spicing up massive numbers of hits with ear catching solos, sealing his reputation as one of the leading instrumentalists of that era. Perhaps he'll be most remembered as blowing that solo on The Coasters 1958 smash “Yakety Yak.” King Curtis was originally part of the late 40's honking Texas tenor sax brigade, counting Arnett Cobb, Earl Bostic, and Illinois Jacquet as influences
Talent, Tenacity, Tequila & a Tale of Two Texas Teenagers
by Alan Bryson
Train to Nowhere “Train to Nowhere" by Dave Dupree was the aptly named single released by Challenge Records on January 15, 1958. Newly founded by Gene Autrey, “The Singing Cowboy" of Hollywood fame, the Los Angeles based label was looking to land its first hit record. The single itself was on the road to “nowhere" until ...
Rob Dixon: Coast to Crossroads
by Chris M. Slawecki
"The album is called Coast to Crossroads because I'm based in Indiana, the Crossroads state, but I also work a lot on the West Coast and East Coast," explains saxophonist Rob Dixon, who leads this trio session with drummer Mike Clark and seven-string funk guitar maven Charlie Hunter (who also served as producer), plus occasional guest ...
One Day in Brazil, 50 Years in Germany
by Chris M. Slawecki
Tony Adamo Was Out Jazz Zone Mad Ropeadope 2018 Some African cultures preserved their history not by the written but by the spoken word, kept by oral cultural historians known as griots. On Was Out Jazz Zone Mad, vocalist Tony Adamo aspires to serve in this same role, ...
John Lennon's Imagine: The Ultimate Collection & Imagine/Gimme Some Truth Films
by John Kelman
While hardly a new idea, with so many classic artists and recordings now hitting forty and fifty-year milestones, there's been a proliferation of deluxe and super deluxe editions of major albums from the '60s and '70s in recent years. While some are better (and better value for money) than others, the market for surround sound mixes ...
Jerry Wexler e Aretha Franklin: quando la Soul Music conquistò il pianeta
by Angelo Leonardi
Nei giorni successivi il 16 agosto, tutti i media del mondo hanno commentato la morte di Aretha Franklin, la straordinaria soul singer e una delle massime voci del Novecento. Una scomparsa avvenuta in singolare coincidenza di quella di Jerry Wexler dieci anni prima. Il 15 agosto 2008 se n'era andato quel produttore dell'Atlantic Records che fece ...
Bob Reynolds: Communication Is Key
by R.J. DeLuke
Bob Reynolds, a saxophonist and composer of note with nine recordings under his own name and a work load that has him playing with artists like Larry Carlton, Snarky Puppy, Josh Groban, John Mayer and others, pauses when considering the genre of jazz and how he fits in. Reynolds doesn't have to apply his ...
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