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Jonathan Kreisberg: Night Songs
by C. Andrew Hovan
Although technical proficiency and filigreed improvisations often catch the attention of the average jazz fan, those in the know will insist that you can't really evaluate the mettle of a jazz musician until you hear how he interprets a ballad. Memorable efforts from the jazz cannon that fruitfully establish a reflective mood over the length of ...
Matt Wilson: Live at The Cafe Bohemia
by Mike Jurkovic
From its modest opening in 1955 until its closing in 1960, 15 Barrow Street in Greenwich Village, aka Cafe Bohemia, housed such progressive jazz creators as Oscar Pettiford, Horace Silver and Kenny Dorham. Charlie Parker, who lived across the street, was booked to open the club and play for drinks but passed away before his run ...
Louis Stewart: Out On His Own
by Ian Patterson
In his lifetime, Irish guitarist Louis Stewart was probably more celebrated abroad than at home, winning the Best Soloist prize at Montreux Jazz Festival in 1968, playing in the house band at Ronnie Scott's and touring with Benny Goodman, J.J. Johnson and George Shearing. His third album, his extraordinary solo opus Out On His Own, was ...
Brazilian Vibraphonist Lucas Amorim Releases Debut 'Live in New York City'
From humble beginnings in Florianopolis, the capital of southern Brazil’s Santa Catarina state, rising vibraphonist Lucas Amorim readies to assert himself into New York City’s never sleeps jazz world with his live action debut Lucas Amorim: Live in New York City. Stirred to express himself after falling under the spell of Milt Jackson and Gary Burton ...
Jim Self: My America 2: Destinations
by Jack Bowers
Tuba maestro Jim Self's My America 2: Destinations is a successor of sorts to the album My America, recorded and released some twenty years before, also on Self's Basset Hound label. While personnel has inevitably changed (only trombonist Bill Booth returns from that earlier album), Self has employed the services of the same arranger, Kim Scharnberg—and ...
Craft Recording Celebrates the Enduring Legacy of Savoy Records and the Revolutionary Bebop Era with 'The Birth of Bop'
Featuring Painstaking Recreations of the Five 10-Inch LP Compilations That Were Originally Released by Savoy in 1952 and 1953, This Collection Includes 30 Newly Remastered Tracks Spanning 1944–1949 Craft Recordings proudly celebrates the legacy of Savoy Records with an all-new collection that chronicles the groundbreaking era of bebop (or bop) music. An essential introduction to this vital period in jazz music, The Birth of ...
Celebrating 75 Years Of His First Recordings Revisited
Label: Ezz-thetics
Released: 2022
Track listing: Thelonious; ’Round Midnight; Well You Needn’t; Off Minor; In Walked Bud; Epistrophy; Ruby My Dear; Evidence; Humph; Misterioso; I Mean You; Monk’s Mood; Who Knows; Four in One; Straight No Chaser; Criss-Cross; Eronel; Ask Me Now; Skippy; Let’s Cool One; Hornin’ In; Introspections; Sixteen.
Chicago Trumpeter & Composer Markus Rutz announces new album 'Storybook'
JMARQ Records is pleased to announce the February 17, 2023 release of Storybook, celebrated trumpeter and composer Markus Rutz’ sixth studio release as a bandleader. Fresh off the heels of the release of his critically acclaimed albums Blueprints – Figure One, Blueprints – Figure Two, and One Saturday in September, Rutz’ new innovative work takes listeners on a musical journey from past to present, ...
Jazz Musician of the Day: Kenny Dorham
All About Jazz is celebrating Kenny Dorham's birthday today! Overshadowed for most of his career by the likes of Dizzy Gillespie, Fats Navarro, Miles Davis, Clifford Brown, and Lee Morgan, Kenny Dorham's abilities as a composer and unique voice as an advanced bop trumpet player are underrated to this day. McKinley Howard Dorham was born on ...
Horace Silver: His Only Mistake Was To Smile
by Chris May
In his sleeve note for the audio restored Horace Silver album Live New York Revisited (ezz-thetics, 2022), British writer Brian Morton cut to the chase. “[Silver]'s only mistake," he wrote, “was to smile while he was playing... a challenge to the notion that jazz should be deadly serious and played with a pained rictus."
