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Pointing Fingers... And Naming Names
by Jack Bowers
As the countdown continues toward the last Big Band Report in June, the time has come to point fingers and name names--in other words, to compile a short list of contemporary jazz musicians who have risen above the norm to help make life more pleasurable for one devoted listener. These are, mind you, personal choices, and ...
Pacific Mambo Orchestra: Pacific Mambo Orchestra
by Edward Blanco
San Francisco's premier Latin big band launches its self-titled Pacific Mambo Orchestra (PMO) debut barely two years after pianist Christian Tumalan and trumpeter Steffen Kuehn founded the 19-piece ensemble. A festival favorite and fixture in the Bay Area, the PMO is a sizzling modern day Latin salsa jazz orchestra built to revisit the big band sounds ...
James Cammack: Where You At?
by Ian Patterson
Oftentimes, it's only the passing of time that can offer true perspective. In years to come, bassist James Cammack may look back on 2012 as the year when--after over 30 years in the business--he truly began his musical adventure in earnest. After 29 years playing bass in the ensembles of piano legend Ahmad Jamal, Cammack was, ...
The Joe Locke / Geoffrey Keezer Group, Half Moon Bay, CA, July 8, 2012
by Bill Leikam
Joe Locke / Geoffrey Keezer GroupDouglas Beach HouseHalf Moon Bay, CaliforniaJuly 8, 2012Vibraphonist Joe Locke and keyboardist Geoffrey Keezer have both played the Bach Dancing & Dynamite Society at the Douglas Beach House before Sunday July 8th, 2012, but with this appearance of the Joe Locke / Geoffrey Keezer Group, the ...
Mike LeDonne: Where There’s Smoke
by Bob Kenselaar
Mike LeDonne has more than made his mark in jazz over the years, on both piano and organ. One of the New York jazz scene's premier instrumentalists, he's long been a favorite of fellow musicians. “He is incredible," said the late Oscar Peterson, who once described how he would rush to hear LeDonne play every night ...
Tyshawn Sorey: Composite Reality
by Daniel Lehner
Though Tyshawn Sorey's Oblique-I (Pi Recordings, 2011) is his most recent release to date, it's actually comprised of some of the percussionist/composer's earliest work. Containing music that is sonically dense, enormously challenging and (as the title suggests) consistently blurs and obscures the lines drawn between improvisation and composition, it has been hailed by critics and fans ...
Christian McBride: Knocking on the Door
by Bob Kenselaar
Christian McBride was talking about the Grammy he received in October, 2011 for his big band album, The Good Feeling (Mack Avenue, 2011)--his first Grammy as a leader and third overall. While the bassist certainly appreciated getting the nod from his peers and from the Recording Academy, he said he gets just as much of a ...
Ahmad Jamal: Blue Moon
by Ian Patterson
Ahmad Jamal—senior statesman of jazz piano—first recorded 60 years ago. That he's still producing records of great energy, imagination and flair every couple of years is a remarkable testament to his singular talent. Blue Moon broadly follows the formula of It's Magic (Dreyfus Records, 2008) and A Quiet Time (Dreyfus, 2010); a few Jamal originals, a ...
Adam Cruz: Making Some Room
by R.J. DeLuke
Playing drums with some of the finest musicians around, touring the globe with them, and teaching music can be a lot on the plate of a person fortunate enough--and talented enough--to find themselves in that situation. In fact, that's a solid career.But for Adam Cruz--a much sought-after drummer on the New York City scene ...
Bobby Broom: Building a Legacy
by R.J. DeLuke
Guitarist Bobby Broom had a feel for music at a very young age. He was exposed first to clarinet and violin as a child, but they didn't have an impact on him. Eventually, an old guitar came through the household. It had four strings across an instrument with a small neck. “I didn't know ...
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